By the latter part of the 19th century the ruling Qings were obsessed with every last detail of dress. This antique top grain leather fan case could only have been owned by very wealthy Chinese woman.
This antique cast iron 2 piece censer retains much of its original red paint. The inside bottom of the censor bowl is somewhat pitted from use. The chop marks are unrecogizable. The piece is 10 inches in diameter and 2.5 inches high.
This Chinese pinafore style garment would have been worn by a small girl child of the Dong ethnic minority in Shui Kou. Fabric is handwoven from cotton fiber, hand stitched with intricate decorative applique work and hand woven snowflake pattern ribbon accents the border. No rips, no tears, and no holes...but this piece is old and has been worn and is a bit "dirty".... and still has its original ties. It is 14 inches wide and 21 inches long...great ethnographic textile for framing.
the woman of many Chinese Ethnic Minority groups did not cut their hair. It was often worn on the top of the head in a bun,and sometimes intertwined with lengths of an ancestors hair for added protection from evil spirits.
The hair was often (especially for festivals)
decorated with added silver ornaments and/or hairpins.
This pair of boots were made for the child of a wealthy Han family of the late Qing dynasty. They were made from a pale peach colored silk fabric and hand embroidered with silk thread using a satin stitch. The color on lower part of the boots, especially on the outside, has faded to a soft golden color. This would be due to sun exposure during use as the upper part of the boots would be covered by the childs pant legs...
By the early 1900's, foot binding fell somewhat out of fashion with the upper social classes of Han Chinese women, especially in the north. With various degrees of success and a lot of pain, a few brave women chose to have their feet re-broken and reset into a more natural size and shape. This pair of boots belonged to one such woman...
A Chinese doctor would use this stoneware clay pillow to support the wrist while taking the pulse of a patient.
The pillow was made using slab construction and all the surfaces are decorated with a star pattern and covered with a traditional glaze. There is a tiny vent hole on the bottom to facilitate firing. It measures 4.5x3 x 1.5 inches and is covered with traditional green glaze...
This baby carrier panel is a lovely old piece. Embroidered with a very intricate flowing pattern using silk floss and wrapped thread and satin stitch techniques. This piece is bordered with hand-loomed fabric. The back of the piece has recently been replaced. Condition is good 19" x 21.5
Small embroidery with central floral motif using seed stitch, on traditional dark blue silk fabric. May have been used on garment as inside pocket. Approx 6.5 inches on each side.
This Qing Dynasty enamel box is from the late 1800's and was made for export...The bottom has incised stamp of China as required by McKinley Tariff Act.
The box is silver over copper with an intricate enamel scene on the top and all four sides. The quality of the enamel work is very good. The interior of the box is lined with wood...Box measures 5.75 x 3.75 x 1.75 inches
This antique iron candle holder was sourced from Shanxi province China. From a peasants home, it could be set on a table or hung on a wall. It is an interesting ethnographic folk art relic.
Only a wealthy Chinese woman would have been able to own this rare antique silk headband. Decorating each side of the headband are mirror images of an ornament depicting a bird and using the prized Kingfisher bird feathers. Intergrated with each kingfisher bird ornament is a finely embroidered bird on a branch.
These antique Chinese hat stands are carved from an unknown wood. Their interlocking parts can be separated easily, so they may have been designed for traveling. They can be sold separately or in groups and used to "show off" your hat collection or as interesting artifacts of Qing dynasty culture.
The hat stand on the left side comes apart into 2 pieces and stands 11" high.
The stand on the right also comes apart into 3 sections with 2 pieces in each section. This stand is 12" tall.
This rare Qing Dynasty mirror folds flat for storage and traveling. The hand-carved wooden frame depicts bamboo stalks, and the mirror cover carving depicts an iris plant in full bloom. The cover drops forward and down thru the legs to the rear where it acts as a back support while the mirror is in use.
Protected by a rear wood panel, the original silvered glass mirror does show its age...
These 3 small oil lamps were brought back to the US by a Baptist missionary who lived and traveled extensively throughout China. Oil lamps like these were used for light source extensively throughout rural China by poor peasants. Simply made, presumed cut from scraps of tin and soldered into shape.. the lids come off for filling with oil and some original home made wicks remain in place.
The tallest is 5 inches high...
This old Chinese Ethnic Minority inro is carved from animal horn and has 2 compartments. Each side is carved with a floral motif that is bordered with a key design. These symbols are especially meaningful to the Miao ethnic culture. The inro was worn suspended from the belt by a braided cord. It is a attractive ethnographic relic for the tribal arts collector. Condition is very good and the piece measures approximately 3.5" X 2
After hand-weaving their home spun yarn, the Miao women of Na Dan would use contrasting thread colors to create an intricate embroidery of geometric patterns on their precious baby carriers. These pieces were highly prized, used primarily for festival, and were handed down through succeeding generations.
The pouch at the top of the tassel most likely contains various herbs to bring health and good fortune to the baby...
Carved from Rosewood, on one side, this Chinese toggle has a wooded scene with a horse and pair of deer. On the reverse side is the symbol for longevity. Toggle is 1.5 inches x 1.25 inches