Old Chinese hand carved wooden mask depicting legendary king of old China. Face was gessoed and polychrome painted. 15 inches x 14 inches wide and 6 inches deep. some areas of chipped and worn paint consistent with age
This antique pair of spectacles folds into the space of a single eyeglass for easy carrying. Lacking ear pieces, they rest on the nose, hence the name pince nez. The rims are tortoise shell.
This antique small iron mortar fits easily into the closed hand was used for grinding medicinal herbs. The pestle is attached with a hand made chain. Sourced from Maharasha, India...great aged patina.
This antique Chinese wooden carved pedestal stand with attached mirror dates is from the late Qing dynasty. This piece of furniture would have sat on a dresser or chest. The carving is high quality and begins at the base. The mid section carving displays a dragon and pagoda. The frame of the circular mirror has bats carved all around.
This piece has been held in storage by a Texas collector and is in excellent condition...
This Chinese golden colored Sha-green is large by shagreen standards...it spans almost 7 inches at the longest point front to back, and stands just over 3 inches high. The top clearly has some scuffs and loss to the hide, which for me enhance the beauty of the box.
The box is hinged at the back and the inside is lined with leather.
This pair of Japanese handmade long square cut nails are 5" long and appear to have never been used. The nail heads are solid and shaped into a hemisphere. The silver colored decorative metal escutcheons have scalloped edges and markings to represent a flower. The escutcheons are just under 1" in diameter and have a squared center hole which exactly fits the nail shank.
This antique Korean serving tray would have been used for serving tea or individual meals. The signature characters on the bottom are followed by the symbol for "student", presumably the tray was carved by an apprentice. The bottom also has rough darken areas for a more secure gripping surface and shallow attached feet which also have rough bottoms.
The tray has a delicately upturned lip, a deep rich red brown color. It is approx 13" x 9.5 inches...
This Qing Dynasty enamel box is from the late 1800's and was made for export...The bottom has incised stamp of China as required by McKinley Tariff Act.
The box is silver over copper with an intricate enamel scene on the top and all four sides. The quality of the enamel work is very good. The interior of the box is lined with wood...Box measures 5.75 x 3.75 x 1.75 inches
This attached pair of red silk embroidered strips would have been worn as an accessory on the back of a man's hat so that they draped down the nobleman's back. There are mirror images of 2 pairs dragons on each side, embroidered with metal threads. Excellant condition and approx 30 inches in length.
This rare ceremonial Chinese "lock" necklace is Hmong ethnic minority. Made from pure bouillon silver, it over weighs 4.5 lbs. The Hmong Ethnic Minority group range from southern China into Northern Thailand. This piece was sourced out of China to a dealer sometime between 1920-1930. In both Chinese and ethnic minority cultures, the lock necklace acts as a talisman and symbolically "protects" the wearer from ill fortune, much as a lock on a piece of furniture will protect the contents inside...
From the mid to late 1800's, each piece of this matched pair of antique Chinese Kingfisher Feather ornaments are 5 inches across. Some small bits of thread still cling to the original metal loops which would have been used to sew these ornaments to an article of clothing. The earliest of kingfisher ornaments were made of using a hollow papier mache form and covered with a cardboard/paper at the back. These pieces typically used large fully feathered spaces in the design...
This Chinese carved bamboo brush rest has traditional dragons chasing pearl and cloud motif. The background shape is the 5 mountains and the rim of the mountains have carved ridges. The piece measures 3.5 inches high and 6 inches across. The natural curve of the bamboo allows the piece to stay upright, and the piece remains balanced on the 1/2 inch thick bamboo. Condition is very good.
This small Chinese hand made purse would have been made by a woman for her personal use or possibly as a gift to a female friend. It was made using cotton background fabric and hand embroidered with silk thread on each side. The butterfly and floral motifs were made with silk thread using a combination of satin stitches, chain stitches and couching embroidery techniques.
It is a charming example of a Chinese woman's needlework and is in excellent condition...
This round inkstone was carved out of a naturally occurring layered stone...both the bottom and cover viewed from the side show the striation of the stone.The covered has a pond design etched with raised koi fish. It is really lovely. The inkstone is just over 4 inches in diameter and .8 inches in height.
This small Mongolian hunters flint strike pouch still has flint stone inside. Also know as strike-a-light in American Indian cultures, this hunters folk art implement has bronze tooled fittings. Well aged and in excellent condition...measures 4 inches across the widest part of the striker plate
This Burmese antique offering plate was the result of work by dedicated and skillful craftsman. Beautifully woven of bamboo strips, the finished shape would be first painted with repeated layers of black lacquer
This 8" high wooden figure of the sitting Tenjin was carved during the Edo period, the mid 19th century (1850). Tenjin is the Japanese "god" name name given to the Japanese statesman and scholar, Sugawarea Michizane, the 9th century poet and writer of Chinese prose and verse.
Possibly carved from cryptomera wood and darkened with age, this carved figure has both a simplicity and elegance which are, for me, the major characteristics of Japanese asthetics.
This old Chinese stoneware ceramic pipe bowl (smoke chamber) would have been placed onto the smoking pipe to allow for a small piece of opium to be smoked. The tiny opening at the top would allow the smoke to be drawn into the stoneware chamber and cooled before being inhaled by the smoker.
The piece has 2 different makers marks which are clearly stamped into each side of the clay underside of bottom hole.