Inside of ring has embedded pipe scale from the glass working process and exterior layer of glass has stress crack with small chip missing...stress crack would also be from glass making process...
but ring has been stable for couple of centuries...ring was bought in South China late 90s along with several other rings (all stone and sold) but this one was so unusual that I kept it ...really is lovely
This antique beaded headband is from Guang Dong province in China, and is typical of headgear worn by Chinese woman around the turn of the 19th-20th century. It would have been worn the narrow portion across the forehead, with the rounded flap portions covering the ears and fastened in the back of the head.
This is a beautifully detailed Japanese lacquer screen with exceptional quality Maki-e work used to highlight the details. The front depicts a landscape shore scene, complete with a crab stretching upward, a monkey after the fruit in the tree, and the makers signature. The rear has 3 cranes in flight.
Excellent condition, no loses. 7 inches high and 9.5 wide including the stand.
This antique copper gau would have been kept in a prayer niche in the home and would be worn as an ornament for festival.
In place of the Tsatsa (clay figure), there is a Tsakli. It was common practice to use a tsakli (small picture card) to represent the religious item which would be placed in the gau, when time and money became available. The original written talisman remains inside the gau also...
This antique Chinese wooden carved pedestal stand with attached mirror dates is from the late Qing dynasty. This piece of furniture would have sat on a dresser or chest. The carving is high quality and begins at the base. The mid section carving displays a dragon and pagoda. The frame of the circular mirror has bats carved all around.
This piece has been held in storage by a Texas collector and is in excellent condition...
The variety and types of embroidery stitches on this antique Chinese hat are old typically Miao minority. Probably done by dotting grandmother. The silver ornaments, the butterfly, the bubbles are symbolic of the Miao myth regarding the birth of the human race. The hat shows some dirt but is otherwise in good condition.
The use of chopstick holders was common throughout China. The style varied from region to region. This particular chopstick container was from the Northern provinces, formerly Manchuria. It was hand turned and is slightly out of round and in years past, the lip may have been nimbled by a rodent. It is a definately an object in the tradition of Chinese folk art.
This pair of sleeve panels are made with light green silk fabric. They are decorated with floral designs in satin stitched blue silk thread with butterflies hight-lighted with white,green and purple thread.
Condition is very good.
Each sleeve measures 3.5" X 30 inches
Embroidered section measures 3" x 20"
Being of both simple and elegant design, this small religious shrine is so typical of Japanese aesthetics. It is made from Cedar wood and dated on the back as "Showa, 2nd year, March 17.
Approximately 5" high and 3" wide.
This antique iron candle holder was sourced from Shanxi province China. From a peasants home, it could be set on a table or hung on a wall. It is an interesting ethnographic folk art relic.
This small hand painted picture on cloth, called a Tsakli was used for Buddhist religious instruction and rituals in Tibet. The back of the card has Tibetan writing...Obvious condition issues...This card and others listed on this site were all antique cards when they were brought out of Tibet in the 60's...
This finely carved small 3 hole flower (plant) antique Ikebana type vase was sourced in China but design quality is very Japanese...Deeply carved dark dense,finely grained hardwood, possibly walnut, or zitan...feels wonderfully smooth...approximately 5.5 inches x 5.5 inches x 1.5 inches....
This Tibetan talisman has a sealed leather herb bag hanging on each side of a small bronze sitting Buddha which is also displayed in a leather casing. The Buddha is depicted as holding a small bottle. All 3 pieces are hanging from a matching leather strap so that it could be worn around the neck of the individual.
This antique bracelet from Tibet is both thick and weighty, but it is very small for a Western wrist. The opening measures a scant 1 inch.
This antique Chinese box would have been used during the Qing dynasty, possibly by a scholar or shop keeper. The bottom of this box has covered compartments for seals, chops,calligraphy brush, ink sticks and a built in inkstone. There is an abacus built into the lid.
The original hinge pin was lost and has been replaced. The box was made with large dovetail joints and from a hard wood of unknown origins. The outside is dirty and I have not cleaned it...
The shape of this antique pendant is a Dharmachakra or "wheel with 8 spokes", which is one of the eight auspicious symbols of Tibetan Buddhism. Eight oval shaped turquoise surround a ninth turquoise stone, with each stone set in a silver bezel on a silver backing. When mined, turquoise is a soft stone, and all old stones were set into a bezel for protection. Later stablization processes were used so that bezels were no longer required...
This Burmese antique offering plate was the result of work by dedicated and skillful craftsman. Beautifully woven of bamboo strips, the finished shape would be first painted with repeated layers of black lacquer.
measures roughly 5 inches high (12.5 cm) by 10 inches wide (24.9 cm)
This small antique Chinese wooden storage container was used for calligraphy implements. Inksticks would have been held in the rear center compartment. Calligraphy brushes would have been held upright on the right and left side compartments. Seals or chops would have been stored in the lidded section. Originally painted with black lacquer, this piece has great age and wear patina.