Catalog: Antiques: Regional Art (482)

I was thrilled to acquire this rare Mongolian textile. Utilizing all couching embroidery technique on red wool fabric, it depicts 2 golden dragons chasing the sun. The condition of this piece is remarkably good condition for its age, showing 2 small areas of repair on the top corners. It measures 40" long by 18" from the top to the bottom tip of the tasseles

Though sourced from northern China, this antique powder flask is most likely Chinese ethnic minority from the southern regions. There are 3 flasks for carrying gun powder. Used rifle cartridges are used both as stoppers and bullets are held in the shaped spacers between the powder flasks. It was made by shaping and then sewing 2 pieces of heavy leather (probably elephant hide)together.

This short sword and matching scabbard from Bhutan is elaborately decorated. The knife handle or sword hilt has a leather cover which is detail with silver reposse and a coral bead. The wooden scabbard is covered with leather and is decorated with an elaborate silver reposse dragon. The knife blade is has a series of added symbols. The belt loop is also decorated with a series of silver objects...

This small Japanese case was most likely used for eyeglasses by a wealthy woman. The fine cloisonne work on both sides has slightly differed medallion patterns. Bird one one side butterfly on the other...There is s small sing (with lose on the bird side towards the edge...and the ding goes through to the inside of the case...piece is priced considering the damage...

This 19th Century traditional Han Chinese robe would have been used for winter wear. It uses dark black satin weave silk fabric, and has very wide cuffs with floral embroidery and the shape is trimmed out with a floral silk ribbon. The coat has its original buttons and fabric loop closures...and has original lining. Excellent condition

According to the writing on the back, this small embroidered pencil holder in was made in 1897 by a Mrs Lee for M.J. Thomas who was a member of the Chinese Chicago Mission group. The embroidery stitches are tiny and some of the threads are frayed but it is a warm memento of friendship and an artifact from another era in relations between China and the US.

This box would have been used to display sacred Buddhist Sutra or text book. The importance of the contents is indicated by the viewing windows on front, back, top and sides of the box. The exterior of the box is covered with black lacquer and over-painted with gold. It is painted red on the inside.

There is some minimal paint loss, which is to be expected in a piece of this age. 24 inches(60 cm) long 5 inches (12 cm) high

This is an old traditional style top shirt which would have been worn by a young girl of the Yi Chinese ethnic minority from Yunnan Province. the fabric is made from home grown cotton, hand spun, and hand woven. The collar surround and cuffs are trimmed with an intricate batik pattern and the tiniest embroidery stitched I have ever seen. The shirt has its original buttons. Good size for framing 14 inches across the chest.

Made from ox horn, and shaped into a perfectly balanced shoehorn, this antique Chinese folk art artifact serves in both form and function. There is a delicately carved design on the back. The handle part of the horn has eyes carved so that the piece takes the shape of an animal and there is a hole carved so that the shoehorn can be hung from a cord. I vaguely remember hearing that the Chinese inventing the shoehorn, but have not been able to verify this as historic fact.

This Hagoita depicts the princess in the Kabuke play Musume Dojo-Ji. This paddle is a wonderful example of the folk art of Japanese folded fabric into deeply sculptured relief. Though rarely used now, the paddles today are valued as an ornament that is believed to bring good luck.

Unfortunately, though in otherwise excellant condition this Meiji period princess has lost some of the foil pedals from her headdress.

There are a total of eight signs, each with a different "saying" having to do with well wishes. Due to the age of the calligraphy, and the vagueres of the old Chinese language, accurate translations have not been possible for each sign. Each sign is carved out of wood with raised wooden characters and inlayed with MOP flakes. Each is 21 inches tall and roughly 4.5 inches wide. I have listed them separately, to allow for pictures of each

This is the second of 4 small individual antique Chinese carvings which I am listing separately. I had always assumed them to be 4 of the eight immortals but upon close inspection, I am now not sure which gods, ancestors or legends they represent. Each character stands with its own faithful foo type dog and carries an implement of some kind. Each has a peg on the bottom which fits into the own homemade stand. This character stands 5.75 inches x 3 inches wide and 1 inch thick...

These antique iron stirrups probably belonged to a low level horse soldier of the Chinese army during the Qing dynasty. They are well patinated.

This rare Qing Dynasty mirror folds flat for storage and traveling. The hand-carved wooden frame depicts bamboo stalks, and the mirror cover carving depicts an iris plant in full bloom. The cover drops forward and down thru the legs to the rear where it acts as a back support while the mirror is in use. Protected by a rear wood panel, the original silvered glass mirror does show its age...

This antique Chinese cribbage board has bone possibly ivory insets for scoring and additional small carved insets for added decoration on a wooden board richly carved with ornate fauna decoration...evidence of 4 legs (missing) on the underside of the board

This small antique Chinese wooden storage container was used for calligraphy implements. Inksticks would have been held in the rear center compartment. Calligraphy brushes would have been held upright on the right and left side compartments. Seals or chops would have been stored in the lidded section. Originally painted with black lacquer, this piece has great age and wear patina.

During the Qing Dynasty, hair combs like this were commonly used. The structure is bone and the tines are of wood. A few tines have gone missing with age and use. The comb is about 5 inches x 2 inches.

Toward the late Qing and early Republic periods, footbinding in urban centers became less common. But women were still concerned with fashionable footwear. This pair of beaded strips are actually shoes parts which would have been sewn with other matching beaded fabric parts to form a pair of beaded shoes

The Manus Island is one of the Admiralty Islands. This traditional hair comb which the islanders would make from the mid ribs of coconut palm fronds. It is covered with a hard patinarium paste made from the crushed fruit of the Nilit tree, sometimes called Puttynut.

Wonderful satin stitch embroidery of flowers and butterflies decorate this charming antique Chinese Miao baby hat. The front has 4 silver Buddha ornaments and the back sports the traditional Miao ornament of a butterfly with dangling bells to protect the child from evil spirits. The hat is softly padded to keep baby's head warm.

this is a large antique hand-made pair of earrings of low grade silver, lots of filigree work...Though obviously not wearable for most Westerners, the make a wonderful ethnographic, tribal arts display.

An ornate painting of gold plant and leaf decoration swirl around and across the top of this Meiji period Japanese black lacquer 3 tier box. The bottom tier has a deep foot. The container measures 9 inches in diameter and is 11 inches tall. there are several small nicks in the inside lip/rim of the top box but these do not show in the outside...

This Korean brush would have been used for painting and/or large calligraphy. The handle is an old horn of rich brown tones and a soft matte patina from use. The bristles are long and soft and show some ink residue close to the ferrule. It is a wonderful brush to hold

There are a total of eight signs, each with a different "saying" having to do with well wishes. Due to the age of the calligraphy, and the vagueres of the old Chinese language, accurate translations have not been possible for each sign. Each sign is carved out of wood with raised wooden characters and inlayed with MOP flakes. Each is 21 inches tall and roughly 4.5 inches wide. I have listed them separately, to allow for pictures of each

This antique small iron mortar fits easily into the closed hand was used for grinding medicinal herbs. The pestle is attached with a hand made chain. Sourced from Maharasha, India...great aged patina.

The doodoo was an element of Chinese woman's costume which was worn covering the chest. This one has a money pocket ant is in pristine condition. With silk embroidered flower decoration on a satin weave cotton background fabric. The back is a simple piece of somspun indigo dyed fabric

Tibetan woman wore their hair in long braids which were slipped into elaborately embroidered textile sleeves for festivals.

This is a wonderful Qing Dynasty child's hat from Shui minority group in the Rong Jiang area. It is traditional looking Chinese cap style made with silk fabric and silk split thread embroidery, and top knot. This hat is over 100 years old, and has wonderfully soft patina, and shows some wear. Truely charming

Very Nice patina on this old Tibetan Dorje. It is 7 inches long. The Tibetan Dorje is the equivalent of the India Buddhist symbol of Vajra or Thunderbolt which represents the masculine force....

These 3 bobbins aka thread holders would have been used in China when hand sewing was the major activity of the women of the house. Each bobbin was individually carved and each has a small ball which moves freely within the carved slot. Either individually or as a group, they are nice ethnographic artifacts of the Chinese culture during the Qing dynasty.

This hand carved panel is from a Chinese Buddhist Temple erected around 1860. The panel is deeply carved with a scene which takes place at the foot of the sacred mountain. Bits of mother of Pearl are inlaid into the mountain and is also used to highlight a few costume details.

This panel was used as an architectural element and has the mortise cuts in the top which were used to hold the panel in place. It is one of a pair of panels which were taken from the temple...

Suspended from a small leather belt loop, this old Mongolian pipe pouch has trekked a long way. This ethnographic relic was clearly hand-made, with a simple closure of leather thongs tied into a traditional knot, and a few beads add a decorative element. For pipe cleaning, there is added piece of twisted metal wire decorated with green thread. Approx 12" long and about 3" at the widest point. It is a relic from a nomadic ethnic culture and its condition.....

This Indo-Persian antique silver repousse lidded container box was probably intended for cosmetics. The elaborate design work is flawless and the attention to detail were hallmarks of luxury items made during the late 19th century in both India and Persia. There are 2 makers marks and some scratches on the bottom of the box. See picture

The box is 3.5 inches in diameter and is 1.5 inches high

This old Chinese stoneware ceramic pipe bowl (smoke chamber) would have been placed onto the smoking pipe to allow for a small piece of opium to be smoked. The tiny opening at the top would allow the smoke to be drawn into the stoneware chamber and cooled before being inhaled by the smoker.

The piece has 2 different makers marks which are clearly stamped into each side of the clay underside of bottom hole.

This unusual small triangular shaped snuff bottle 2 of the 3 sides of the piece have carefully repouse Tibetan symbols..no makers marks...a few tiny dents ...no loss. It was brought back from Tibet by a man who went on a long walkabout from Istanbul to Tibet back in the late 60's...China was not open at the time...and Tibet ..he traveled with a backpack,limited space,few small momentoes and he was picky...old pieces only... bottle is approx 1.75 inches high

Antique pair of Japanese samuri dolls aka musha ningyo representing the Empress Jingo and her faithful minister Takenouchi no Sukune. Unfortunately, the baby Ojin has been lost. Both dolls are beautifully detailed and in excellent condition. She is 9 inches tall and he is 6 inches tall. Shown on a home made stand