Catalog: Antiques: Regional Art (482)

Needles were a valued woman's sewing tool and were carefully secured in a special case hanging from the belt. This Chinese silver needle case has 6 sides, each with a delicate repousse floral design. The bottom is weighted with a small turquoise and larger amber bead.

nice old one...brass corners for stability... probably owned and used by storekeeper

This 18th century Samurai stirrup has intricate overall floral pattern with inlaid silver wire which is somewhat obscured by tarnish. The raised footpad is red Lacquer and has wear mark in the toe area. There is a small break (and hole) in near the rim of the foot pad, which are commsurate with age and use of a Japanese warriors stirrup.

Only a wealthy Chinese woman would have been able to own this rare antique silk headband. Decorating each side of the headband are mirror images of an ornament depicting a bird and using the prized Kingfisher bird feathers. Intergrated with each kingfisher bird ornament is a finely embroidered bird on a branch.

this antique pair of lotus embroidered lotus shoes are most likely from northern china. the vamp is a quilted cotton fabric. Each shoe is embroidered with the same floral design on both sides. The shoes were used and show some soiling on the vamp and the soles are slightly worn and dirty.

Old Chinese hand carved wooden mask depicting legendary king of old China. Face was gessoed and polychrome painted. 15 inches x 14 inches wide and 6 inches deep. some areas of chipped and worn paint consistent with age

This is a Tibetan Ritual Celestial Crown also know as a Diadem or Ringga. It is worn by a necromancer or oracle during rituals. The "crown" consists of 5 separate paintings on paper and each painting is backed with thin cardboard for stiffness. The sections are connected with string. When worn, the crown is tied around the head with string. The sections are painted with the five Dhayani, celestial Buddhas, each painted with his traditional color and gesture...

This knife sheath would be hung from the woven shoulder strap by the hill tribe hunter. This one was brought back from the border region by a friend. Now heavily patinated with use and age, it was beautifully hand made many years ago and was both light weight and serviceable. It is a wonderful artifact of an age and culture that is rapidly disappearing.

This antique Chinese box would have been used during the Qing dynasty, possibly by a scholar or shop keeper. The bottom of this box has covered compartments for seals, chops,calligraphy brush, ink sticks and a built in inkstone. There is an abacus built into the lid.

The original hinge pin was lost and has been replaced. The box was made with large dovetail joints and from a hard wood of unknown origins. The outside is dirty and I have not cleaned it...

Bamboo Vests were used as undershirts under silk garments. They served the duel purpose of allowing some air circulation and protected the silk garments from body oils. These vest were fragile and they have become very rare and hard to find. They were made with small pieces of bamboo which are literally strung together to form a garment. This bamboo vest is a particularly nice one...

Intricately detailed, this miniature scaled model of a japanese tea house was the result of a village folk art craftsman sometime between the late 1890-1920. Each piece is carved from bamboo and is pegged into place. The rice paper shutter doors slide and addition solid shutters are stored in the exterior swinging compartments. The roof is easily removed to reveal the inside which is furnished with an alter, bamboo scroll,flower vase and serving tansu with sliding doors...

This pair of Chinese lotus shoes were made by a woman of limited finances. She bought what materials were needed for the vamp and supplemented with the use of rough home spun fabric scraps to cover the shaped heals and soles. The limited amount of expensive gold couching threads outlining the floral embroidery pattern on each side of the shoes indicates that this pair of lotus shoes would have used only for special occasions...

This Qing Dynasty scroll is a kossu woven silk tapestry (kesi is the Japanese term) meticuliously depicts the famous Chinese painting scroll by Ding Yunpeng called The White Horse Carrying Sutras. The original painting was done in 1625 and illustrates the story of the 2 monks who traveled through Western China with a white horse carrying the Buddhas Scriptures. The original hangs in the National Palace Museum (Forbiddon City in TaiPei).

The kossu textile is in excellant condition...

Carved from a single block of hardwood, this Chinese drum has great patina aged surfaces. An old folk art instrument, it shows the wear of use during many musical performances at chinese operas and street festivals. When "beaten" with its accompanying drum stick, it has a deep attractive sound.

This old drum from Nepal was used for festival and carried in parades. The man would use the left hand to hold the drum by the handmade ropes across the back of the drum. He would use the right hand to strike the drum skin. The chains and metal bits hanging from the bottom would add an extra "jangle" sound while drum moving. Clearly made as folk art instrument, the drum is somewhat out of round and about 18" at the widest diameter.

This antique pipe has burl wood bowl with silver filling (one ring missing) and a horn mouthpiece which has obviously been well used. There are a few short residual threads from what was probably originally a tassel. It is a wonderful ethnographic relic of folk art.

This is a charming stoneware Japanese bowl censor from 1750. It fits perfectly into the hand carved wooden stand which was probably made for the incense burner around 1900. There are no makers marks on either the bowl on the stand for identification. Covered with a thick matte gray white glaze with iron flecks and decorated solely with 3 button tabs below the rim, the censor is a wonderful early example of Japanese mingei stoneware ceramics.

This antique copper gau would have been kept in a prayer niche in the home and would be worn as an ornament for festival. In place of the Tsatsa (clay figure), there is a Tsakli. It was common practice to use a tsakli (small picture card) to represent the religious item which would be placed in the gau, when time and money became available. The original written talisman remains inside the gau also...