Catalog (334)

An interesting gold filled on silver (?) locket with an engine turned cover on either side lifting to reveal a close up daguerreotype of a well-dressed woman on one side and on the other side of the locket a well-dressed man. They both look to be around forty years old and perhaps since the locket has a stem and ring it was meant to be worn like a small pocket watch by a grown child of theirs. 1 ½ inches diameter, with the stem and ring an additional 5/8 inches long.

Condition: a little ...

A Dutch delft heart shaped strainer on three short pointed feet and with attached handles at either end. Old Pat Guthman Antiques label on the base with the price of $550. 3inches (7.5 cm) tall, 5 inches (12.5 cm) wide and 7 ½ (19 cm)inches long.

Condition: Minor glaze chips, a small chip to the body on the underside and part of one foot missing. Good condition for the age and the softness of tin glazed earthenware.

A very nice shape for a strainer. SOLD

SOLD A Worcester mug with flared sides decorated in transfer printed underglaze blue of sprigs of natural flowers. Although it is unmarked the transfer on one side is identical to the one shown on the side of a Worcester marked jug shown in plate 282 of Godden’s Caughley and Worcester Porcelains 1775-1800. The transfers are well printed. 3 ¾ inches (9.5 cm) tall and a little more in diameter across the handle.

Condition: No chips, cracks, hairlines or repairs. Minor firing flaws. Remark...

A large faience shoe, lady’s high heel model, the white ground decorated with floral ropes, roses in bunches, and the toe resembling embroidery. The painting is the palate and tone typical of late 19th century Le Nove at their best. It is 4 5/8 inches (12 cm) tall, 8 5/8 inches (22 cm) long and 2 7/8 inches (7.5 cm) wide. On the bottom is the shooting star mark and there is no country of origin.

Condition: generally, very good though there are rough spots around the edge of the heel and so...

A molded porcelain plate with an overlapping acanthus leaf lip picked out in gilding and blue-grey. In the upper part of the well an exotic bird rests on a branch with green leaves and red berries. On the back are the gold anchor mark, pontil marks and an inventory number applied much later. Like most Chelsea of the period it is quite heavy. 8 ¼ inches (21 cm) diameter.

Condition: No chips, cracks, hairlines or repairs. The plate has seen use and has some knife scratches, stacking wear, scr...

A drawing with ink, pencil, watercolor and gouache on laid paper depicting a harbor scene very much in the manner of the French artist Claude Vernet (1714-1789). Perhaps there is a print source for this drawing. The work is signed in the lower right, “Tho. Ryves. 1770.” The most likely artist is either the father Thomas Ryves (1721-1788) or his son Thomas (born 1753) from the distinguished Dorset, England family. The drawing is 10 5/8 x 16 inches (27 x 40.5 cm).

Condition: heavily toned ...

An unmounted Japanese three-part woodblock print titled, Townspeople Watching the Noh play Okina in Edo Castle, 1889. The artist is Toyoharu or Yoshu Chikanobu (1838-1912). The work depicts the staging of the Noh play with a fairly boisterous looking crowd of townspeople and a group of Samurai and notables seated quietly. The height of the prints is 13 7/8 inches (35.3 cm) and they vary between 9 ¼ to 9 93/4 inches 23.5 to 24.7 cm) wide.

Condition: some soiling and all the corners are worn...

A Japanese woodblock three-part print showing a festival by a river or lake with boats, people in the water, a review stand (?) and numerous people, some with banners. The signature is for Hiroshige III and the censor’s seals for 1855. The paper is laid. Each sheet is approx. 14 5/8 x 9 7/8 inches (35.5 x 25 cm).

Condition: good with one crease to the lower left corner of the middle sheet and bends from being corner mounted with photo corners. Otherwise clean and crisp. Good bleed through...

Japanese woodblock print by Kunitero Utagawa (1808-1876) in three sheets, depicting the war council of the forty seven ronin. These ronin, the loyal retainers, had been Samurai in the service of Lord Asano when he was obligated to commit seppuku for drawing his sword at the Palace of the Shogun. He was provoked to drawing by many insults from Kira Yoshinaka. At their Lord’s death the samurai became ronin and swore revenge on Kira Yoshinaka which they carried out a year later and then many of t...

A large heavy porcelain ice-water pitcher made in either America or France but decorated in America, probably by E.V. Haughwout, a major New York City retailer of porcelain, glassware and silverware. This form, with a bridge near the spout for holding back ice cubes, is also known as a “sweetheart pitcher,” because of the vaguely heart-shaped wreath on either side. In that wreath on this pitcher is painted a view of the Green river in Wyoming and on the other side in gilt the name, “Mathew...

A well-executed watercolor of a tightly grouped bouquet of flowers. This may be a theorem made with stencils, though this painting looks as if it was done freehand. Theorems were more often stenciled on velvet. The style is of the mid-19th century. It could be either American or English. The frame is a good one of that period. The painting was almost certainly in an oval frame originally and the slight shadow around it is evidence of that frame. The sight size is 12 3/8 x 15 ½ inches with the ...

A watercolor view from the side including the obelisk and the twin spires of the church Trinita dei Monti (The church of the Santissima Trinità dei Monti) at the top of the Spanish Steps above the Piazza di Spagna in Rome. In the distance is a hill with an umbrella pine. Augustus John Cuthbert Hare (British, 1834-1903) is best known as a writer. He also painted watercolors as illustrations for his travel books.

This view of Rome was probably mounted in an album and later removed along with...

A very well hand painted on porcelain dessert plate depicting blackberries with leaves and canes in the well of the plate. A thin band of black and gilt marks the edge of the lip which is decorated with a shaped band of grey, separated from a band of maroon band by thin lines of black and white separated by a slightly thicker band of textured gilding. The rim is gilt. Three pontil marks are in the center of the bottom of the plate and the reddish-brown transfer printed mark of a belt inscribed, ...

A very well hand painted on porcelain dessert plate depicting a group of plums with stems and leaves in the well of the plate. A thin band of black and gilt marks the edge of the lip which is decorated with a shaped band of grey, separated from a band of maroon band by thin lines of black and white separated by a slightly thicker band of textured gilding. The rim is gilt. Three pontil marks are in the center of the bottom of the plate and the indistinct transfer printed mark is for the Lahoche &...

A Doccia master salt circa 1770; the molded form is a copy of a silver form. The piece is decorated with red enamel flowers with gilt highlights. Doccia was founded circa 1735 near Florence and continues to produce porcelain. Height is approximately 1 ½ inches (3.8 cm). Length is 3 ¼ inches (7.6cm) and width is 2 5/8 inches (5.1 cm).

Condition: Chipped foot with slight discoloration on foot, otherwise nice.

The master salt is made in an unusual form with bright decoration. Sold

A well decorated, marked and monogrammed hard paste porcelain compote. A band of peach ground with a finely detailed border of gilt decoration interspersed with green highlights and thin red lines surround the base and the top rim both on the inside and outside. In the center is a hand painted bouquet of blue/purple flowers (probably Anemone) with a hovering moth. The monogram, difficult to read other than the “R,” is painted on two sides of the stem. The maroon printed mark, “Ch. PILLIVUY...

A marked Meissen match safe from the late 19th century for those matches that were struck on any rough surface. The rough surface is on the inside of the top. The box is a rectangle with cut corners and curved sides. The outside of the top is stepped with blue bands marking each step to the flat top, the sides of the lower portion curve inward to a low foot. The crossed swords on the bottom in underglaze blue are typical late 19th century. There is also the number 46 in blue, an impressed symbol...

A print titled, “LE DEPART D’UNE FIORE” on heavy paper with the colors brown blue red/pink and black on white paper. Sometimes I find it difficult to determine if the colors have been applied to a single plate or if the print has been made with a separate plate for each color. This print feels as if it was printed with more than one plate because of the mixing of colors in some places and the clean separation in others. Bonnet was an early printer using separate plates, which is the more t...