This lovely hand carved old wooden loom pulley comes with is own custom made stand.
This knife sheath would be hung from the woven shoulder strap by the hill tribe hunter. This one was brought back from the border region by a friend. Now heavily patinated with use and age, it was beautifully hand made many years ago and was both light weight and serviceable. It is a wonderful artifact of an age and culture that is rapidly disappearing.
Woven from wide bamboo strips, this lidded container was used for storing tobacco. Basket weaving was a traditional folk art throughout southeast Asia and most rural families relied on their own basketry skills to provide themselves with life's necessities.
This slightly miss-shaped container stands 8 inches tall and has the charm and patina which comes only with repeated use and age.
Several of the Southeast Asian hilltribes from the "Golden Triangle" region would practice tattooing as body art and religious ritual. This Burmese tattoo tool with the figure head was used to scratch the skin surface and apply the dye.
This box would have been used to display sacred Buddhist Sutra or text book. The importance of the contents is indicated by the viewing windows on front, back, top and sides of the box. The exterior of the box is covered with black lacquer and over-painted with gold. It is painted red on the inside.
There is some minimal paint loss, which is to be expected in a piece of this age.
24 inches(60 cm) long 5 inches (12 cm) high
Late 1800's -very early 1900's this fixed fan was made and of hide elaborately pierced and painted. The fan handle and support is made from carved and curved horn...
This lacquer serving tray from Burma (now called Myanmar) depicts has a central medallion with a mythical Burmese creature, a chinthei, surrounded with 12 individual vignettes depicting children and other creatures. The tray is 19 x 11 inches with a rim 3/4 inches high. The top surface is somewhat dulled from age and exposure.
This traditional antique basket purse was made and used by the men of the tiny island of Balika,Indonesia. The patina shows both the age and the wear pattern. This is one of a pair of "old purses" which were brought back to the US by an Anthropology intern who spent a summer studying and documenting the lives of the islanders in 1980.
The condition is very good and the piece measures 16" high by 12" wide and 4"
This adult female puppet is clothed in traditional Thai costume with a open shirt. All parts are hand-carved, tied and strung together, which gives the puppeteer lots of choices of movement. The face has eyes which can open and close independent of each other and the mouth can also be opened and closed. Head to toe, she measures is 21 inches tall and with the strings the total lenght is 34 inches...
This small sitting Buddha dates to the 16th century...The cast metal is somewhat deteriorated as would be expected. The names and borders of the countries of southeast Asia have changed and moved over the centuries which makes naming specific country of origin somewhat difficult....Thailand,Burma,Siam...
This is a wonderful artifact of Southeast Asian religious culture. 4 inches tall...
This lacquer serving tray from Burma now called Myanmar) depicts an elaborate palace garden scene populated with nobles in court costumes.
The tray is 14.5 inches across. The top surface is somewhat dulled from age end exposure. There is one small area of lost which is irregular in shape, approximately 1/4inch and is locate on toward the rim of the platter and a second area of loss approx 1/8 inch at the widest and follows the curve border rim design for about 1 inch(see pics 2 and 3.
This is a set of traditional lacquer bowls from Thailand. There is a single gold mythical animal, balu-gwin, at the bottom of the inside and a three balu-gwin spaced around the outside. The gold rim with key design surrounds the rim of each of the 5 bowls.
In wonderful condition, each bowl is approx 5 inches wide at the rim and 2.5 inches high.
This antique carved wooden temple Buddha retains much of his original gilded paint. He sits on a tall base covered with the old Mon Khmer script which had been formed by scratching through the golden paint. The Buddha's head is topped with a stupa-shaped "flame" called usnisa, which symbolizes the realization of Nirvana. Perhaps that explains the soft smile and meditative expression on his face...
This Burmese antique offering plate was the result of work by dedicated and skillful craftsman. Beautifully woven of bamboo strips, the finished shape would be first painted with repeated layers of black lacquer.
measures roughly 5 inches high (12.5 cm) by 10 inches wide (24.9 cm)
Carved out of Bamboo this Buddha is 13.5 inches high,5 inches wide and 4 inches deep. He is a wonderfully carved example of folk art tradition with very gentle countenance.
This antique pipe has burl wood bowl with silver filling (one ring missing) and a horn mouthpiece which has obviously been well used. There are a few short residual threads from what was probably originally a tassel.
It is a wonderful ethnographic relic of folk art.
This antique Burmese betel nut box contains matching serving tray and 4 small containers. The side of the box is circled with an excellent example of the Burmese schwezawa technique of gold leaf in a striking swirling chu-pan foliage design. The top has a lively chinthe, a traditional Burmese stylized "lion" figure with a vine and leaf foliage border.
The outer box is 7 inches in diameter and 4 inches high...
This fine antique large betel nut container from Burma is painted with a traditional ornate "yun" incised lacquer design called “yok-thei”. There are tiny dancers swirling through an intricate background of vine vegetation. High sided cylindrical betel boxes called "kun-it" were used to store betel leaves and other ingredients. The deep lid fits snugly to keep the contents fresh.
Unfortunately, this container is missing the original tray insert...