Very old and very fine embroidered sleeve panels..satin and "forbidden stitch" (Peking knots) with antique trim border...some discoloration due to age...
This traditional antique Chinese brushpot is made from bamboo, and is deeply carved with upper and lower scenes. The brush pot measures 11 inches tall. Surface cracks do not go through to the inside of the pot.
This is one of a pair of wooden (not papier mache) chinoiserie footed plates made for export. The central medallion Japanese scene is classic and the rim has ornate panels of individual woman in various poises. Each side has handle shaped and painted as an ivy leaf.
On the black lacquered back is the rement of a very old label. Plate is 10.75 at the widest point. Sourced from an old estate in the US, Chinoiserie of this detail and quality are rare, probably Edo Period between 1840-1850
Ornately detailed Meiji period hard to find pair of imperial archers for palace display Girls Day Hina Dolls. 5.5 inches high to the top of the head...
This small Chinese inro style container would have been worn suspended from the wearer's belt. It was hand carved from wood and detailed on each side with delicate decorative carvings of birds, flowers and a phoenix.
The piece is 2.5 inches high and 2 inches at the widest point. Because of its small size and shape, it was most likely used as an opium container. The inside has been carefully cleaned to avoid dog encounters at the airports.
This wide cuff Chinese bracelet has deeply repousse design composed of detailed symbols related to Miao Ethic Minority myths and legends. Such bracelets would have been worn in matched pairs, one on each wrist, by the women of the "short skirt" Miao of Dan Zhai, and the bracelets would have been handed down from mother to daughter for generations.
The cuff is almost 3 inches at the widest point in the front because of its large size and rolled edge it easily slips onto most wrists.
This Tibetan gau (aka prayer box) is actually a small shrine. When not being worn as an ornament during festivals, it would be kept in the prayer niche of the family home. The back of the box slides open. Frequently, a special prayer i.e. sutra pages would be placed inside. The small glass window at the front displays a Tsa tsa, which is a clay statue of a Buddhist Diety. These statues were made only by the monks and considered to be a holy relic...
Both the wooden front and back covers of this Buddhist Sutra book are hand carved with different symbols. The numerous text pages are beautifully written with rich black ink with specific words written in red ink. The book still has its original leather binding strap.
This Tibetan sutra book approximately 12 inches wide, 4 inches tall, and 2 inches thick. Though the pages are in good condition, the covers show years of wear and use and is a wonderful artifact of an old culture.
This is a set of traditional lacquer bowls from Thailand. There is a single gold mythical animal, balu-gwin, at the bottom of the inside and a three balu-gwin spaced around the outside. The gold rim with key design surrounds the rim of each of the 5 bowls.
In wonderful condition, each bowl is approx 5 inches wide at the rim and 2.5 inches high.
This pair of traditional silver ear plugs were worn in the enlarge holes of the Yao woman of China and Thailand. The same filgree pattern is on both sides of the earplugs. The plugs are 1+ inches in diameter and 1/2 inches thick.
This unusual hat stand is made of 2 very thin interlocking pieces which were black lacquered and painted with a floral and peach motif.
This lovely small woman's purse was made from silk satin fabric and embroidered with silk thread useing the satin stitch. The purse still has the original silk ribbon attached to the bottom, and belt loop attached at the top.
This tian huang stone chop is roughly 1.5 x 1.5 x .75 inches. Currently there is no translation available for the calligraphy on the top of the stone or for the seal. The stone fits neatly into its original footed walnut wood box and is held in place inside the box by a narrow raised rim. The box base is roughly 3 x 3 x .5 inches
Being of both simple and elegant design, this small religious shrine is so typical of Japanese aesthetics. It is made from Cedar wood and dated on the back as "Showa, 2nd year, March 17.
Approximately 5" high and 3" wide.
This necklace consists of 2 carved ivory beads 3/4ths inch diameter, 8 large carved bone beads 3/4th inch, and 88 smaller carved bone beads (1/2 inch). Each large bone and ivory bead has a protective metal sleeve around the stringing hole. If opened up the strand would measure approx 48 inches...beautiful patina on both the ivory and the bone beads....
This knife sheath would be hung from the woven shoulder strap by the hill tribe hunter. This one was brought back from the border region by a friend. Now heavily patinated with use and age, it was beautifully hand made many years ago and was both light weight and serviceable. It is a wonderful artifact of an age and culture that is rapidly disappearing.
This traditional Chinese woman's headband was made and worn during the Qing Dynasty toward the end of the 19th century. It has an applique embroidered butterfly on each end and a large full kingfisher feathered medallion in the center. The lotus shaped kingfisher is 4 inches x 2 inches. The entire headband in 16 inches in length.
This antique copper reposse gau houses a picture instead of a clay tsa tsa which was common for a family gau. when the family could afford to do so, the picture would be replaced by a clay tsatsa. Curiously, this gau also houses 2 amulets, which were typically provided by a monk. The paper is very old and I am told it is bad Karma to unfold the amulet...