This Chinese Door of Hope doll, along with several others, was brought back to the US during the 1920's by the American Baptist Missionary, Rebecca Cloud-Stewart. On one of her many trips back to the US to visit family and friends, she brought the collection of dolls as samples to sell and raise money for the Door of Hope orphanage. After many years in China, Miss Stewart returned permenently to her home in Georgia...
Very rare, this oceanic artifact was brought back by from New Guinea by a pilot sometime in the 1950's. The dog teeth and boar tusks are held together by hand twisted stings woven and interlaced tightly around the widest ends.
This pair of antique Miao boots were made by a young woman from Song Tao to be worn for festivals. The thick sole has iron hob nails to make walking easier on the hills and terraces. The vamp is made from cotton fabric and is heavily embroidered with cottton thread using satin and chain stitch techniques. The upper part of the boot is also made of cotton fabric.
This ornately hand carved hard wooden frame comes with antique Chines lithograph of the summer palace. The frame is approx 8.5 x 13 inches...
In earlier centuries, large numbers of "holy men" wandered throughout India's cities and countrysides. The Sadhus were respected as Hindu ascetics who had given up family attachments and material possessions often including clothing. Without shoes and wearing only hand hewn sandals they would wander about some silent and some preaching. Miss matched, this is a typical pair of Sadhu's sandals, hand carved and well worn and polished through years of foot contact.
This antique cast iron 2 piece censer retains much of its original red paint. The inside bottom of the censor bowl is somewhat pitted from use. The chop marks are unrecogizable. The piece is 10 inches in diameter and 2.5 inches high.
These antique iron stirrups probably belonged to a low level horse soldier of the Chinese army during the Qing dynasty. They are well patinated.
This hand carved panel is from a Chinese Buddhist Temple erected around 1860. The panel is deeply carved with a scene which takes place at the foot of the sacred mountain. Bits of mother of Pearl are inlaid into the mountain and is also used to highlight a few costume details.
This panel was used as an architectural element and has the mortise cuts in the top which were used to hold the panel in place. It is one of a pair of panels which were taken from the temple...
This antique Chinese offering cup would have been filled with water for Buddha and left at the temple alter. It dates from WanLi Reign during the Ming Dynasty.
The cup is black lacquer, peach shaped for long life, has a footed bottom, and ornate finger stops on each side. It has several nicks and chips as is appropriate for its age. The cup is 1.25 inches high and 3 inches across at the widest point.
This open hanging letter box is covered with beautifully detailed scenes painted in shades of gold on black lacquer. Late 1800's ...small chip at edge of scallop top right side ( last pic)
This is a charming traditional Chinese child's "wind hat" so called because of the protection the hat gives to the back of the neck. The silk threads of the satin stitched embroidery depict lots of flowers and butterflies. Hat is in good condition
I call him sweet face...a bit dirty with age... Japanese hina aka girls day doll from late Edo period. lost his drum..6inches high including hat
This traditional Chinese antique tea container was made from bamboo. The outside has a carved rib design and was lacquered black. This tea caddy would have been used regularly by family and friends during the Qing dynasty. The inside lid is stamped with the manufacturers information.
The tea caddy is 10 inches tall and shows patinated wear marks and chips in the lacquer surface which would be expected on a piece of this age.
By the latter part of the 19th century the ruling Qings were obsessed with every last detail of dress. This antique top grain leather fan case could only have been owned by very wealthy Chinese woman.
This Tibetan gau (aka prayer box) is actually a small shrine. When not being worn as an ornament during festivals, it would be kept in the prayer niche of the family home. The back of the box slides open. Frequently, a special prayer i.e. sutra pages would be placed inside. The small glass window at the front displays a Tsa tsa, which is a clay statue of a Buddhist Diety. These statues were made only by the monks and considered to be a holy relic...
Two Standing Ladies in Waiting for palace display and one lady seated for tea service.
Standing ladies are 5.5 inches tall and the one seated is 3.5 tall
This knife sheath would be hung from the woven shoulder strap by the hill tribe hunter. This one was brought back from the border region by a friend. Now heavily patinated with use and age, it was beautifully hand made many years ago and was both light weight and serviceable. It is a wonderful artifact of an age and culture that is rapidly disappearing.
This purse would have had a shoulder strap attached and would have been used by an adult female of the Chinese Yi ethnic minority group. All hand stitched with cross stitching embroidery and other techniques, hand made cording (string) knotted across the bottom. The bag is lined with home spun had woven fabric made from "fireweed" plant. Back is unadorned.
piece is 12.5 inches across. light soiling from use.