The top of this black lacquer Japanese box is heavily carved with leaves and foliage. The carved oval cinnabar panel in the center depicts a long and stable marriage scene. The standing wife has just served her sitting husband tea in the garden, outside the house surrounded by mountains. The four sides of the box are carved with continuous textile design.
The box is 5.5 inches x 4.75 inches and 2+ inches high.
The black stone tile has mosaic inlay of mother of pearl Taj Mahal detailed with black pen ink lines. This Anglo Indian Victorian piece from the Raj era would have come from the Visagapatam region of India, which was known for its finely detailed black pen ink designs.
Pristine condition and very beautiful. Measured top to bottom and side to side 6 inches each way...measured point to point 6.5 inches
Beautifully carved powder horn from Chinese Miao ethnic minority over 90 years old from Guizhou Province. The underside of the horn is full of old writing. Unfortunately, no one can read the old writing. Around the turn of the century the forests around the Miao villages were full of game and the men would frequently hunt for game to provide family meals. Unfortunately, most of the game has diminished and many of the hunting skills are forgotten.
This old Chinese container would have been used by a poor farmer or fisherman to carry his lunch, and tea while he was off working for the day. The main container has 2 sections and there is an additional rimmed tray which fits just inside below the tightly fitted lid. All 3 pieces are made from very tightly woven from 2 different types of plant materials...
Originally, this was the largest of a set of 3 graduated matching silver necklaces. They were worn as a set for festival by the Miao Chinese Ethnic Minority women. The necklace was skillfully hand-formed from a sheet of silver into a curving tapered tube with a reposse pattern of 2 dragons chasing pearl. It spans 10.5 inches across.
This Indonesian container would have been carried by a man using the handmade string as a shoulder strap. The "purse" was hand carved out of a local hardwood and both the top and bottom have decorative details.
The container sits stably on it base but can also be hung on the wall as an interesting sculpture artifact.
Approximately 9 inches high, 7.5 inches across and 4 inches deep.
This antique cinnabar lidded jar vase form is surrounded with deeply carved garden landscape scenes with several men and woman including and older man and small child. The carved details of people, plants and house facades are all clear with no loses.
This cinnabar jar is in very good condition. It stands 6.5 inches and 6 inches wide. The word China is handwritten on the bottom, which indicates that the piece was made between 1890 and 1914.
Sourced from southern China, this ethnic minority tobacco container has a hinged lid and "belt clip". I suspect that it is Yi minority.
This Meiji period Japanese vase has ginbari panels accenting the neck and wide goldstone band with gin-bari flowers.
Vase is 8 inches tall and is in pristine condition
Carved from Rosewood, on one side, this Chinese toggle has a wooded scene with a horse and pair of deer. On the reverse side is the symbol for longevity. Toggle is 1.5 inches x 1.25 inches
This pair of rectangular shaped antique Tsakli cards are hand-painted on cloth. The Buddhist monks would use the Tsakli card as a learning tool to aid in remembering the meanings of religious symbols,objects and rituals. In poorer areas the cards would be used in place of the religious objects which they depicted. These cards have the Tibetan script on the reverse side of the card.
This pair of tsakli cards show the wear of extensive use. They are each 5.5 inches wide and 3 inches high...
This old Chinese necklace is from either the Dong or Miao minority group. The central medallion is domed on the front and flat on the back. The weight of the medallion indicates that it is hollow. It depicts one of the female characters from minority legend. With the assortment of items dangling, the necklace is reminiscent of a chatelaine.
the central medallion diameter is just over 4 inches and from the top of the medallion to the bottom of the longest drop is approx 7 inches...
This antique Korean ink stone was carved from a thick piece of black stone, and is 7.25 inches (18 cm) x 11 inches (28cm) x 3 inches (7.6 cm) high. It weights about 14 lbs. The lid is deeply carved with a swirling dragon. The base of the stone has a grinding surface that slopes to a deep inkwell for collecting the liquid ink. The border of the base is carved with a simple repeat decoration.
One corner of the lid has a chip with most of the loss on the underside...
This Chinese antique wood carving was possibly part of an architectural structure or possibly from a piece of furniture. The wood is approximately 1.3 inches thick and retains much of the original finish though it is obviously worn in some areas. The tradition carvings of 2 dragons chasing the pearl is very well done. The piece is about 5 inches high and 17 inches long.
This old wooden dragon was hand carved with an expressive face and large black eyes. He balances nicely with his tail on a short pedestal. Gripping his prized pineapple in his paws, he licks it with his tongue, clearly relishing the sweet taste. The pineapple has a short hollow plug on top to provide for an incense stick.
The name Zhang Feng Chao is carved on the underside of the pedestal. This old dragon is a wonderful example of an old Chinese folk art artifact...
Originally part of a full sized Tibetan adult costume, this piece was cut down to complete a childs festival costume. Decorated with turquoise, coins, tassels and silver ornaments, this type of textile accessory would often be attached to the elaborate headdress or hat and drape down the back to complete the wearers costume. The Tibetan people are not wastefull and items of festival garments in any condition are hard to acquire. I have had it hanging on my wall for a number of years...
This knife sheath would be hung from the woven shoulder strap by the hill tribe hunter. This one was brought back from the border region by a friend. Now heavily patinated with use and age, it was beautifully hand made many years ago and was both light weight and serviceable. It is a wonderful artifact of an age and culture that is rapidly disappearing.
This elaborate antique embroidery panel is from Gujrat India and would have been used as a dowery quilt. It is backed with soft aged (now muted) cotton fabric, leaving a 4 inch border surrounding the embroidery. The gold and silver metallic threads are also somewhat subdued and blended giving the panel a soft and somewhat muted appearance which is very pleasing...