Catalog: Antiques: Regional Art (482)

According to the writing on the back, this small embroidered pencil holder in was made in 1897 by a Mrs Lee for M.J. Thomas who was a member of the Chinese Chicago Mission group. The embroidery stitches are tiny and some of the threads are frayed but it is a warm memento of friendship and an artifact from another era in relations between China and the US.

This traditional summer weight Manchu style (side closing)vest is from late Qing Dynasty. The lush deep blue silk fabric has a jacquard weave with an all over fret design. The lining is of deep maroon silk..the vest is entirely hand sewn, and fits a small to medium size woman.

In some regions of China, women made separate pairs of heels for their lotus shoes. That way, the heels could be worn with different pairs of lotus shoes, depending on the occasion, or mood. The heels had loops for straps which were used to tie the heels into place on the shoe...

This is a wonderful Qing Dynasty child's hat from Shui minority group in the Rong Jiang area. It is traditional looking Chinese cap style made with silk fabric and silk split thread embroidery, and top knot. This hat is over 100 years old, and has wonderfully soft patina, and shows some wear. Truely charming

This antique traditional Chinese pocket size opium scale comes in its original wooden case. Dating to the Qing Dynasty, the case contains all the original implements needed to weight gold and other precious metals and/or opium: a brass pan, a weight, and an ivory balance beam marked with 2 different weight calibration gauges. The wood case measures roughly 7 inches long and the ivory beam is 6 inches long.

This old relic field marker was dug up by a friends father while doing archaeological research (i.e. digging up fields) in China years ago. For centuries, during planting,such markers were commonly buried in the fields as a talisman for a bountiful harvest. It is made of clay, high fired stoneware, and has a few chips missing...as to be expected after being buried in a field.....

This 8" high wooden figure of the sitting Tenjin was carved during the Edo period, the mid 19th century (1850). Tenjin is the Japanese "god" name name given to the Japanese statesman and scholar, Sugawarea Michizane, the 9th century poet and writer of Chinese prose and verse.

Possibly carved from cryptomera wood and darkened with age, this carved figure has both a simplicity and elegance which are, for me, the major characteristics of Japanese asthetics.

This pair of antique Chinese sleeve panels have wonderfully detailed hand embroidery of satin, seed, and couching embroidery techniques. The panels are bordered with plain silk of the period total length 21.5 x 9 inches wide

Strand of Tuareg seed pod prayer beads from the region of Timbuktu, Mali. A talisman is added on with handmade cord and decorated with elephant hairs (from tail) and cowrie shells. The original cord was broken long ago and a few seed pods are missing. The original cord has been left in place and I have added a second strand to keep the strand together.

Very rare, this oceanic artifact was brought back by from New Guinea by a pilot sometime in the 1950's. The dog teeth and boar tusks are held together by hand twisted stings woven and interlaced tightly around the widest ends.

This old Chinese silk hat would have been owned and worn by a gentleman of some financial means. The gold fretted trim was expensive and used on both mens and woman's clothing of the during late Qing dynasty. There is some blue trim fabric lost as shown in the pictures. The hat is lined with red cotton fabric and has writing in 2 of the 6 sections.

This charming Japanese netsuke has the face of Noh theatre character surrounded with intricate basket weave pattern. It is signed under the chin dimensions 2.5 x 2 x 1 inch

Really nice Meiji period wooden Japanese woman's box with drawers and locking cabinet section (sorry no key). Box has parquet decoration on all exterior surfaces, and original hardware. 12.5 inches wide 10 inches high and 9 inches deep...

This assortment of cosmetic brushes along with the small container was originally part of a large cosmetic set which would have been commissioned for the a wealthy Japanese bridal trousseaux. Many layers of the rich black roiro-nuri lacquer was applied and polished to achieve the deep lusterious tone. The brushes are accented with a 2 and 3 tone golden floral motif. None of the brushes show any signs of use...

This matching Japanese 5 piece set consists of 2 deeply footed shallow serving bowls and 3 small shallow bowls. The deep rich red/orange lacquer background serves to highlight the gold, black and gray landscape scene which graces the inside of each piece. Flying high overhead a gold crane surveys the pine tree and series of sacred mountains. The largest piece is 7 inches diameter, next piece is 6 inches diameter and the 3 pieces each have a 3.5 inch diameter.

this matching pair of Turkomen Yomud tent bags, aka chuval, are out of my private collection...beautiful condition Sumak weave on bag faces plain woven canvas backs 39 x 17 inches (not including fringe)

These 3 bobbins aka thread holders would have been used in China when hand sewing was the major activity of the women of the house. Each bobbin was individually carved and each has a small ball which moves freely within the carved slot. Either individually or as a group, they are nice ethnographic artifacts of the Chinese culture during the Qing dynasty.

Nicely aged patinated Japanese old ivory letter opener or possibly a page turner with carved and dyed lizard making its way up the handle. The piece is 9.5 inches long and .5 inches wide. It is slightly doomed across the width and the "blade" section is sharpened on one side... Really a lovely piece.