This Mongolian oil lamp was made in 3 sections, which were then "welded" together. From the 3 seam marks, it appears that the base was made from 3 parts which were joined and hammered into shape. The stem was a long square length of rod which was twisted during heating. Typically, these lamp stands would have a shallow bowl with a short dull spike for a candle, or a tripod oil bowl could also be placed on the top bowl according to the owners resources and preferences...
This Tibetan Priest's rattle is carved from horn and has a bone cap on the end. It was used by the Monk during ceremonial rituals and would have been shaken to ward off evil spirits. This horn was hand carved with many Tibetan Buddist symbols. All the edges are worn smooth with use and repeated handling.
The front of this Tibetan wooden snuff bottle is covered with silver repousse ornamentation. The back is surface is also silver.
The bottle is 5 inches x 4 inches x 2.5 inches.
Tibetan Buddhist monks Hand made folded paper with text and amulets. one side mostly with text and amulets on lower section. other side drawn amulet drawings with text
This piece was from a collection gathered in Tibet in the late 60's..aged conservatively from the 1800's
This style of small purse would be worn and used as an ornament on festival costume. These purses are sometime mistaken for flint strikes
Condition old and well used...
This Buddhist figure was cast in bronze and sewn into a leather case. It would have been carried in a pocket or worn hanging about the neck by the leather thong...a personal amulet or talisman meant for protection. Good condition, 4 the case in 4 inches high and 3 inches across at the widest point.
Tibetan woman wore their hair in long braids which were slipped into elaborately embroidered textile sleeves for festivals.
Beautiful antique silver bracelet from Himalayan region, my best quess is Nepal. Six Lapis Lazuli stones set in convex curve with etched leaf design that covers the background of the bracelet. Hinge and pin opening gives easy on and off usage.
Nice weight, no marks, width is 1.25 inches, each stone is .5 inches by .75 inches, nice weight, excellant condition, no dings, no dents
This antique copper reposse gau houses a picture instead of a clay tsa tsa which was common for a family gau. when the family could afford to do so, the picture would be replaced by a clay tsatsa. Curiously, this gau also houses 2 amulets, which were typically provided by a monk. The paper is very old and I am told it is bad Karma to unfold the amulet...
Hanging from the belt on a leather strap, the stylized milking hook was the essential item of ornamentation for any Tibetan woman properly dressed for a festival. Surrounding the hook surface is a heavy etched silver band. The bronze/brass hook has is etched with markings and is inset with 5 large coral beads, each set in a silver bezel. The original leather strap shows lots of wear.
These ceremonial hooks have become hard to obtain...
This is a Tibetan Ritual Celestial Crown also know as a Diadem or Ringga. It is worn by a necromancer or oracle during rituals. The "crown" consists of 5 separate paintings on paper and each painting is backed with thin cardboard for stiffness. The sections are connected with string. When worn, the crown is tied around the head with string. The sections are painted with the five Dhayani, celestial Buddhas, each painted with his traditional color and gesture...
This is a very nicely carved old traditional Tibetan ritual Phurba and it is a bit worn from use. The Phurba was brought back to the US in the 60's by a man who had taken a year off and gone trekking about from Turkey across to Nepal.
The Phurba is a special triple sided Tibetan ritual stake, which originated as a stake that tethered sacrifical animals...
This antique tibetan pendant was worn as an amulet. The large turquoise stone is encased in a silver bezel. The back has a Tibetan diety surrounded with ritual animal symbols which continue around the side of the bezel and then swirls around the turquoise stone in the front.
Piece is just short of 3 inches x 2+ inches wide and 1/2 inch thick.
The bone of this hair pin has carved series of circles and a very delicate cross hatch pattern. The top is decorated with strands animal hair. The hair pin is 7.5 inches long. This hair ornament is Naga, which is an indigenous tribal culture in the hills of the north east region of India.
This lovely antique bell is a traditional Ghanta, which is a Tibetan Buddhist ritual bell, sometimes called Dril, bu,and/or singing bell. Just over 6 inches tall, this Ghana is paired with the Dorje at the top of the handle, and the surface is decorated with an abundance of Tibetan symbols. This bell has the original clapper, has a lovely tone and beautiful patina. Bell is 6.5 inches (16.5 CM) tall
The Ghanta represents feminine power, wisdom, receptiveness, and the voice of the Buddha.
This style of metal trumpet was used for centuries throughout Tibet. This one is 22 inches long, is decorated with enamel rings on the shaft and mouthpiece. Added decorative elements are provided by the reposse work on the metal fittings. Lovely old Patina...a rare ethnographic artifact...
This elaborate beaded breastplate would have been worn for festivals by a wealthy Tibetan woman. The main section has 3 ornate silver and turquoise ornaments surrounded by a raised beaded coil which is bordered with cowrie shells. The neckline rolled and padded.
It is 13 inches across at the widest point and can be tied around the neck using the attached fabric ties. As is obvious in the pictures, there are a couple areas of lose on the turquoise ornaments.
Lovely old pair of matching Tibetan tea bowls. Carved from burl wood with silver/metal decoration around the foot and silver liner inside the bowls.
bowls are roughly 2 inches high and 3.75 inches diameter across the rimmed bowl