Catalog: Antiques: Regional Art (482)

These antique iron stirrups probably belonged to a low level horse soldier of the Chinese army during the Qing dynasty. They are well patinated.

This small Chinese inro style container would have been worn suspended from the wearer's belt. It was hand carved from wood and detailed on each side with delicate decorative carvings of birds, flowers and a phoenix.

The piece is 2.5 inches high and 2 inches at the widest point. Because of its small size and shape, it was most likely used as an opium container. The inside has been carefully cleaned to avoid dog encounters at the airports.

This hand carved panel is from a Chinese Buddhist Temple erected around 1860. The panel is deeply carved with a scene which takes place at the foot of the sacred mountain. Bits of Mother of Pearl are inlaid into the mountain and is also used to highlight a few costume details.

This panel was used as an architectural element and has the mortise cuts in the top which were used to hold the panel in place. It is one of a pair of panels which were taken from the temple...

This hand carved panel is from a Chinese Buddhist Temple erected around 1860. The panel is deeply carved with a scene which takes place at the foot of the sacred mountain. Bits of mother of Pearl are inlaid into the mountain and is also used to highlight a few costume details.

This panel was used as an architectural element and has the mortise cuts in the top which were used to hold the panel in place. It is one of a pair of panels which were taken from the temple...

This Chinese lady's purse was made with silk satin fabric and hand embroidered with silk thread using a satin embroidery stitch. The edges are bound with carefully aligned silk threads. Each side opens to a separate storage compartment and there is a third compartment which is accessed from the top of the purse.

Made and used during the late Qing Dynasty, the quality of the materials and workmanship clearly show that this purse was used by a woman of means...

For festivals including her wedding, a Yao girl of marriageable age would wear the traditional "celestial crown" clipped to her hair on the top of her head. This traditional ornament was common among the Yao of Laos, Thailand and China's Yunnan Province. Upon reaching puberty, the Yao girl would be expected to make her own crown following traditional patterns and methods of her local region...

This small Chinese hand made purse would have been made by a woman for her personal use or possibly as a gift to a female friend. It was made using cotton background fabric and hand embroidered with silk thread on each side. The butterfly and floral motifs were made with silk thread using a combination of satin stitches, chain stitches and couching embroidery techniques.

It is a charming example of a Chinese woman's needlework and is in excellent condition...

This set of 4 matching Chinese toggles were hand carved from animal bone, probably the vertebra. Each side is carved with an identical design which continues around the side. They are well aged and show both wear and usage. As artifacts from the folk art culture, they were probably carved by the person who intended to use them to secure his personal items. Each piece is approx 1 inch in diameter and .5 inches thick.

This rare ceremonial Chinese "lock" necklace is Hmong ethnic minority. Made from pure bouillon silver, it over weighs 4.5 lbs. The Hmong Ethnic Minority group range from southern China into Northern Thailand. This piece was sourced out of China to a dealer sometime between 1920-1930. In both Chinese and ethnic minority cultures, the lock necklace acts as a talisman and symbolically "protects" the wearer from ill fortune, much as a lock on a piece of furniture will protect the contents inside...

According to the writing on the back, this small embroidered pencil holder in was made in 1897 by a Mrs Lee for M.J. Thomas who was a member of the Chinese Chicago Mission group. The embroidery stitches are tiny and some of the threads are frayed but it is a warm memento of friendship and an artifact from another era in relations between China and the US.

This well worn pair of Woman's Lotus shoes for bound feet are from the later part of the Qing Dynasty about 1870-1880. The vamp fabric is red cotton with a matching floral embroidery pattern on each side. The delicate hand stitching detail clearly shows the pride taken by the owner/maker. The soles are short of the toe vamp which was done to give the wearer a more floating and sensual appearance when walking.

These antique Razors were brought back from China by the Baptist Missionary Rebecca Cloud Stewart. The blades are rusty but they are still sharp. One has a wood handle and the other has a horn handle.

Needles were a valued woman's sewing tool and were carefully secured in a special case hanging from the belt. This Chinese silver needle case has 6 sides, each with a delicate repousse floral design. The bottom is weighted with a small turquoise and larger amber bead.

This Tibetan Priest's rattle is carved from horn and has a bone cap on the end. It was used by the Monk during ceremonial rituals and would have been shaken to ward off evil spirits. This horn was hand carved with many Tibetan Buddist symbols. All the edges are worn smooth with use and repeated handling.

Beautifully patterned horn chop with its horn seal box. The remenants of red ink indicate that this seal was used for official documents. The box has a slide top which closes tightly.

This matching Japanese 5 piece set consists of 2 deeply footed shallow serving bowls and 3 small shallow bowls. The deep rich red/orange lacquer background serves to highlight the gold, black and gray landscape scene which graces the inside of each piece. Flying high overhead a gold crane surveys the pine tree and series of sacred mountains. The largest piece is 7 inches diameter, next piece is 6 inches diameter and the 3 pieces each have a 3.5 inch diameter.

This antique Burmese betel nut box contains matching serving tray and 4 small containers. The side of the box is circled with an excellent example of the Burmese schwezawa technique of gold leaf in a striking swirling chu-pan foliage design. The top has a lively chinthe, a traditional Burmese stylized "lion" figure with a vine and leaf foliage border.

The outer box is 7 inches in diameter and 4 inches high...

This baby carrier is from the Miao ethnic minority of Qui Yang. Characteristic of the antique Miao baby carriers from this area, the surface decoration is composed of very tiny cross stitches which form geometric embroidery pattern which, to Western eyes, resemble snowflakes...