This old set of pygmy quiver and arrows have seen a lot of use. When hunting, the leather quiver would have been worn high on the back. The cap comes off easily and the upper portion of the quiver is bent to allow easy access to the arrows. The metal tips of the 5 arrows are worn and broken with only 1 showing its original shape and barbs. Each arrow has a plant binding around the end with a notch for the bow string...
This antique pair of Chinese lotus shoes were worn by a woman in He Bei Province during the end of the 1800's. Small bits of Leather are nailed to the heals because the women of that time liked the sound of the heal hitting the floor as they walked. A delicate floral motif was carefully embroidered to both sides of each shoe.
there are no rips and no tears but clearly these shoes were worn numerous times.
This antique Chinese circular lidded container was made from a single valuable horn. It is a tribute to both the horn and the skill of the craftsman. Horn can be cut, and carved, but it is not a flexible material.
According to my Chinese friends, the thinner and more translucent the horn, the more it is valued. The cross-section of an ox (buffalo)horn is oval, but a Yak horn is circular. This is a prized horn. Approx 4" high and 2.5" diameter.
This Meiji period Japanese vase has ginbari panels accenting the neck and wide goldstone band with gin-bari flowers.
Vase is 8 inches tall and is in pristine condition
This Korean brush would have been used for painting and/or large calligraphy. The handle is an old horn of rich brown tones and a soft matte patina from use. The bristles are long and soft and show some ink residue close to the ferrule. It is a wonderful brush to hold
This late Qing Dynasty hat is in excellant condition. Made with silk fabric with silk thread embroidery on both front and back, it has long tassels on each side.
This wonderful pair of lotus shoes are typical of boots from Shandong. They have a black cuff with hand-embroidered butterfly motif and the remanents of a thin pink woven band. The blue vamp is somewhat faded toward the front of the boot and has delicately embroidered butterfly on each side. The soles have worn leather heels. The inside silk lining is bright pink and in very good condition.
This small wooden box has a charming scene with 2 happy dragons carved into the sliding top. All 4 sides are carved. Late Qing period, box is in good condition, and measures 5" x 3" x 1.5
This embroidery panel was originally the front flip of a money belt. The background fabric is a low cut velvet the embroidery stitches are mostly chain stitches. Charming scene of flowers and fish with traditional chinese key border Almost 12 inches across at the widest and 7.5 inches high.
There are a total of eight signs, each with a different "saying" having to do with well wishes. Due to the age of the calligraphy, and the vagueres of the old Chinese language, accurate translations have not been possible for each sign. Each sign is carved out of wood with raised wooden characters and inlayed with MOP flakes. Each is 21 inches tall and roughly 4.5 inches wide. I have listed them separately, to allow for pictures of each
Tibetan snuff bottle with wood body, with decorative silver base and shoulders. The silver work shows a bird with elaborate wing feathers and thin handles on either side of the bottle. The stopper lid is capped with coral and the spoon is also silver. The condition is very good. Bottle measures 3" x 2"
This elaborate beaded breastplate would have been worn for festivals by a wealthy Tibetan woman. The main section has 3 ornate silver and turquoise ornaments surrounded by a raised beaded coil which is bordered with cowrie shells. The neckline rolled and padded.
It is 13 inches across at the widest point and can be tied around the neck using the attached fabric ties. As is obvious in the pictures, there are a couple areas of lose on the turquoise ornaments.
White Marble from China was referred to as Chinese Alabaster because of its grain and translucent quality. This small simple inkstone is both beautiful to see and to touch. There is a very worn rim surrounding the grinding surface and inkwell and 4 very worn feet on the bottom of the ink stone to raise it slightly off the surface.
The face of this Japanese Boy's Day Doll, musha ningyo, would certainly scare away any demons...strands of his unkept hair tends to drift across the face, and his costume is elaborately detailed. Without the stand he is 11 inches tall...the stand adds another 2 inches to the height.
Condition excellant with the exception of a couple of small surface paint chips on face reveal white undercoat (clears shown in pictures)
This antique type of metal work was common in Nepal during the 1800's and into the early 1900's. The birds beak is carved from bone which is dyed to color. The "jewels" are colored glass i.e. enamel drops of orange, turquoise and dark brown. Beak to tail tip the bird measures 3.5 inches and stands 2 inches high.
Very good condition with one "jewel" missing on the side.
This Indo-Persian antique silver repousse lidded container box was probably intended for cosmetics. The elaborate design work is flawless and the attention to detail were hallmarks of luxury items made during the late 19th century in both India and Persia. There are 2 makers marks and some scratches on the bottom of the box. See picture
The box is 3.5 inches in diameter and is 1.5 inches high
This old Chinese hand made carpenters tool would have been used as a snapline just as the western metal chalk box and line are used today. Such tools were often hand made and passed from father to son for generations. This particular one has a small antler for a plumbob.
This antique Chinese cribbage board has bone possibly ivory insets for scoring and additional small carved insets for added decoration on a wooden board richly carved with ornate fauna decoration...evidence of 4 legs (missing) on the underside of the board