19th century stag antler/bone netsuke in a shape of Daikoku coming out of a bag of rice. Daikoku-ten is the God of wealth and farmers, and as such is usually associated with rice. Clever carving in Japanese taste, wonderful patina, beautiful etching. Natural blemishes to the material, porous center on top and bottom is plugged as is usual with this type of material, and plugs are carved as part of the netsuke. Signed HAKUGYOKU on the back - for information on the artist see NETSUKE & INRO AR ...click for details
19th century mixed metal and wood netsuke depicting full moon and a clump of flowering grass. Excellent quality metalwork on iron background with inlays of solid silver (moon) and gold (highlights), perfectly captured mood of the scene. Hardwood body with beautiful natural grain patterns, very pleasant wear and patina. Length 1 13/16 inches.
Late Meiji period (1890s to 1912) ivory netsuke of a seated geisha holding in front of her a biwa (Japanese lute) wrapped in cloth, probably about to entertain a client. Wonderful quality carving, excellent face with a charming smile, warm yellow staining and patina, beautifully incised textile patterns on the biwa wrapping. Amber inlay in her hair ornaments. Very nice patina on a beautiful piece of ivory showing characteristic cross hatching on the bottom, extremely pleasant to handle. Signed M ...click for details
Late 18th century boxwood netsuke of an octopus with a large head flanked by curling tentacles. Excellent quality carving, wonderfully captured facial expression with wrinkles on it forehead giving it a very human appearance, great depiction of suction cups on tentacle. Eyes are inlaid with dark horn, himotoshi formed by a tentacle on the bottom, beautiful wear and patina. Signed SHUZAN for on the bottom - Yasusada Shuzan is listed on p. 1016 of NETSUKE & INRO ARTISTS AND HOW TO READ THEIR S ...click for details
Late 19th century Japanese staghorn netsuke of Rakora Sonja wearing monk’s robe and holding a branch with fruit in his hands. Rakora Sonja is one of 16 rakan - the original disciples of the Buddha. Nice quality carving with great grinning face, good depiction of arm muscles. Eyes are inlaid with dark horn, light staining, wonderful warm patina, pleasant finish to the surface. Signed GYOKUGETSU on the foot - the artist is listed on p. 423 of NETSUKE & INRO ARTISTS AND HOW TO READ THEIR SIGNAT ...click for details
19c marine ivory netsuke of Daikoku standing next to his huge bag of rice with a moveable rat showing through the hole in the bag. Daikoku is one of the 7 Gods of Good Fortune - particularly that of abundance - and is usually associated with rice. When the rice is plentiful, so are the rats - netsuke is essentially a wish for wealth. Wonderful quality carving, excellent smiling face, great depiction of textile patterns, rat moving easily within the hole. Superb patina, in perfect condition. Heig ...click for details
19th century ivory ojime (slide bead for tightening the cord going from netsuke to inro) carved as a seated monkey performing “speak no evil” routine. Nice work, pleasant patina, no chips or repairs, dust on the surface. Height 3/4 inches.
19th century jadeite ojime (slide bead for tightening the cord going from netsuke to inro) in simple ball shape. Beautiful stone with play of green and white, large central hole, pleasant patina. Height 1/2 inches.
19th century staghorn ojime (slide bead for tightening the cord going from netsuke to inro) in ball shape carved with geometric design. Nice work, stained red, pleasant feel of age, beautiful patina. Height 7/16 inches.
Late 19th century glass ojime (slide bead for tightening the cord going from netsuke to inro) in cylindrical shape with red, black and yellow streaks. Very pleasant patina, large central hole. Diameter 5/8 inches.