Catalog: Antiques: Regional Art: Asian (459)

Old Chinese hand carved wooden mask depicting legendary king of old China. Face was gessoed and polychrome painted. 15 inches x 14 inches wide and 6 inches deep. some areas of chipped and worn paint consistent with age

Toward the late Qing and early Republic periods, footbinding in urban centers became less common. But women were still concerned with fashionable footwear. This pair of beaded strips are actually shoes parts which would have been sewn with other matching beaded fabric parts to form a pair of beaded shoes

Suspended from a small leather belt loop, this old Mongolian pipe pouch has trekked a long way. This ethnographic relic was clearly hand-made, with a simple closure of leather thongs tied into a traditional knot, and a few beads add a decorative element. For pipe cleaning, there is added piece of twisted metal wire decorated with green thread. Approx 12" long and about 3" at the widest point. It is a relic from a nomadic ethnic culture and its condition.....

This antique beaded headband is from Guang Dong province in China, and is typical of headgear worn by Chinese woman around the turn of the 19th-20th century. It would have been worn the narrow portion across the forehead, with the rounded flap portions covering the ears and fastened in the back of the head.

This is a page from the rare Burmese Buddhist Sutra manuscript called the the KAMMAVACA. The pages of these religious sutras were made from a thin strip of bamboo covered with cloth (frequently monks robes) which was thickly coated with red lacquer and gold leaf decoration. Lacquer from tamarind seed was used for the square black lettered text which is in the now extinct Burmese religious script of Pali...

By the early 1900's, foot binding fell somewhat out of fashion with the upper social classes of Han Chinese women, especially in the north. With various degrees of success and a lot of pain, a few brave women chose to have their feet re-broken and reset into a more natural size and shape. This pair of boots belonged to one such woman...

This charming Japanese netsuke has the face of Noh theatre character surrounded with intricate basket weave pattern. It is signed under the chin dimensions 2.5 x 2 x 1 inch

This pair of Chinese lotus shoes were made by a woman of limited finances. She bought what materials were needed for the vamp and supplemented with the use of rough home spun fabric scraps to cover the shaped heals and soles. The limited amount of expensive gold couching threads outlining the floral embroidery pattern on each side of the shoes indicates that this pair of lotus shoes would have used only for special occasions...

This is a charming stoneware Japanese bowl censor from 1750. It fits perfectly into the hand carved wooden stand which was probably made for the incense burner around 1900. There are no makers marks on either the bowl on the stand for identification. Covered with a thick matte gray white glaze with iron flecks and decorated solely with 3 button tabs below the rim, the censor is a wonderful early example of Japanese mingei stoneware ceramics.

This is a charming old cloisonne teapot from the later part of the Qing Dynasty in China. During this time period the traditions and culture of tea making and drinking had evolved to include the appreciation of tea articles as art objects in addition to their utilitarian purposes. This well crafted miniture teapot would have been sought after for its sculptural form.

Each side of the body of the teapot has a different floral motif with a background pattern of clouds traditional Ruyi...

This antique Chinese silk wall hanging is embroidered with mounted soldiers carrying banners across a mountainous terrain. Silk background fabric with a wide silk border, the tapestry is approx 60 inches tall and 28 inches wide. The fabric is in very good condition. This tapestry conservatively dates to the mid 1800's. While the detail of the embroidery is clearly visible, some of the embroidered threads are abraided and worn, which is typical of a textile of this technique and age.

This Chinese golden colored Sha-green is large by shagreen standards...it spans almost 7 inches at the longest point front to back, and stands just over 3 inches high. The top clearly has some scuffs and loss to the hide, which for me enhance the beauty of the box. The box is hinged at the back and the inside is lined with leather.

Carved from animal horn this eyeglass case dates to the Qing Dynasty. What appears to be the original cord allows the case to be hung on a belt...The original toggle was replaced sometime (probably in the 50's) with current blue toggle...

This mini snuff bottle is formed from copper and decorated with brass wire and turquoise. The writting is Mongolian (not Tibetan) and there is one stone missing on each side. The bottle is a scarce 1.25 inches high.

Tibetan woman wore their hair in long braids which were slipped into elaborately embroidered textile sleeves for festivals.

This antique Chinese lotus shaped serving tray is elaborately inlayed with Mother of Pearl. The MOP design covers the surface of the tray and also goes about the exterior face of the narrow rim. Wood is most likely ebony and tray dates from mid 18th century.

Condition: All the MOP inlay is intact but there are numerous tiny nicks and chips in the surface finish on the inside and outside edges of the rim surround...

This traditional Chinese antique tea container was made from bamboo. The outside has a carved rib design. This tea caddy would have been used regularly by family and friends during the Qing dynasty. Some minimal loss of finished surface on top ...to be expected with age and use...9.5 inches high

This was the traditional jacket used by girls of the Yi Chinese ethnic Minority. Girls wore this style until they were married. This garment is small and was most likely worn by a child between 7-10 years old. It is sun faded and has an area of small drip stains on the lower back and is otherwise in good condition...No rips, no tears...2 traditional silver buttons