Catalog: Antiques (488)

During the late 1800's and early 1900's eyeglasses became an important accessory for the Chinese. Upon seeing eyeglasses on visiting Western dignitaries and businessmen, the Chinese perceived and admired these "spectacles" as age enhancing. Not only did the eyeglasses improve eyesight...but they added age and dignity to the face of the wearer. Equating age with wisdom and respect, many Chinese took up the custom of wearing eyeglasses...

This Chinese golden colored Sha-green is large by shagreen standards...it spans almost 7 inches at the longest point front to back, and stands just over 3 inches high. The top clearly has some scuffs and loss to the hide, which for me enhance the beauty of the box. The box is hinged at the back and the inside is lined with leather.

This pair of black silk lotus shoes date to the late Qing Dynasty. Back then, a woman's job was to make shoes for the members of her family. This woman was from a financially comfortable family with servants to do other household chores. Making this pair for herself, she choose a black silk satin fabric for the vamp and made an elegantly sloping sole which would accommodate separate inter changeable heels to be attached...

This Rondel was most likely cut from a Qing dynasty antique Chinese robe, this rondel was bordered. The silk is slightly faded but in good condition. The satin stitch embroidery is clear and clean with no stains. Rondel is 16 inches diameter

Very old and very fine embroidered sleeve panels..satin and "forbidden stitch" (Peking knots) with antique trim border...some discoloration due to age... measures 11 x 22.5 inches

This lovely small woman's purse was made from silk satin fabric and embroidered with silk thread useing the satin stitch. The purse still has the original silk ribbon attached to the bottom, and belt loop attached at the top.

This soft pale pink colored antique Chinese silk skirt is from the late 1800's. The traditional floral embroidery is mainly uses satin stitch technique with the large flower in the center of the front and rear panels use Peking knots. In over all excellent condition but the two panel have been stitched together and the waist band has been shortened to accommodate the adjustment. Also the lining has been removed.....

Needles were a valued woman's sewing tool and were carefully secured in a special case hanging from the belt. This Chinese silver needle case has 6 sides, each with a delicate repousse floral design. The bottom is weighted with a small turquoise and larger amber bead.

This small Chinese traditional oil lamp is complete with the original hand-blown globe and cover. The base has several rows of ornate grillwork. The cover is engraved on one side with a couple. The other side has a poem. The chinese is old in both character and language and difficult to translate.

The lamp is only 5 inches tall and of higher silver content than usual for China at that time, which indicates an owner of wealth...

He is charming...well detailed leaning on a pillows ...a few nicks and bruises to the finish as to be expected at this age...roughly 4 inches tall and 6 inches wide...

This small Chinese inro style container would have been worn suspended from the wearer's belt. It was hand carved from wood and detailed on each side with delicate decorative carvings of birds, flowers and a phoenix.

The piece is 2.5 inches high and 2 inches at the widest point. Because of its small size and shape, it was most likely used as an opium container. The inside has been carefully cleaned to avoid dog encounters at the airports.

This small silk jacket was made and worn by the child of a wealthy traditional Han Chinese family. The dark blue silk fabric is embroidered on the front and back with a floral arrangement. There are additional decorative elements of tassels and border trim. The jacket spans 15 inches across the chest.

The jacket is in very good condition with only a slightly visible stain on the front embroidery, which would be expected of a childs jacket of this age.

This small Chinese hand made purse would have been made by a woman for her personal use or possibly as a gift to a female friend. It was made using cotton background fabric and hand embroidered with silk thread on each side. The butterfly and floral motifs were made with silk thread using a combination of satin stitches, chain stitches and couching embroidery techniques.

It is a charming example of a Chinese woman's needlework and is in excellent condition...

This Chinese wood carving from the Qing Dynasty portrays a seated nobleman. The surface is covered with remains of the original multi layers of lacquer paint. There are no marks on the bottom. Hand carved and only 4 inches high this is a charming piece of old folk art, an artifact from the glory days of old China.

This antique Chinese rectangular serving tray is elaborately inlayed with Mother of Pearl. The ornate MOP design covers the surface of the tray and also goes about the exterior face of the narrow rim. Wood is most likely ebony and tray dates from mid 18th century.

Condition: All the MOP inlay is intact but there are numerous tiny nicks and chips in the surface finish on the inside and outside edges of the rim surround...

This small embroidered wallet style purse would have been used by a traditional Han Chinese woman to carry coins during the Qing dynasty. There are pockets on each side of the purse. And the all satin stitched embroidery is also on each side of the wallet.

This is the 3rd of 4 small individual antique Chinese carvings which I am listing separately. This one looks like Shou Lao the Chinese god of longevity, who was often represented along with the immortals. Each has a peg on the bottom which fits into the own homemade stand

This old Chinese stoneware ceramic pipe bowl (smoke chamber) would have been placed onto the smoking pipe to allow for a small piece of opium to be smoked. The tiny opening at the top would allow the smoke to be drawn into the stoneware chamber and cooled before being inhaled by the smoker.

The piece has 2 different makers marks which are clearly stamped into each side of the clay underside of bottom hole.