Originally part of a full sized Tibetan adult costume, this piece was cut down to complete a childs festival costume. Decorated with turquoise, coins, tassels and silver ornaments, this type of textile accessory would often be attached to the elaborate headdress or hat and drape down the back to complete the wearers costume. The Tibetan people are not wastefull and items of festival garments in any condition are hard to acquire. I have had it hanging on my wall for a number of years...
The bone of this hair pin has carved series of circles and a very delicate cross hatch pattern. The top is decorated with strands animal hair. The hair pin is 7.5 inches long. This hair ornament is Naga, which is an indigenous tribal culture in the hills of the north east region of India.
This deep blue Japanese cloisonne vase is decorated with 4 panels. Two of the panels have a dragon against a rust colored goldstone background. The other 2 panels have a bird against a dark green goldstone background.
Vase is in very good condition, no chips, no dents, and no losses.
This small sitting Buddha dates to the 16th century...The cast metal is somewhat deteriorated as would be expected. The names and borders of the countries of southeast Asia have changed and moved over the centuries which makes naming specific country of origin somewhat difficult....Thailand,Burma,Siam...
This is a wonderful artifact of Southeast Asian religious culture. 4 inches tall...
This old Mongolian artifact was made from leather hides sewn together with leather cord and then formed into a servicable shape approximating an irregular bottle. Handling and pouring was aided by the wooden handles.
A folk art object approx 150 years old and used for many years as a sake container saki. It is approx 19 inches high and 16 inches at the widest point about 10 inches deep.
This elaborate headdress (crown)would originally be on a Japanese Hina style Girls Day empress doll from the Edo period (pre Meiji). Mixed metals with coral accents and original silk cord and tassels, 5 inches high
These 3 bobbins aka thread holders would have been used in China when hand sewing was the major activity of the women of the house. Each bobbin was individually carved and each has a small ball which moves freely within the carved slot. Either individually or as a group, they are nice ethnographic artifacts of the Chinese culture during the Qing dynasty.
This well worn pair of Woman's Lotus shoes for bound feet are from the later part of the Qing Dynasty about 1870-1880. The vamp fabric is red cotton with a matching floral embroidery pattern on each side. The delicate hand stitching detail clearly shows the pride taken by the owner/maker. The soles are short of the toe vamp which was done to give the wearer a more floating and sensual appearance when walking.
This Chinese carved bamboo brush rest has traditional dragons chasing pearl and cloud motif. The background shape is the 5 mountains and the rim of the mountains have carved ridges. The piece measures 3.5 inches high and 6 inches across. The natural curve of the bamboo allows the piece to stay upright, and the piece remains balanced on the 1/2 inch thick bamboo. Condition is very good.
This is a charming stoneware Japanese bowl censor from 1750. It fits perfectly into the hand carved wooden stand which was probably made for the incense burner around 1900. There are no makers marks on either the bowl on the stand for identification. Covered with a thick matte gray white glaze with iron flecks and decorated solely with 3 button tabs below the rim, the censor is a wonderful early example of Japanese mingei stoneware ceramics.
Suspended from a small leather belt loop, this old Mongolian pipe pouch has trekked a long way.
This ethnographic relic was clearly hand-made, with a simple closure of leather thongs tied into a traditional knot, and a few beads add a decorative element. For pipe cleaning, there is added piece of twisted metal wire decorated with green thread.
Approx 12" long and about 3" at the widest point.
It is a relic from a nomadic ethnic culture and its condition.....
This small silk jacket was made and worn by the child of a wealthy traditional Han Chinese family. The dark blue silk fabric is embroidered on the front and back with a floral arrangement. There are additional decorative elements of tassels and border trim. The jacket spans 15 inches across the chest.
The jacket is in very good condition with only a slightly visible stain on the front embroidery, which would be expected of a childs jacket of this age.
This is a very nicely carved old traditional Tibetan ritual Phurba and it is a bit worn from use. The Phurba was brought back to the US in the 60's by a man who had taken a year off and gone trekking about from Turkey across to Nepal.
The Phurba is a special triple sided Tibetan ritual stake, which originated as a stake that tethered sacrifical animals...
This small hand painted picture on cloth, called a Tsakli was used for Buddhist religious instruction and rituals in Tibet. The back of the card has Tibetan writing...Obvious condition issues...This card and others listed on this site were all antique cards when they were brought out of Tibet in the 60's...
White Marble from China was referred to as Chinese Alabaster because of its grain and translucent quality. This small simple inkstone is both beautiful to see and to touch. There is a very worn rim surrounding the grinding surface and inkwell and 4 very worn feet on the bottom of the ink stone to raise it slightly off the surface.
This antique copper gau would have been kept in a prayer niche in the home and would be worn as an ornament for festival.
In place of the Tsatsa (clay figure), there is a Tsakli. It was common practice to use a tsakli (small picture card) to represent the religious item which would be placed in the gau, when time and money became available. The original written talisman remains inside the gau also...
This Japanese scholar's page turner consists of a thin layer of black ebony wood sandwiched between pale buttery colored ivory handles ....flawless
This tian huang stone chop is roughly 1.5 x 1.5 x .75 inches. Currently there is no translation available for the calligraphy on the top of the stone or for the seal. The stone fits neatly into its original footed walnut wood box and is held in place inside the box by a narrow raised rim. The box base is roughly 3 x 3 x .5 inches