Catalog: Antiques: Regional Art: Asian (459)

This rare ceremonial Chinese "lock" necklace is Hmong ethnic minority. Made from pure bouillon silver, it over weighs 4.5 lbs. The Hmong Ethnic Minority group range from southern China into Northern Thailand. This piece was sourced out of China to a dealer sometime between 1920-1930. In both Chinese and ethnic minority cultures, the lock necklace acts as a talisman and symbolically "protects" the wearer from ill fortune, much as a lock on a piece of furniture will protect the contents inside...

This tall bamboo incense holder is elaborately carved with a bird attacking a snake. The birds wings are out-stretched and spread around the container and the bird is being cheered on by a much smaller rooster. The carving is deep and detailed.

The holder is 12 inches tall and 4 inches in diameter and has a deep mahogany brown patina.

Obvious hand carved, this antique Sarinda is missing the tuning pegs, and the animal skin covering...wonderful patina...This is rare collectors ethnographic piece, and looks great hanging on a wall.

24 x 9 x 7 inches...hand carved from one solid piece of wood.

The "Sarinda" musical instrument was used for centuries in various countries in Central Asia, primarily in Rajasthan (Northern India), Pakistan, Nepal, Afghanistan, and Baluchistan...

This rare antique Chinese Child's hat has it all From the Yi Chinese Ethnic Minority... Each surface is decorated with intricate hand embroidery and several silver ornaments

An artifact of past Chinese Culture, this old Abacus has hand made beads of what appears to be clay, specifically stoneware. The frame is a dark hardwood, probably walnut. It is approx 5 long.

This traditional Chinese antique tea container was made from bamboo. The outside has a carved rib design and was lacquered black. This tea caddy would have been used regularly by family and friends during the Qing dynasty. The inside lid is stamped with the manufacturers information.

The tea caddy is 10 inches tall and shows patinated wear marks and chips in the lacquer surface which would be expected on a piece of this age.

This antique Burmese betel nut box contains matching serving tray and 4 small containers. The side of the box is circled with an excellent example of the Burmese schwezawa technique of gold leaf in a striking swirling chu-pan foliage design. The top has a lively chinthe, a traditional Burmese stylized "lion" figure with a vine and leaf foliage border.

The outer box is 7 inches in diameter and 4 inches high...

This is one of 2 hexagonal shaped tea cannisters which I have listed separately. This one has an incised scene of a mature bird on one side. The other side has 2 sentences from the famous Tang dynasty poem by Lu Tong. The bamboo has darkened considerably with age...

This Meiji period Japanese netsuke is hand carved and represents a mask of Okame aka Ko-omote the young girl of the Noh theater. Material appears to be ivory.

There are a total of eight signs, each with a different "saying" having to do with well wishes. Due to the age of the calligraphy, and the vagueres of the old Chinese language, accurate translations have not been possible for each sign. Each sign is carved out of wood with raised wooden characters and inlayed with MOP flakes. Each is 21 inches tall and roughly 4.5 inches wide. I have listed them separately, to allow for pictures of each

In China, collars where made separately from the robe or garment. As such, the so-called cloud collars were used much like a necklace, allowing a single collar to be worn over various robes. This is a traditional Han Chinese style collar dates to the Qing dynasty period. The background fabric is white silk, bordered with black rolled trim. The collar is very finely embroidered with silk thread using predominately the satin embroidery stitch...

This antique childs toy was brought back from Chinese by an American Missionary during the early 19th century. The snake or possibly a dragon has jointed body which can easily be moved to assume different positions. Obviously hand carved in the Chinese folk art tradition, this toy is in excellant condition. It displays nicely on the custom made stand.

There are a total of eight signs, each with a different "saying" having to do with well wishes. Due to the age of the calligraphy, and the vagueres of the old Chinese language, accurate translations have not been possible for each sign. Each sign is carved out of wood with raised wooden characters and inlayed with MOP flakes. Each is 21 inches tall and roughly 4.5 inches wide. I have listed them separately, to allow for pictures of each

Many Chinese would "grind" a day's supply of ink in advance and store the liquid ink in a metal "inkbox". According to the calligraphy on the top of this inkbox, it was a gift in the year of the goat, to a medical inspector upon completion of his 3rd year of work in Yuncheng city, Shanxi province. The inkbox is 3 inches in diameter and has an dried ink in the bottom and a built in inkstone inside the lid.

This antique lamp was sourced from an old Buddhist Temple in Mongolia. It would have been used as a light source, commonly using fat but also occasionally using oil for fuel. The surfaces are rusted and corroded from centuries of use and weather, which gives the piece character and shows it to be an ethnographic artifact of cultures past and passing. Approx 8 inches wide across the rim of the base and approx 12 inches high. Weight is approx 4.5 lbs

This small hinged metal case is covered with leather and opens to display both red ink pot and personal ivory chop. The person's name on the base of the chop is clearly carved. Leather in old China was very expensive...the owner of this chop must been a person of both status and wealth. The leather shows age but is intact and set is in very good condition. The case measures 2.5" X 1+" This is a rare old piece.

This antique copper gau would have been kept in a prayer niche in the home and would be worn as an ornament for festival. In place of the Tsatsa (clay figure), there is a Tsakli. It was common practice to use a tsakli (small picture card) to represent the religious item which would be placed in the gau, when time and money became available. The original written talisman remains inside the gau also...

This old Japanese Noh theater mask has the expressive face of an old man. The mask is carved from paulownia wood and dates to middle Edo period, around 1750. The patina is wonderful.

Mask measures approx 8 inches high and 6 inches wide