This pair of rectangular shaped antique Tsakli cards are hand-painted on cloth. The Buddhist monks would use the Tsakli card as a learning tool to aid in remembering the meanings of religious symbols,objects and rituals. In poorer areas the cards would be used in place of the religious objects which they depicted. These cards have the Tibetan script on the reverse side of the card.

This pair of tsakli cards show the wear of extensive use. They are each 5.5 inches wide and 3 inches high...

This Tibetan gau (aka prayer box) is actually a small shrine. When not being worn as an ornament during festivals, it would be kept in the prayer niche of the family home. The back of the box slides open. Frequently, a special prayer i.e. sutra pages would be placed inside. The small glass window at the front displays a Tsa tsa, which is a clay statue of a Buddhist Diety. These statues were made only by the monks and considered to be a holy relic...

This Tibetan talisman has a sealed leather herb bag hanging on each side of a small bronze sitting Buddha which is also displayed in a leather casing. The Buddha is depicted as holding a small bottle. All 3 pieces are hanging from a matching leather strap so that it could be worn around the neck of the individual...

The Chinese ethnic minority Miao are very fond of silver and would use any festival to display their ornate silver jewelry. This dragon necklace was used by a young girl child from one of the many Miao villages around the hills of Kali. The pendent is 6.5 inches wide, childs' size, but the decorative chain is long enough for an adult to wear. Because the pendent is hollow, it is comfortable to wear. As one moves, the necklace makes a soft tinkling sound...

This antique carved wooden temple Buddha retains much of his original gilded paint. He sits on a tall base covered with the old Mon Khmer script which had been formed by scratching through the golden paint. The Buddha's head is topped with a stupa-shaped "flame" called usnisa, which symbolizes the realization of Nirvana. Perhaps that explains the soft smile and meditative expression on his face...

This Burmese antique offering plate was the result of work by dedicated and skillful craftsman...

This Ethnic Minority festival necklace is from one of the Miao villages in the mountains outside the city of Tia Jiang. The neckpiece is formed from a hollow silver tube aprox. .5 inches in diameter. The hollow medallion is .5 inches thick. The necklace can be worn comfortably. The silver medallion has elaborate reposse work with an array of symbols of Miao culture and legend. There is a pair of Phoenix birds flying above a pair of dragons who are chasing a fiery pearl enclosing a frog...

This Miao Chinese ethnic minority jacket would have been worn by a teenage girl for festival. All the batik work was hand-painted and all stitches and embroidery was done by hand. The row of silver hemisphere's across the back represent the "bubble" in the Miao creation myth...

This box would have been used to display sacred Buddhist Sutra or text book...

This old drum from Nepal was used for festival and carried in parades. The man would use the left hand to hold the drum by the handmade ropes across the back of the drum. He would use the right hand to strike the drum skin. The chains and metal bits hanging from the bottom would add an extra "jangle" sound while drum moving. Clearly made as folk art instrument, the drum is somewhat out of round and about 18" at the widest diameter. ...

Carved from a single block of hardwood, this Chinese drum has great patina aged surfaces. An old folk art instrument, it shows the wear of use during many musical performances at chinese operas and street festivals. When "beaten" with its accompanying drum stick, it has a deep attractive sound. ...

Hanging from the belt on a leather strap, the stylized milking hook was the essential item of ornamentation for any Tibetan woman properly dressed for a festival. Surrounding the hook surface is a heavy etched silver band. The bronze/brass hook has is etched with markings and is inset with 5 large coral beads, each set in a silver bezel. The original leather strap shows lots of wear.

These ceremonial hooks have become hard to obtain. The hook alone measures 5.5 inches long and the strap...

This is a very nicely carved old traditional Tibetan ritual Phurba and it is a bit worn from use. The Phurba was brought back to the US in the 60's by a man who had taken a year off and gone trekking about from Turkey across to Nepal.

The Phurba is a special triple sided Tibetan ritual stake, which originated as a stake that tethered sacrifical animals. Ritually used by the Buddhist priest to create an area of stability and or protected space, the phurba was often staked into the ground in...

This Buddhist sutra book was from Ceylon, now called Sri Lanka. The front and rear wooden covers painted red with random gold paint spatters. The sutra book contains 16 handwritten pages made from palm leaves, which are held between the covers with cord. Measurements 25" x 2"...

This elaborate beaded breastplate would have been worn for festivals by a wealthy Tibetan woman. The main section has 3 ornate silver and turquoise ornaments surrounded by a raised beaded coil which is bordered with cowrie shells. The neckline rolled and padded.

It is 13 inches across at the widest point and can be tied around the neck using the attached fabric ties. As is obvious in the pictures, there are a couple areas of lose on the turquoise ornaments. ...