This small hand painted picture on cloth, called a Tsakli was used for Buddhist religious instruction and rituals in Tibet. The back of the card has Tibetan writing...Obvious condition issues...This card and others listed on this site were all antique cards when they were brought out of Tibet in the 60's...card is 3 x 3.5 inches
This traditional tribal comb would be worn for festival by Yao ethnic minority woman of Southern China. The comb was carved from sections of bone which are held together with twining technique. The bone sections are inked with design pattern. The comb alone is 5.5 inches long and 3 inches wide. The combined length with the pompom and tassels is almost 12 inches long
Both the wooden front and back covers of this Buddhist Sutra book are hand carved with different symbols. The numerous text pages are beautifully written with rich black ink with specific words written in red ink. The book still has its original leather binding strap.
This Tibetan sutra book approximately 12 inches wide, 4 inches tall, and 2 inches thick. Though the pages are in good condition, the covers show years of wear and use and is a wonderful artifact of an old culture.
This Tibetan talisman has a sealed leather herb bag hanging on each side of a small bronze sitting Buddha which is also displayed in a leather casing. The Buddha is depicted as holding a small bottle. All 3 pieces are hanging from a matching leather strap so that it could be worn around the neck of the individual.
This rare ceremonial Chinese "lock" necklace is Hmong ethnic minority. Made from pure bouillon silver, it over weighs 4.5 lbs. The Hmong Ethnic Minority group range from southern China into Northern Thailand. This piece was sourced out of China to a dealer sometime between 1920-1930. In both Chinese and ethnic minority cultures, the lock necklace acts as a talisman and symbolically "protects" the wearer from ill fortune, much as a lock on a piece of furniture will protect the contents inside...
Henry Noel Humphreys, "Parables of our Lord" printed 1847, New York,D. Appleton edition. 2000 of these books were printed in 1947 and, of those, 1000 were printed with D. Appleton title page. Front and Back book covers are made of Paper-Mache boards covered with elaborately carved black plaster. 31 pages plus the title page are multi-colored chromolithographed, illuminated with each page having a different design. According to the inscription, this copy was a gift from Will, an "affectionat...
This antique copper reposse gau houses a picture instead of a clay tsa tsa which was common for a family gau. when the family could afford to do so, the picture would be replaced by a clay tsatsa. Curiously, this gau also houses 2 amulets, which were typically provided by a monk. The paper is very old and I am told it is bad Karma to unfold the amulet.
The Tibetan Buddhists used the gau as a prayer shrine usually placed on a special shelf in the home along with any other religious relics o...
This traditional small leather purse would have been used as an ornament and hung from a belt by a Tibetan woman during festival. It is heavily decorated with silver metal, turquoise and coral beads. This is an old one and is in excellent condition.
This pair of antique Miao boots were made by a young woman from Song Tao to be worn for festivals. The thick sole has iron hob nails to make walking easier on the hills and terraces. The vamp is made from cotton fabric and is heavily embroidered with cottton thread using satin and chain stitch techniques. The upper part of the boot is also made of cotton fabric.
For Girls Day Palace display 3 male attendants
each approximately 4 inches tall
This apron is from the Huan Xi area and was part of the traditional Miao ethnic minority woman's festival costume. Made from home spun fibers,indigo dyed yarn, it is embroidered with tiny intricate cross stitch geometric design...the ties are also hand woven. The apron measures approx 17 x 17 inches and is in good condition...with a few very light stains which do not show on photo with enhancing...
Two Standing Ladies in Waiting for palace display and one lady seated for tea service.
Standing ladies are 5.5 inches tall and the one seated is 3.5 tall
This Tibetan gau (aka prayer box) is actually a small shrine. When not being worn as an ornament during festivals, it would be kept in the prayer niche of the family home. The back of the box slides open. Frequently, a special prayer i.e. sutra pages would be placed inside. The small glass window at the front displays a Tsa tsa, which is a clay statue of a Buddhist Diety. These statues were made only by the monks and considered to be a holy relic. This antique gau has a front piece of silv...
This antique lamp was sourced from an old Buddhist Temple in Mongolia. It would have been used as a light source, commonly using fat but also occasionally using oil for fuel. The surfaces are rusted and corroded from centuries of use and weather, which gives the piece character and shows it to be an ethnographic artifact of cultures past and passing. Approx 8 inches wide across the rim of the base and approx 12 inches high. Weight is approx 4.5 lbs
This small hand painted picture on cloth, called a Tsakli was used for Buddhist religious instruction and rituals in Tibet. The back of the card has Tibetan writing...Obvious condition issues...This card and others listed on this site were all antique cards when they were brought out of Tibet in the 60's...roughly 3.75 x 3.5 inches
This Buddhist figure was cast in bronze and sewn into a leather case. It would have been carried in a pocket or worn hanging about the neck by the leather thong...a personal amulet or talisman meant for protection. Good condition, 4 the case in 4 inches high and 3 inches across at the widest point.
This apron would be worn for festival by young woman, recently married and hoping to become pregnant or in the early stage of pregnancy. After the baby is born, the straps will be relocated so that the apron is converted to a baby carrier. The coin bottom border is show hope for good fortune for the baby. The 3 tassles on the end of the apron straps are show hope for eventually having 3 children.
The butterfly is considered the mother of the Miao people.
This antique carved wooden temple Buddha retains much of his original gilded paint. He sits on a tall base covered with the old Mon Khmer script which had been formed by scratching through the golden paint. The Buddha's head is topped with a stupa-shaped "flame" called usnisa, which symbolizes the realization of Nirvana. Perhaps that explains the soft smile and meditative expression on his face. He appears to be a Buddha from the Tai Lue ethnic group in Burma, the country currently known as...