Japanese Lady's Dressing Box Meiji Period. The front and lid are decorated with wood marquetry inlays.The doors have inlays of MOP and assorted stones depicting birds etc. Lots of drawers, original hardware..(sorry, no key) box is 17 x 14 x 7 inches. back and sides are painted black
This antique lamp was sourced from an old Buddhist Temple in Mongolia. It would have been used as a light source, commonly using fat but also occasionally using oil for fuel. The surfaces are rusted and corroded from centuries of use and weather, which gives the piece character and shows it to be an ethnographic artifact of cultures past and passing. Approx 8 inches wide across the rim of the base and approx 12 inches high. Weight is approx 4.5 lbs
This old Tibetan pouch would have been worn for festival both for decoration and coins...it is not a flint strike...clearly it has been used (probably passed from generation to generation)...decorated with coral and turquoise...a few metal enhavcements are missiog...
Post section with "jewels" one side twists open to all for easy on and off...prefer to sell as pair...
Early Japanese version of today's carpenters tool called a "chalk box". Carved from a block of wood, the well would hold cotton saturated with charcoal ash...this one has original wheel and string and shows that it has been well used....
Originally part of a full sized Tibetan adult costume, this piece was cut down to complete a childs festival costume. Decorated with turquoise, coins, tassels and silver ornaments, this type of textile accessory would often be attached to the elaborate headdress or hat and drape down the back to complete the wearers costume. The Tibetan people are not wastefull and items of festival garments in any condition are hard to acquire. I have had it hanging on my wall for a number of years...
This Tibetan Priest's rattle is carved from horn and has a bone cap on the end. It was used by the Monk during ceremonial rituals and would have been shaken to ward off evil spirits. This horn was hand carved with many Tibetan Buddist symbols. All the edges are worn smooth with use and repeated handling.
This traditional antique Chinese brushpot is made from bamboo, and is deeply carved with upper and lower scenes. The brush pot measures 11 inches tall. Surface cracks do not go through to the inside of the pot.
Originally intended for a child's protection, this traditional Chinese silver lock necklace makes a very nice display piece and/or can be worn by an adult. The chain is 16 inches long and easily unhooks from either side. The "lock" is 2.5 inches wide x 1.25 inches high and 1 inch deep.
The quilted lower portion of the vamp indicates that this pair of shoes are from northern China, and the shape of the heel dates them to before 1910. Clearly somewhat used, they are a wonderful artifact of a time and cultural practice from the past.
For women of indigenous cultures, sewing needles were often hard to come by and considered valuable tools. Commonly, among such groups, cases were specifically designed to protect and safeguard the sewing. This particular antique silver needle case is from the Chinese Miao ethnic minority group and would have been worn by the women as a decorative costume ornament during festival.
There are a total of eight different signs, each with a different "saying" having to do with well wishes. Each "plaque" sign has a different saying...due to the age of the calligraphy, translations have not been possible.
Each sign inlayed with MOP flakes and is 21 inches tall and roughly 4.5 inches wide.
I have listed them separately, to allow for pictures of each
The front of this Tibetan Flint Pouch is decorated with silver and bronze ornamentation and an inset coral bead. The back is decorated with bronze buttons to protect the leather from excessive wear. The pouch still has its original leather strap which would have been used to secure the pouch to the wearers belt.
Flint was an essential and valuable item for nomadic and indigenous cultures and as such was frequently carries in pouch specifically designed for its use.
This wide cuff Chinese bracelet has deeply repousse design composed of detailed symbols related to Miao Ethic Minority myths and legends. Such bracelets would have been worn in matched pairs, one on each wrist, by the women of the "short skirt" Miao of Dan Zhai, and the bracelets would have been handed down from mother to daughter for generations.
The cuff is almost 3 inches at the widest point in the front because of its large size and rolled edge it easily slips onto most wrists.
This Japanese cloisonne vase is decorated with flowers and butterflies against a black background, with 3 dark brown and 3 light brown panels and several border bands. The goldstone flecks are abundant but unfortunately they do not show in the photos. The vase is 8+ inches tall and in very good condition.
This Meiji period Japanese vase has ginbari panels accenting the neck and wide goldstone band with gin-bari flowers.
Vase is 8 inches tall and is in pristine condition
The bone of this hair pin has carved series of circles and a very delicate cross hatch pattern. The top is decorated with strands animal hair. The hair pin is 7.5 inches long. This hair ornament is Naga, which is an indigenous tribal culture in the hills of the north east region of India.
This relic of a horse saddle was dug up in the southwester dessert area of southern California roughly 50+ years ago. Because of the style of the pummel it looks more Mexican than Western. How long it was buried is an open question...