This Chinese silk robe is detailed with silk ribbon trim and the sleeve panels have a floral design made using rolled metalic threads and couching embroidery technique.
This pair of traditional short boots were made and worn by the Miao women of Anshun. They are in very good condition but the upper boot areas have some soiling and the soles show signs of wear.
All along the four edges of this bone toggle, there is a carved circular pattern design. This pattern is very similiar to a Yao Ethnic Minority pattern and would be unusual in a Han piece.
The last picture enlargement shows how the toggle would have been used to secure the cords of a hat. The bead would be moved up the cords so that the toggle would be tight under the chin...
The bone of this hair pin has carved series of circles and a very delicate cross hatch pattern. The top is decorated with strands animal hair. The hair pin is 7.5 inches long. This hair ornament is Naga, which is an indigenous tribal culture in the hills of the north east region of India.
this old wooden storage box was clearly made in a folk art tradition by or for a lower ranking individual, possibly a traveling scribe, or low ranking official. Fully opened, it has compartments for brushes, ink sticks, chops and seals, etc.
The numerous splotches of old ink stains on the outside of the box indicate extensive use, under not the tidiest of circumstances.
Sourced in southern China year back, it is the only box of this style that I have ever seen...
This old relic field marker was dug up by a friends father while doing archaeological research (i.e. digging up fields) in China years ago. For centuries, during planting,such markers were commonly buried in the fields as a talisman for a bountiful harvest. It is made of clay, high fired stoneware, and has a few chips missing...as to be expected after being buried in a field.....
Only a wealthy Chinese woman would have been able to own this rare antique silk headband. Decorating each side of the headband are mirror images of an ornament depicting a bird and using the prized Kingfisher bird feathers. Intergrated with each kingfisher bird ornament is a finely embroidered bird on a branch.
This collection of old tortoise shell spoons were used by the Chinese herbal practitioners for gathering and mixing ingredients for Chinese medicines. They range from 3.5' to 5" and being tortoise shell the coloration varies from spoon to spoon.they can be sold separately or as a group. Additional pictures can be provided for selection.
Each band of this pair of very fine silk embroideries have 2 sets mirror images: one set of floral motif and the other set of a couple celebrating. Both sets use satin stitch, french knot (aka forbidden stitch) and couching embroidery techniques. The embroideries are on a background fabric of fine patterned silk which measures 6" by 15". The floral embroidery is 1.5 x 2" and the couple embroidery is 1.5 x 5"...
Young serene standing Buddha on elaborate lotus stand. Buddha shows wear to gilding from age and handling exposing black lacquer under coat. late Meiji 1900-1920
Buddha is 9 inches and stand adds another 2.5 for total height of 11.5 inches
This style of metal trumpet was used for centuries throughout Tibet. This one is 22 inches long, is decorated with enamel rings on the shaft and mouthpiece. Added decorative elements are provided by the reposse work on the metal fittings. Lovely old Patina...a rare ethnographic artifact...
This antique pipe has burl wood bowl with silver filling (one ring missing) and a horn mouthpiece which has obviously been well used. There are a few short residual threads from what was probably originally a tassel.
It is a wonderful ethnographic relic of folk art.
Toward the late Qing and early Republic periods, footbinding in urban centers became less common. But women were still concerned with fashionable footwear. This pair of beaded strips are actually shoes parts which would have been sewn with other matching beaded fabric parts to form a pair of beaded shoes.
This set of 4 matching Chinese toggles were hand carved from animal bone, probably the vertebra. Each side is carved with an identical design which continues around the side. They are well aged and show both wear and usage. As artifacts from the folk art culture, they were probably carved by the person who intended to use them to secure his personal items. Each piece is approx 1 inch in diameter and .5 inches thick.
The only differences between this matching pair of Japanese woman's hair combs are the very slight details in the hand-painted design and the size and spacing of the tines. The finely detailed lacquer design was painted in 3 shades of gold. Unfortunately the minute details, flower petals and tree knots are hard to see in the photos.
During is height of popularity in the Qing Dynasty, when one went to the opera, souvenir dolls were often purchased. This pair of Chinese opera dolls is probably the oldest that I have seen. Both dolls are in fragile condition. They are mounted on separate stands which may be of the same age as the dolls. They have been together for over 100 years and I am not willing to separate them
This piece dates to the 1880's late Edo, early Meiji Periods of Japan. It was made before the wireless technique was perfected as evidenced by the cracks in the background field of the central dragon. The outer rim of the back of the plate has a swirl pattern typical of the period. The dragon is clearly a happy guy.
plate has a diameter of 7 inches. Charming piece, no dings.
This antique document case would be used to house and transport important documents. The high quality silver decoration of vines and flowers uses both pierced and repousse techniques. The curious emblem displays a spade, heart, club and diamond. Originally owned by a wealthy family, it is from what was considered northern India, (possibly now Pakistan), during the Raj period, before partition...