Old hand made tribal turkomen moon shaped silver necklace with carnelians with original chain...easy to wear...
This traditional embroidered vest was made and worn by the woman of the Miao minority culture living in the Ge Jia region of China generations ago. The textile fabric was hand woven with a specific thread count to allow for the geometric embroidery pattern which was added later.
The Zhuang are one of the larger of the Chinese Ethnic Minority groups. This is a rare old baby carrier from Yunnan Province. Because silk was not readily available in the rural areas, the use of silk as the background fabric indicates that this carrier came from a wealthy family. The central panel uses several colors of fabric appliqued into a large stylized lotus flower. Silk thread is used for the delicate satin stitched embroidery of butterflies and flowers...
This Chinese pinafore style garment would have been worn by a small girl child of the Dong ethnic minority in Shui Kou. Fabric is handwoven from cotton fiber, hand stitched with intricate decorative applique work and hand woven snowflake pattern ribbon accents the border. No rips, no tears, and no holes...but this piece is old and has been worn and is a bit "dirty".... and still has its original ties. It is 14 inches wide and 21 inches long...great ethnographic textile for framing.
This piece dates to the 1880's late Edo, early Meiji Periods of Japan. It was made before the wireless technique was perfected as evidenced by the cracks in the background field of the central dragon. The outer rim of the back of the plate has a swirl pattern typical of the period. The dragon is clearly a happy guy.
plate has a diameter of 7 inches. Charming piece, no dings.
Spectacles were only affordable for the very wealthy in China during the 1800's. The lenses were ground from crystal of various shades. Because of the cost, if a lens or frames were broken the remaining pieces would be refitted into a replacement set...as happened with this pair of antique Chinese eyeglasses. The vestiges of the original fitting remain on the left lens.
The Manus Island is one of the Admiralty Islands. This traditional hair comb which the islanders would make from the mid ribs of coconut palm fronds. It is covered with a hard patinarium paste made from the crushed fruit of the Nilit tree, sometimes called Puttynut.
Carved from Rosewood, on one side, this Chinese toggle has a wooded scene with a horse and pair of deer. On the reverse side is the symbol for longevity. Toggle is 1.5 inches x 1.25 inches
This open hanging letter box is covered with beautifully detailed scenes painted in shades of gold on black lacquer. Late 1800's ...small chip at edge of scallop top right side ( last pic)
Woven from wide bamboo strips, this lidded container was used for storing tobacco. Basket weaving was a traditional folk art throughout southeast Asia and most rural families relied on their own basketry skills to provide themselves with life's necessities.
This slightly miss-shaped container stands 8 inches tall and has the charm and patina which comes only with repeated use and age.
During the late 1800's and early 1900's eyeglasses became an important accessory for the Chinese. Upon seeing eyeglasses on visiting Western dignitaries and businessmen, the Chinese perceived and admired these "spectacles" as age enhancing. Not only did the eyeglasses improve eyesight...but they added age and dignity to the face of the wearer. Equating age with wisdom and respect, many Chinese took up the custom of wearing eyeglasses...
this old wooden storage box was clearly made in a folk art tradition by or for a lower ranking individual, possibly a traveling scribe, or low ranking official. Fully opened, it has compartments for brushes, ink sticks, chops and seals, etc.
The numerous splotches of old ink stains on the outside of the box indicate extensive use, under not the tidiest of circumstances.
Sourced in southern China year back, it is the only box of this style that I have ever seen...
This is a Tibetan Ritual Celestial Crown also know as a Diadem or Ringga. It is worn by a necromancer or oracle during rituals. The "crown" consists of 5 separate paintings on paper and each painting is backed with thin cardboard for stiffness. The sections are connected with string. When worn, the crown is tied around the head with string. The sections are painted with the five Dhayani, celestial Buddhas, each painted with his traditional color and gesture...
This lovely dark hardwood Japanese brushrest has gold lacquered ends with delicate makee scenes of floral and fauna. Meiji period, brush rest measures 5.25 inches long
There are a total of eight signs, each with a different "saying" having to do with well wishes. Due to the age of the calligraphy, and the vagueres of the old Chinese language, accurate translations have not been possible for each sign. Each sign is carved out of wood with raised wooden characters and inlayed with MOP flakes. Each is 21 inches tall and roughly 4.5 inches wide. I have listed them separately, to allow for pictures of each
This Chinese lady's purse was made with silk satin fabric and hand embroidered with silk thread using a satin embroidery stitch. The edges are bound with carefully aligned silk threads. Each side opens to a separate storage compartment and there is a third compartment which is accessed from the top of the purse.
Made and used during the late Qing Dynasty, the quality of the materials and workmanship clearly show that this purse was used by a woman of means...
Qing Dynasty ivory ring carved with dragons circling oval shaped pearl.
This is one of a pair of wooden (not papier mache) footed plates made for export. The central medallion Japanese scene is classic and the rim has ornate panels with animals and plants. Each side has handle shaped and painted as an ivy leaf.
On the black lacquered back is the rement of a very old label with indistinguishable Asian characters...