This old relic field marker was dug up by a friends father while doing archaeological research (i.e. digging up fields) in China years ago. For centuries, during planting,such markers were commonly buried in the fields as a talisman for a bountiful harvest. It is made of clay, high fired stoneware, and has a few chips missing...as to be expected after being buried in a field.....
This pair of rectangular shaped antique Tsakli cards are hand-painted on cloth. The Buddhist monks would use the Tsakli card as a learning tool to aid in remembering the meanings of religious symbols,objects and rituals. In poorer areas the cards would be used in place of the religious objects which they depicted. These cards have the Tibetan script on the reverse side of the card.
This pair of tsakli cards show the wear of extensive use. They are each 5.5 inches wide and 3 inches high...
This very nice traditional Chinese pillow has leg supports which fold up when it is not in use. The top is made of shaped and stained bamboo slats which flex for soft comfort. The body of the piece is made of a dark wood with carved scrollwork along the bottom edge. Each end has an elaborate carving of a bat in flight. good condition 15"x 5" x 4" with legs extended
This antique Burmese betel nut box contains matching serving tray and 4 small containers. The side of the box is circled with an excellent example of the Burmese schwezawa technique of gold leaf in a striking swirling chu-pan foliage design. The top has a lively chinthe, a traditional Burmese stylized "lion" figure with a vine and leaf foliage border.
The outer box is 7 inches in diameter and 4 inches high...
This Miao Chinese ethnic minority jacket would have been worn by a teenage girl for festival. All the batik work was hand-painted and all stitches and embroidery was done by hand. The row of silver hemisphere's across the back represent the "bubble" in the Miao creation myth.
The jacket is approx 70 years old and is from Zhi Jin
This pair of handmade woman's shoes were made with cotton vamp and satin stitched embroidered flower motif. The exaggerated upturned front toe was used as a decorative element by several minority groups but from the detailing, I think that they are most likely Miao ethnic minority. They are small and narrow, and probably belonged to a young girl. The Miao, like most minorities, did not practice foot binding. The walking sole measures 6.5 inches long and 2" at the widest part.
Attractive Japanese lacquer box containing matching pair of covered boxes. The leaves and flowers of the branches design are gold makie. The large box is 12 inches x 5 inches x 2 inches high. Top of large box is slightly dulled with age and exposure. Inside boxes approx 3 inches x 5 inches x 1.5 inches high and are pristine. No loss and no damage.
This well worn pair of Woman's Lotus shoes for bound feet are from the later part of the Qing Dynasty about 1870-1880. The vamp fabric is red cotton with a matching floral embroidery pattern on each side. The delicate hand stitching detail clearly shows the pride taken by the owner/maker. The soles are short of the toe vamp which was done to give the wearer a more floating and sensual appearance when walking.
This pair of earmuffs are kept together with a silk ribbon. Worn to protect the ears in winter, the outer side has delicate embroidered flower motif, and the inside is slightly padded and has ear pockets which slip of the ears.
This is a charming stoneware Japanese bowl censor from 1750. It fits perfectly into the hand carved wooden stand which was probably made for the incense burner around 1900. There are no makers marks on either the bowl on the stand for identification. Covered with a thick matte gray white glaze with iron flecks and decorated solely with 3 button tabs below the rim, the censor is a wonderful early example of Japanese mingei stoneware ceramics.
This Chinese golden colored Sha-green is large by shagreen standards...it spans almost 7 inches at the longest point front to back, and stands just over 3 inches high. The top clearly has some scuffs and loss to the hide, which for me enhance the beauty of the box.
The box is hinged at the back and the inside is lined with leather.
This beautifully aged antique Buddhist slit drum is carved with the phoenix and dragon facing each other as symbols of Yin and Yang. The slit drum has storage space for its matching hammer. In the morning, the lower ranking monastery monks would line up to go begging for their daily food. The lead monk would use the slit drum as a gong or bell to attract attention (and food donations) from the general public...
This large Tea Caddy is made from a hollow Bamboo section. The cannister lid fits tightly in order to keep the tea fresh. This style caddy would have been used by a Chinese family of modest circumstances during the Qing Dynasty.
Great patina, darkened with age...a handsome piece that stands 10 inches high and 4 inches in diameter.
This Tibetan pipe was made and used for smoking hand rolled tobacco cigarettes only. The body of the pipe is antelope horn and according to the Tibetans, they stopped killing the antelope many years ago. Pipe is 8 inches long.
This Shui childs hat is very heavily and intricately embroidered using wrapped cotton thread. The base background blue and black fabric has a subtle pattern which takes extra care and attention while weaving on the loom. a series of silver ornamental "bubbles" further decorates the front lower border of the hat.
Over 60 years old and in very good condition it will make a wonderful addition to any collection
The black stone tile has mosaic inlay of mother of pearl Taj Mahal detailed with black pen ink lines. This Anglo Indian Victorian piece from the Raj era would have come from the Visagapatam region of India, which was known for its finely detailed black pen ink designs.
Pristine condition and very beautiful. Measured top to bottom and side to side 6 inches each way...measured point to point 6.5 inches
This man's beaded hat aka skullcap is typical of the Pashtun people in the region of Southern Afganistan. Because of the extensive beading pattern, it is rather stiff and heavy.
Presumably, the interior layer of fabric was from pieced of fabric from other garments.
Made using hid with shell decoration this girls pubic protector would have been worn by a young girl of the African pygmy Kalahari Bushman tribe...an interesting ethnographic artifact and can easily be framed for display