Ornately detailed Meiji period hard to find pair of imperial archers for palace display Girls Day Hina Dolls. 5.5 inches high to the top of the head...
This antique Chinese hand carved wooden bobbin still has a length of home spun thread which winds around the middle. The bobbin shows extensive use, with some areas of paint and finish heavily patinated and other areas just worn away.
This matched set of Japanese lacquer consists of a 10 inch shallow serving bowl and 5 plates. Each piece has a silver rim and nashiji finish with a decorative motif of bamboo leaves with abalone shell inlay flowers.
This old Chinese Paktong (baitong) inkbox has four styles of calligraphy on the top (not translated)...
the bottom is copper and is signed. Inside the top is an ink stone for grinding ink. Box measures 3.5 inches x 2.5 inches.
There are a series of very light scratches across the top of the box...as seen in the picture.
The variety and types of embroidery stitches on this antique Chinese hat are old typically Miao minority. Probably done by dotting grandmother. The silver ornaments, the butterfly, the bubbles are symbolic of the Miao myth regarding the birth of the human race. The hat shows some dirt but is otherwise in good condition.
This 18th century Samurai stirrup has intricate overall floral pattern with inlaid silver wire which is somewhat obscured by tarnish. The raised footpad is red Lacquer and has wear mark in the toe area. There is a small break (and hole) in near the rim of the foot pad, which are commsurate with age and use of a Japanese warriors stirrup.
This Chinese lady's purse was made with silk satin fabric and hand embroidered with silk thread using a satin embroidery stitch. The edges are bound with carefully aligned silk threads. Each side opens to a separate storage compartment and there is a third compartment which is accessed from the top of the purse.
Made and used during the late Qing Dynasty, the quality of the materials and workmanship clearly show that this purse was used by a woman of means. Unfortunately, this use has left...
Very nice old Maru Japanese Obi in excellent condition. Neutral colors throughout the delicate weave of repeat scenes of cart
Used for repeated printing of an image onto paper, this carved wooden ink block has the image of Fu Lu Shou, the Chinese God of Longevity. Almost 6.5 x 10 inches...this inkblock makes a nice wall hanging
This antique pair of wooden spoons were hand carved and delicately shaped. The handles are deeply arched and the ends are painted with a gilded paint. They were heavily covered with a clear lacquer finish.
This antique lamp was sourced from an old Buddhist Temple in Mongolia. It would have been used as a light source, commonly using fat but also occasionally using oil for fuel. The surfaces are rusted and corroded from centuries of use and weather, which gives the piece character and shows it to be an ethnographic artifact of cultures past and passing. Approx 8 inches wide across the rim of the base and approx 12 inches high. Weight is approx 4.5 lbs
This small old Chinese wood sculpture of a mounted horseman is probably of famous warrior or legendary character. Carved from wood and painted the horse and rider are fixed to the original wooden stand. Original paint with some loss and one arm missing. 6 inches high including stand and a charming artifact of centuries past.
This tall bamboo incense holder is elaborately carved with a bird attacking a snake. The birds wings are out-stretched and spread around the container and the bird is being cheered on by a much smaller rooster. The carving is deep and detailed.
The holder is 12 inches tall and 4 inches in diameter and has a deep mahogany brown patina.
This is a set of traditional lacquer bowls from Thailand. There is a single gold mythical animal, balu-gwin, at the bottom of the inside and a three balu-gwin spaced around the outside. The gold rim with key design surrounds the rim of each of the 5 bowls.
In wonderful condition, each bowl is approx 5 inches wide at the rim and 2.5 inches high.
The Chinese have kept crickets for many centuries. Unlike most cricket cases, this elegantly made rosewood cricket cage would have given the family pet lots of air and easy viewing.
Several of the Southeast Asian hilltribes from the "Golden Triangle" region would practice tattooing as body art and religious ritual. This Burmese tattoo tool with the figure head was used to scratch the skin surface and apply the dye.
These Chinese long wooden bobbins were used for winding thread for routine sewing chores. As a household tool, used by generations of women within the family, they were hand carved and painted with the continious use in mind. Inside each bobbin there is a small bead which freely moves back and forth and acts as a noise maker when the bobbin is in motion...or falling to the floor.
During the Qing dynasty, carved wood blocks were used to produce the ancestor portraits which decorated the homes of many Chinese families. The Chinese translation of the term "ancestor Portraits" can be misleading to Westerners. These were not portraits of the particular family's ancestors. They were portraits of various Chinese officials, emperor, empress, etc. for whom the family wished to show respect and or allegiance.
This stencil is approximately 9" by 9" and has some calligraphy ...