1900 PreRaphaelite Gouache Painting F J Waugh 1861-1940
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Directory: Fine Art: Paintings: Watercolor: Pre 1900: item # 1060041
Please refer to our stock # 5007 when inquiring.
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South Central United States
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Pre-Raphaelite style gouache painting by Frederick Judd Waugh (1861-1940) American. Signed and dated lower left, "F.J. Waugh, 1900." Titled "Harmony." Original double gold leaf wood frame, under glass; back labels of "Frost & Reed," Bristol, from a 1904 exhibition, and "Christopher Wood," London. The artist was associated with the Bristol Academy when he created this painting. The verso contains a note stating that the painting was "...copied and placed in an album of works from the Academy, and given to Queen Victoria when she made a visit to Bristol...."** Correspondence from the Royal Collection, Royal Library, of Windsor Castle, England, confirms the existence of the portfolio and this painting (rather, the stated copy of this painting) within it.
Image is about 9" x 5" (22.86 x 12.7 cm); frame is about 13" x 9" x 1.5" (33.02 x 22.86 x 3.81 cm).
Slight oxidation to the frame, with slightly bumped corners; Image is in excellent condition. c. 1900.
**Please inquire for photos of the painting's verso note which refers to Queen Victoria.
ABOUT THE ARTIST: A noted seascape painter especially of surf churning against white froth on seaside rocks, Frederick Judd Waugh strove to convey the powerful movement of the water and the smell of the brine. He was also an illustrator, a writer of children's books, a bookplate designer, a designer of silver and copper objects, and a camouflage artist during World War I.
He was born in Bordentown, New Jersey, and was the only child of painter Samuel Bell Waugh by his second wife, Mary Eliza Young, who was a miniature painter. He grew up in the atmosphere of the studio, and both he and his half sister, Ida, became painters.
He was trained at the Pennsylvania Academy of the Fine Arts from 1880 to 1883 and studied with Thomas Eakins. He continued his studies at the Academie Julian in Paris and exhibited at the Paris Salon. He returned to Philadelphia in 1885, the year his father died, and remained until 1892 painting portraits and landscapes and doing commercial work for the firm of Dakin and Petrie.
In 1892, he married Clara Eugenie Bunn, whom he had met at the Pennsylvania Academy, and in that same year, they began a fifteen-year sojourn in Europe. They lived primarily in London from where he did many paintings of the Channel Island of Sark and at St Ives, Cornwell. He also did illustrations of the Boer War for Lord Northcliffe, the publisher of the London Daily Mail.
In 1907, after two of his seascapes were rejected by the Royal Academy, the couple returned to the United States. Ironically, these paintings became an instant success in America. In 1929, he won the Palmer Memorial Marine Prize of the National Academy of Design.
When he returned to the United States, he lived primarily in New York City, Montclair, New Jersey, Kent, Connecticut, and Provincetown, Massachusetts. He was also a skilled architect and designed the Episcopal church of St. Mary's of the Harbor at Provincetown, Massachusetts.
He died in Provincetown, survived by a son Coulton, who drew the newspaper comic strip called "Dickie Dare".