This is a set of traditional lacquer bowls from Thailand. There is a single gold mythical animal, balu-gwin, at the bottom of the inside and a three balu-gwin spaced around the outside. The gold rim with key design surrounds the rim of each of the 5 bowls.
In wonderful condition, each bowl is approx 5 inches wide at the rim and 2.5 inches high.
The use of chopstick holders was common throughout China. The style varied from region to region. This particular chopstick container was from the Northern provinces, formerly Manchuria. It was hand turned and is slightly out of round and in years past, the lip may have been nimbled by a rodent. It is a definately an object in the tradition of Chinese folk art.
Toward the late Qing and early Republic periods, footbinding in urban centers became less common. But women were still concerned with fashionable footwear. This pair of beaded strips are actually shoes parts which would have been sewn with other matching beaded fabric parts to form a pair of beaded shoes.
This antique carved wooden temple Buddha retains much of his original gilded paint. He sits on a tall base covered with the old Mon Khmer script which had been formed by scratching through the golden paint. The Buddha's head is topped with a stupa-shaped "flame" called usnisa, which symbolizes the realization of Nirvana. Perhaps that explains the soft smile and meditative expression on his face...
This ornately hand carved hard wooden frame comes with antique Chines lithograph of the summer palace. The frame is approx 8.5 x 13 inches...
This lovely hand carved old wooden loom pulley comes with is own custom made stand.
This Japanese tray is 12.5 inches wide and 7.25 inches tall...It is lovely ...Meiji period wireless cloisonne tray depicting birds and flowers in the central field with wide scalloped border picturing Phoenix bird at the top center, a lizard on the right and another bird on the left...really and exceptional piece...the front in in excellant condition. The underside appears to have been over-painted
The front of this Tibetan Flint Pouch is decorated with silver and bronze ornamentation and an inset coral bead. The back is decorated with bronze buttons to protect the leather from excessive wear. The pouch still has its original leather strap which would have been used to secure the pouch to the wearers belt.
Flint was an essential and valuable item for nomadic and indigenous cultures and as such was frequently carries in pouch specifically designed for its use.
The black stone tile has mosaic inlay of mother of pearl Taj Mahal detailed with black pen ink lines. This Anglo Indian Victorian piece from the Raj era would have come from the Visagapatam region of India, which was known for its finely detailed black pen ink designs.
Pristine condition and very beautiful. Measured top to bottom and side to side 6 inches each way...measured point to point 6.5 inches
Each saki cup of this set of 6 has hand painted flower or foliage in the inside. The set is Japanese lacquerware from Meiji period.
Several of the Southeast Asian hilltribes from the "Golden Triangle" region would practice tattooing as body art and religious ritual. This Burmese tattoo tool with the figure head was used to scratch the skin surface and apply the dye.
This finely carved small 3 hole flower (plant) antique Ikebana type vase was sourced in China but design quality is very Japanese...Deeply carved dark dense,finely grained hardwood, possibly walnut, or zitan...feels wonderfully smooth...approximately 5.5 inches x 5.5 inches x 1.5 inches....
This textile wallet would have been used to keep sewing supplies Each page is made from heavy hand paper, hand painted decoration and folded in such a way that numerous pockets and flaps are available for storage of small bits of fabric, snipes of thread, needles, etc. the outside of the wallet is covered with homespun fabric which now attests to the age and use of the piece. This wallet is from the Dong ethnic minority of China, and would have been passed down from one generation to another...
The front of this Tibetan wooden snuff bottle is covered with silver repousse ornamentation. The back is surface is also silver.
The bottle is 5 inches x 4 inches x 2.5 inches.
The variety and types of embroidery stitches on this antique Chinese hat are old typically Miao minority. Probably done by dotting grandmother. The silver ornaments, the butterfly, the bubbles are symbolic of the Miao myth regarding the birth of the human race. The hat shows some dirt but is otherwise in good condition.
This wide cuff Chinese bracelet has deeply repousse design composed of detailed symbols related to Miao Ethic Minority myths and legends. Such bracelets would have been worn in matched pairs, one on each wrist, by the women of the "short skirt" Miao of Dan Zhai, and the bracelets would have been handed down from mother to daughter for generations.
The cuff is almost 3 inches at the widest point in the front because of its large size and rolled edge it easily slips onto most wrists.
This small intricately carved stone shoes were probably given as a gift of well wishing. 3 inches in length, they were carved from unidentified soft stone, not hard jade. There are numerous cracks and chips from age, but the shoes retain their original carving detail.
This antique copper reposse gau houses a picture instead of a clay tsa tsa which was common for a family gau. when the family could afford to do so, the picture would be replaced by a clay tsatsa. Curiously, this gau also houses 2 amulets, which were typically provided by a monk. The paper is very old and I am told it is bad Karma to unfold the amulet...