Catalog: Fine Art: Paintings: Oil (10)

Andrew Thomas Schwartz (American, 1867-1942) oil on canvas of a hilly landscape with the morning mist rising off the more distant hills. A few evergreens, probably cedars, sit in the field that appears to be tan with autumn. The only sign of habitation is a low stone wall. A very similar painting though slightly larger was sold at Doyle in New York in 2006 titled, “Clearing, Morning, Blue Ridge Mountains, Virginia” and dated 1912...

Oil on canvas by Fred Pye (American, 1882-1964) of a wave crashing onto a rocky shore with whitecaps further offshore and a sunny but partly cloudy sky; in an elaborate white painted and gilt frame. Born in Iowa, studied in Paris Pye later lived in Cincinnati and painted in Maine. 26 x 36 inches (66 x 91 cm). Frame 32 ½ x 42 ½ inches (82,5 x 108 cm). Signed lower right in red Fred Pye. Based on the sticker on the back he was a member of The American Professional Artists League...

Oil on canvas of two horses eating cut greens with chickens pecking the earth nearby in a clean but slightly rundown curral (farmyard) under bright sunlight and with bright red blossoming tree behind the horses losing some blossoms. Giovanni Oppido (1907-1988) is a well documented Brazilian artist. The painting is 23 x 46 ¼ inches (58.4 x 117.5 cm) with frame 27 ½ x 50 inches (69.8 x 127 cm)...

A large oil on canvas by Henry Charles Lee (American, 1864-1930) titled on the stretcher, “Winter Landscape” and signed lower left “Henry C. Lee.” He lived in Cornwall New York and in France, where he died. The stretcher had an old label for a French artist supplies dealer Lucien LeFevre-Foinet with the number 7350.

Under a partly cloudy but blue sky the sun casts the shadows of bare trees on the slope in the foreground while the hills and cloudy sky show beyond...

An oil on mahogany panel of a Claudian landscape with trees to the far left above figures approaching a river, while figures on the opposite side stand beneath a rise in the landscape with mountains in the distance under a cloudy sky. The composition and manner suggest a late painting by the Scottish Alexander Nasmyth (1758-1840) or possibly his eldest son Patrick Nasmyth (1787-1831), though the brush strokes are looser than usual for either. 8 11/16 x10 ¾ with margin, 7 1/8 x 10 1/8 w/out...

Alfred Hair (American, 1941-1970) was an early Florida Highwaymen painter. This large painting depicts two leaning palm trees just above a beach with two high tide lines of debris, curling waves and seagulls all under a sunny but partially cloudy sky. Signed, “A. Hair” lower left. The painting is 24 ¼ x 36 ¼ inches. The apparently original frame is 29 ½ x 41 ½ inches. Painted on panel (Upson board).

Condition: Excellent...

A well painted oil on board landscape of green fields in the foreground and a tan one in the distance with a group of trees on the left under a cloudy blue sky. The frame is a molded gilt frame. It is a good size; 19 inches tall by 21 ½ inches wide. With frame it is 26 ½ inches by 24 inches.

Condition is excellent with a recent cleaning and new frame.

Unsigned oil on paper laid on cardboard depicting the harbor with people in the foreground, the buildings on the right and the breakwater in the middle ground and the harbor with a ship and the far arm of land in the distance. Scenes of Naples painted either in gouche or oil were done throughout the 19th century with views of Vesuvius erupting being particularly popular. This one is attractive for the many figures and the carriages...

Oil on artist board of waves breaking on a rocky coast titled on the back in pencil, “Surf at Loblolly Cove.” Stanley Woodward, American (1890-1970), was a well-known Rockport Massachusetts artist. Also on the back is written in pencil, “FOR 1949 EXHIB.” The frame has printed on the lower edge words about copyright by Woodward so the silver gilt frame and narrow painted liner are original to the painting. Painting size 20 X 24 inches...

An oil on canvas in a naive style of a line of deer walking along a gentle hill toward the top of a larger hill with the sunset and distant view of the other side of the valley. The painting was found in Shenandoah Valley though no record of, “A. Taylor” has been found. The tone of the painting is warm. While there are no give away clues as to the age between the late 19th or the early 20th century, it has a feel of being in the earlier part of that range rather than the later...