This piece dates to the 1880's late Edo, early Meiji Periods of Japan. It was made before the wireless technique was perfected as evidenced by the cracks in the background field of the central dragon. The outer rim of the back of the plate has a swirl pattern typical of the period. The dragon is clearly a happy guy.
plate has a diameter of 7 inches. Charming piece, no dings.
This Chinese wood carving from the Qing Dynasty portrays a seated nobleman. The surface is covered with remains of the original multi layers of lacquer paint. There are no marks on the bottom. Hand carved and only 4 inches high this is a charming piece of old folk art, an artifact from the glory days of old China.
This Meiji period Japanese vase has ginbari panels accenting the neck and wide goldstone band with gin-bari flowers.
Vase is 8 inches tall and is in pristine condition
Floral embroidery in several shades of blue silk thread decorate this white silk sleeve band. Mostly embroidered with satin stitch, there is a rose embroidered with peking knots and high-lighted with gold couching. There is some slight discoloration on the white silk border which could easily be avoided in framing.
Embroidered area measures 4" x 16 full panel measures 7" x 32
this antique pair of lotus embroidered lotus shoes are most likely from northern china. the vamp is a quilted cotton fabric. Each shoe is embroidered with the same floral design on both sides. The shoes were used and show some soiling on the vamp and the soles are slightly worn and dirty.
This is an old traditional style top shirt which would have been worn by a young girl of the Yi Chinese ethnic minority from Yunnan Province. the fabric is made from home grown cotton, hand spun, and hand woven. The collar surround and cuffs are trimmed with an intricate batik pattern and the tiniest embroidery stitched I have ever seen. The shirt has its original buttons. Good size for framing 14 inches across the chest.
This old Japanese hand made sack (basket,bag) was made by a rural farmer or fisherman out of linen cotton cording. Handle holes were worked into the upper band which would have allowed for the changing of worn out handles. There is obvious wear and fading from use and age. The bag measures almost 11 x 15 inches It is Wonderful old ethnographic example of rural Japanese textile folk art
This antique copper reposse gau houses a picture instead of a clay tsa tsa which was common for a family gau. when the family could afford to do so, the picture would be replaced by a clay tsatsa. Curiously, this gau also houses 2 amulets, which were typically provided by a monk. The paper is very old and I am told it is bad Karma to unfold the amulet...
A properly dressed Chinese woman would wear a pair of leggings that would cover her foot bindings from her lower leg to the top of her lotus shoes. The leggings would be tied into place with a hand woven sash made specifically for that purpose. These lotus shoe accessories are now rare and very hard to find.
This pair of silk sashes were were woven with a floral pattern using 2 colors of brightly contrasting threads. The long warp end threads are braided into tassels...
Nicely detailed winter well worn Lotus shoes complete with heal flaps and straps...
For women of indigenous cultures, sewing needles were often hard to come by and considered valuable tools. Commonly, among such groups, cases were specifically designed to protect and safeguard the sewing. This particular antique silver needle case is from the Chinese Miao ethnic minority group and would have been worn by the women as a decorative costume ornament during festival.
This pair of handmade woman's shoes were made with cotton vamp and satin stitched embroidered flower motif. The exaggerated upturned front toe was used as a decorative element by several minority groups but from the detailing, I think that they are most likely Miao ethnic minority. They are small and narrow, and probably belonged to a young girl. The Miao, like most minorities, did not practice foot binding. The walking sole measures 6.5 inches long and 2" at the widest part.
This antique cast iron 2 piece censer retains much of its original red paint. The inside bottom of the censor bowl is somewhat pitted from use. The chop marks are unrecogizable. The piece is 10 inches in diameter and 2.5 inches high.
lovely very finely woven Bolivian textile from the collection of Dr Evan Maurer. pristine condition
main section of belt is 2.25 inches wide and 18 inches long... plus delicately woven narrow strap tie on one side 18 inches... narrow strap tie from other side is 10 inches
This traditional embroidered vest was made and worn by the woman of the Miao minority culture living in the Ge Jia region of China generations ago. The textile fabric was hand woven with a specific thread count to allow for the geometric embroidery pattern which was added later.
Traditional Chinese rural style pillow of bamboo. This pillow would be stored with legs folded under during the day. Good condition 16"x4" by 5" high with legs extended.
This blanket shaped Miao ethnic minority baby carrier is from Jian He and is a good example of the whorl pattern which was so significant to the Chinese Minority. Made from hand-loomed plant fibers (maybe cotton, maybe bast fibers) the surface is heavily decorated with appliques edged with chain stitching. This carrier is in good condition showing a minimum of wear and dirt and it 80+ years old
A bride of the Yi Chinese Ethnic Minority in Yunnan Province, would have worn the "cock" hat for her wedding day. The hat is made using layers of cotton fabric with a stiffiner between the layers to maintain the shape. Using colorful cotton thread, hat was extravagantly hand embroidered. A few traditional silver ornaments including the bubble, flower and butterfly were added.
Now, it is the very lucky Yi girl who can use her great grandmother's bridal hat for her own wedding...