This is an vintage traditional garment worn as a coat or outer robe by the indigenous peoples of Afghanistan and Pakistan. The inner lining is bright light weight silk and the outer garment is a very tightly woven heavier weight slightly ribbed silk. The garment is detailed with hand embroidery or crochet around the side pockets, cuffs, and hem. Fits a small or mid sized female, and is in excellent condition.
The groups of Yao minority live in in both China and Thailand. This necklace is of low grade silver which was typical of the Chinese jewelry around the late 1800's and early 1900's. The necklace is light weight and comfortable to wear.
This old Chinese hand made carpenters tool would have been used as a snapline just as the western metal chalk box and line are used today. Such tools were often hand made and passed from father to son for generations. This particular one has a small antler for a plumbob.
There are 3 pairs of serving trays in this boxed set of Japanese sushi trays. Each pair is a different size and color combination. Each tray displays the family mon or emblem on the front. There are 2 red trays, 2 red and black trays, and 2 all black trays. Being Japanese, the pairs of trays nest together a specific order to be stored in the carrying box.
The kiri wood box has a strip of wood on each side to act as a carrying handle...
This pair of earmuffs are kept together with a silk ribbon. Worn to protect the ears in winter, the outer side has delicate embroidered flower motif, and the inside is slightly padded and has ear pockets which slip of the ears.
This is a charming stoneware Japanese bowl censor from 1750. It fits perfectly into the hand carved wooden stand which was probably made for the incense burner around 1900. There are no makers marks on either the bowl on the stand for identification. Covered with a thick matte gray white glaze with iron flecks and decorated solely with 3 button tabs below the rim, the censor is a wonderful early example of Japanese mingei stoneware ceramics.
An unidentified hard wood was used to carve this set of 4 matching wooden saucers. They would have been used for tea bowls and have traditional red/orange lacquer paint over a treebark carved pattern on the front surface. Each saucer was carved into a diamond shape with gently curved sides and are each was carved into a thin, shallow bowl shape. This is a rare and unusual set in very good condition.
Each piece measures 5 inches x 4 inches and 1 inch deep.
Leather products were rare and expensive during the Qing Dynasty in China. Fans were in common usage and a quality fan would have required a proper protective case. A wealthy woman could have afforded this suede fan case and would have considered it as the acceptable accessory to properly detail her finery.
The case is 9+ inches long with silk cord for drawstrings, elaborately knotted and tasseled.
This Japanese Meiji period 6 sided porcelain chocolate pot was made for export to the Western markets. The chocolate pot has a lovely traditional Japanese scene which was hand painted, with bits of moriage detail. Excellent condition, no chips, no cracks, pot is 9.5 inches tall. There are 3 matching cups and saucers will be listed separately.
Dated by McKinley Tariff Act requiring name of country of origin to be permanently engraved (stamped) or imprinted into a piece.
This Mongolian oil lamp was made in 3 sections, which were then "welded" together. From the 3 seam marks, it appears that the base was made from 3 parts which were joined and hammered into shape. The stem was a long square length of rod which was twisted during heating. Typically, these lamp stands would have a shallow bowl with a short dull spike for a candle, or a tripod oil bowl could also be placed on the top bowl according to the owners resources and preferences...
Hand made from quality leather and decorated with delicate thread embroidery at the toe tips and last border, the traditional pair of womans leather shoes would have been worn by a woman of some means...judging by their overall condition, these shoes have been worn a few times.
This traditional Miao Chinese Minority hair pin would have been worn by young woman for festival. The butterfly motif is in reference to the Miao creation myth.
The hair pin is 5 inches long.
This small silk jacket was made and worn by the child of a wealthy traditional Han Chinese family. The dark blue silk fabric is embroidered on the front and back with a floral arrangement. There are additional decorative elements of tassels and border trim. The jacket spans 15 inches across the chest.
The jacket is in very good condition with only a slightly visible stain on the front embroidery, which would be expected of a childs jacket of this age.
These 6 barefoot maidens are elaborately costumed in traditional ethnographic clothing lots of bangles with bangles, and each is playing a different instrument. They stand approximately 8-9 inches tall. a few are missing a bangle and a few have very small dents in the metal work...metal is assumed to be very low grade silver tin combination.
Decorative dolls such as these were made as a traditional folk art in India for a couple of centuries...
This finely carved small 3 hole flower (plant) antique Ikebana type vase was sourced in China but design quality is very Japanese...Deeply carved dark dense,finely grained hardwood, possibly walnut, or zitan...feels wonderfully smooth...approximately 5.5 inches x 5.5 inches x 1.5 inches....
This is an old traditional style top shirt which would have been worn by a young girl of the Yi Chinese ethnic minority from Yunnan Province. the fabric is made from home grown cotton, hand spun, and hand woven. The collar surround and cuffs are trimmed with an intricate batik pattern and the tiniest embroidery stitched I have ever seen. The shirt has its original buttons. Good size for framing 14 inches across the chest.
This antique Chinese silk wall hanging is embroidered with mounted soldiers carrying banners across a mountainous terrain. Silk background fabric with a wide silk border, the tapestry is approx 60 inches tall and 28 inches wide. The fabric is in very good condition. This tapestry conservatively dates to the mid 1800's. While the detail of the embroidery is clearly visible, some of the embroidered threads are abraided and worn, which is typical of a textile of this technique and age.
This headdress would have been worn by a young Pashtun woman. It is heavily beaded and decorated with wonderful embroidery, and various buttons and coins. The Pashtun range across Afghanistan, Pakistan and Northern India. This hat was sourced in India but it may not have started there.
The head dress hat is 25 inches long and is in excellent condition.