GlitzQueen Antique and Vintage Jewelry
All Items : Antiques : Decorative Art : Jewelry : American : Pre 1900 item #1227229
GlitzQueen History and Art to Wear
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This antique Victorian Art Nouveau buckle from a Philadelphia estate is one of the most remarkable we've ever seen -- not only drop-dead gorgeous, but in pristine condition after 120 years! It can be precisely dated to the 1890s from its patent mark: May 22, 94 (no doubt referring to the latch mechanism).

Apart from traces of age-appropriate patina that remain in crevices after a prior owner polished it, this incredible jewel is like new. Of gilt copper, with its gilding still bright even on the reverse, it's worked in repoussé for exquisite dimensionality. Size is quite large: about 3 inches wide by 2 5/16 inches tall.

As you know if you collect Art Nouveau, authentic "lady portrait" pieces have become extremely hard to find. Even replicas are soaring in value, so you simply can't go wrong with an investment jewel like this. Enjoy it as a display when it isn't dressing up your favorite clothing. To wear it, you can stitch it easily to any sash or scarf -- or to a wide ribbon as the centerpiece of a choker necklace. It could also be worn beautifully as a cape clasp.

There's no charge for insured U.S. shipping, with an equivalent discount on international delivery, and beautiful gift-wrap is always free on request. Please e-mail to confirm availability, order or request more photos. Thanks for looking!
All Items : Antiques : Decorative Art : Jewelry : Pre 1900 item #1191869
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Queen Victoria's heart was decidedly in the Highlands during her happiest years as a young wife and mother. Her passion for family holidays at Balmoral -- which she called her "dear paradise" -- made a rage of all things Scottish, from tartans to folk art jewels. We often see so-called "pebble jewelry" set with agates and more refined pieces with sparkling cairgorms, but items like this wildlife brooch are really the ultimate celebration of that time and place.

It's fairly easy to find rustic versions, crudely carved, and fanciful celluloid editions created later for the masses; however, the ideal is to possess a brooch that's one-of-kind and clearly fashioned by a master. This one, inarguably, fills that bill. Details of leaves, grasses and the musculature of the animal are exquisitely worked and the condition of the brooch is frankly amazing. I can't find a flaw, unless you count shortening the pinstem (a common and sensible practice after ladies gave up wearing layers of heavy underclothing and the extra-long pins began to draw blood).

After decades of collecting and more than 10 years as a dealer, I'm not often blown away by a jewel, but this one does it. Of type, it could scarcely be improved upon, short of museum-pieces.

Size is about 1.25 by 1, though the curved shape makes it appear somewhat larger. It's significant that early Victorian jewels of the so-called Romantic Period tend to be dainty, by comparison to later Grand Period designs. Despite all these references to Britain and Scotland, this treasure most likely originated in Germany, then home to the best wood carvers. Like Italian cameo carvers, those German wizards had a lively export and souvenir market. Provenance is a California estate.

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All Items : Antiques : Decorative Art : Jewelry : English : Pre 1900 item #1114836
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To dazzle a golfer who has everything else, here’s a superb Victorian Gothic Revival putting stone (aka marker) from Fife in Scotland -- the birthplace of golf, home to St. Andrews and other legendary links. This comes from sacred territory; I know -- my dad was an ardent golfer. It reached us via a picker who got it at an auction sale in Dundee.

Certainly handcrafted and one-of-a-kind, it was presented to a tournament victor in the mid-19th century, being inscribed "1st Prize Putting Stone" on the reverse. The front is a work of art -- literally: a gorgeous enamel portrait of an early golfer in medieval attire -- and the silver frame is intricately worked with Gothic arches on both sides and crowned by thistles, emblematic of Scotland and its Royal house for centuries. This particular triple-thistle motif may allow it to be traced to a particular golf course.

The loop at the top suggests it was used as a watch fob, when not busy being a marker. It would of course make a stupendous necklace pendant for a lady golfer.

This is an extremely high-quality piece with a lot of heft (22.6 grams). It measures about 2.25 inches by 1.5 inches and is in virtually pristine condition. The enamel colors remain radiant and unworn and the lavish silverwork is undamaged. We've left the patina of age in place on the silver, which is unmarked but obviously of high grade. It can of course be polished to shine like the dickens, if you prefer that look. The only issue we can find is a tiny chip at the outer edge of the portrait's black background. Our pricing naturally reflects the flaw, although it’s very hard to notice, since the medallion appears to be black all the way through.

The tradition of awarding golf tournament gifts can be traced back to 1744, when the Edinburgh City Council was asked to provide a silver club for an annual competition held by the Gentlemen Golfers of Leith (still extant as The Honourable Company of Edinburgh Golfers). Prizes have subsequently taken just about every form, among which this is the most beautiful I’ve ever seen.

Golf collectibles have gained value dramatically over the past 25 years, as you probably know, with exceptional items far outperforming stocks and bonds, so this may offer you exceptional investment value, along with pride and pleasure.

For this treasure, there will be no charge for delivery to any country where we ship, and lovely gift-wrap is always free when desired. Please e-mail to confirm availability, order or request more photos. Thanks for looking!
All Items : Antiques : Decorative Art : Jewelry : Continental : Pre 1920 item #1037883
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Acquired by some long-ago bride on a Roman honeymoon or an intrepid traveler making the Grand Tour, these flowers remain as lovely as when the lady picked them. As you know if you love mosaic jewelry, early 19th century pieces are worked in almost impossibly tiny tesserae. Those were micro-mosaics. Due to the rising cost of labor, they gradually evolved toward the much larger mosaic designs made in the latter half of the 20th century. These are in between, still showing very fine workmanship. Since the earrings are screw-backs, introduced in 1894, they can't possibly be earlier than that. I expect they were made in the Edwardian era or the transitional period before Art Deco design became dominant. Of course it's rare to find a complete parure and we were lucky enough to acquire the matching brooch from a different estate.

The stunning bracelet is 7 1/2 inches long, the screw-back earrings are about 7/8 of an inch round and the brooch is 1 3/8 inches wide. Their settings of gilt brass -- which even have minute rope-twisted ridges that separate the teensy tiled areas -- are richly patinated by time, but would of course polish up if you prefer a brighter look.

Although I can't guarantee that every single tile is present (without going blind looking), none appear to be gone and the overall condition is gorgeous. This is a set you can wear with almost anything, since the accent colors are so numerous. Primary hues tend to dominate this type of jewelry, so the subtle sage green background here is unusual -- and particularly well attuned to today's tastes.

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All Items : Antiques : Decorative Art : Jewelry : Costume : Pre 1920 item #830804
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These are among the loveliest Suffragette earrings we've been privileged to offer. Besides being set with fabulous, large faux gems, they're exquisitely patterned on both sides. That the backs of these drops are as lavishly detailed as the fronts is a sure sign of very great age, not seen much after Victorian times. Screw fasteners existed in the 19th century, but gained wide popularity a little later, so we date these beauties circa 1905-1910.

To the Suffragettes' efforts through many decades, we modern women owe our right to vote, which was extended to all American women in 1920 and to all in Great Britain in 1928. As you know if you collect jewels from the Suffragette movement, the unusual combination of green, purple and white had deep meaning for early feminists. For them, green represented hope, purple signified dignity and white stood for purity. The language we associate with "regard" jewelry applied, too: The "G" of green, "W" of white and "V" of violet comprised an abbreviation for Give Women (the) Vote. All this seems cryptic now, but was clearly understood by everyone in an era when messages were also communicated by which flowers you sent, how you held your fan and which corner of a calling card you folded down, if any. The wealthiest suffragettes mixed amethysts and pearls or diamonds with green stones such as emeralds or peridots, but pretend gems were naturally favored by the majority.

In this case, we have beautifully marbled faux jade, plus sparkling, faceted amethyst pastes and softly glowing glass pearls. Everything remains in spectacular condition, including the gilding. It takes high magnification to notice age-appropriate surface wear. It isn't unusual for Suffragette jewels to survive a century in great shape, since they were worn only occasionally (to meetings and when marching for the vote) -- then tucked away and forgotten for decades. They're been rapidly gaining value since the movie "Iron Jawed Angels" appeared in 2004, revealing what the gals went through, including hunger strikes and beatings.

Wearing Suffragette jewels is a great way to show your pride and appreciation and, now that the genre has been rediscovered, they're getting much harder to find. We try to maintain a good selection, but demand keeps growing. If these strike your fancy, you'd better not delay. They reached us from a Florida estate. and could have been made by an East Coast firm in America. However, the extremely high quality suggests origin in Bohemia or France. You'll be surprised how solid these are -- not a bit flimsy. They're truly superb.

There's no charge for insured U.S. shipping and gift wrap is always free when desired. Please e-mail erinharris@comcast.net to confirm availability, order or request more photos. Thanks for looking!
All Items : Antiques : Decorative Art : Jewelry : Continental : Pre 1920 item #723605
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The "Czecho" signature on this ultra-feminine antique brooch lets us date it quite precisely to the first years of the Czech Republic (established in 1918). The region was previously known as Bohemia, part of the Austro-Hungarian Empire until World War I ended, and Bohemian glass has been prized from medieval times. These gorgeous old pink satin glass moonstones certainly live up to the area's reputation.

Although its dating is technically transitional, falling between the death of King Edward and the period dominated by Art Deco style, the brooch is wholly Victorian in spirit, so must have been crafted immediately after the war. There's not even a hint of Deco styling, so it would have been out of style by the early 1920s.

The lavish gilt setting, as you'll notice, has scrolling openwork at both ends, which would allow the brooch to be worn also as a pendant or even as a choker necklace, if threaded over a ribbon at each end. Its size is impressive -- 2.5 by 2 inches -- and it's in beautifully wearable condition. As you'd expect, there's age-appropriate surface wear to the gilding, especially on the reverse. The fastener is of the old open C type, right for the period. The pinstem would originally have extended beyond the edge of the brooch but, as is common, it was snipped and filed to a new point at some time in the interest of safety. One of the smaller cabochons has a teensy chip, hard to notice without extreme magnification. Provenance of this beauty is a Wisconsin estate.

Interestingly, we happen to have a fabulous pair of pink faux-moonstone earrings that are nearly a perfect match for this. If you're interested in both pieces, please e-mail and we'll work out special pricing.

There's no charge for insured U.S. shipping, with an equivalent discount on international delivery, and gift-wrap is always free when desired. Please e-mail to confirm availability, order or request more photos. Thanks for looking!
All Items : Antiques : Decorative Art : Jewelry : Continental : Pre 1910 item #685925
GlitzQueen History and Art to Wear
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If you're petite, no doubt you've found that most antique bracelets are just too big. They were made roomy to wear over gloves in the 19th and very early 20th centuries, so few are shorter than 7 1/2 inches. This one's just 6 1/2 inches long, counting the clasp -- and it's fabulous!

Fashioned from heavy gilt metal, the bracelet is comprised of four domed plaques intricately detailed with Art Nouveau scrollwork and set with 16 glorious faux gems. Jade-like art glass dominates, featuring rich green hues mottled with white. That these rectangular cabochons vary slightly in color and shape adds to the "real" look and also attests to hand-craftsmanship. Accent stones are deep purple amethyst pastes and glass pearls, still very luminous. All appear original and are in remarkably fine condition. Most likely the necklace was made in Bohemia, which for centuries produced the finest simulated gems, as well as ornate and rather fanciful settings. The area became Czechoslovakia after World War I, but was previously part of the Austro-Hungarian Empire.

The unusual combination of green, purple and white typically signifies that a jewel was first owned by a member of the Suffragette movement. For them, green represented hope, purple signified dignity and white stood for purity. The language we associate with "regard" jewelry applied, too: The "G" of green, "W" of white and "V" of violet comprised an abbreviation for Give Women (the) Vote. That right was finally won for all American women in 1920 and for all in Great Britain in 1928. Thus, although most of the jewelry is Victorian, Edwardian or transitional, some was crafted in the Art Deco era. Forgotten for many years, these jewels have been rapidly gaining value since the star-studded TV movie "Iron Jawed Angels" appeared in 2004, revealing what the gals went through (including hunger strikes and beatings). Wearing Suffragette jewels is a great way to show your pride and appreciation and, now that the genre has been rediscovered, they're getting much more scarce.

This bracelet dates most likely to the 1890s and reached us from an East Coast estate. The reverse shows age-appropriate surface wear around the edges, which reveals a silvery substance under the gilding: pot metal, to judge by the weight. The gilt has aged to bronze color on the front, where it takes high magnification to notice any wear. The three links joining the plaques are rosier, probably gilt copper, and have an elaborately incised design. Because the clasp isn't patterned and appears to be gilt brass, it's almost surely a replacement. It's been with the bracelet for a very long time, though, based on their matching depth of patina. Of course there may have been a fifth plaque originally, removed at some point by a lady with a dainty wrist. Each plaque measures about 1 1/2 inches long and a little more than an inch wide. Each connecting link adds about 3/8 of an inch, as does the clasp.

Because the clasp can easily be taken off, you could tie ribbons onto each end and wear this also as a choker necklace or a hair ornament.

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All Items : Antiques : Decorative Art : Jewelry : Continental : Pre 1920 item #652598
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Last year we found earrings very similar to this pair, but in blue, and they sold in a twinkling. "My dream earrings!" the customer called them. Perhaps these pink beauties will fulfill a dream for you.

Wonderfully feminine and romantic, these can't reasonably be later than 1920, since so much Edwardian and Art Nouveau influence is present in the intricate filigree metalwork (lovely even on the backs). Notice the scrolling shapes and textured details, as well as the curvy flower petal motif enameled in luscious rose to match the heavenly half-orbs of faux-moonstone, which anticipate Art Deco geometry.

Enameled leaves of this type are characteristically Czech, as is the very fine quality of the stones. Despite the absence of marks, we can be virtually certain of their origin -- technically Bohemia, if they were made before Czech independence in 1918, as I believe they were. Most likely they're Edwardian, based on the screw fasteners. Ear-piercing was considered a bit barbaric at that time, particularly by early feminists.

Overall condition is lovely, with a beautiful patina on the gilt brass and only minor flaws evident under high magnification (slight irregularities on the collet settings and a hard-to-notice chip at the edge of one stone, which must have fallen out at some time). The drops will fall about 2 inches below your ears and the earrings measure almost an inch at their widest. Provenance is a Minnesota estate.

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All Items : Antiques : Decorative Art : Jewelry : Costume : Pre 1900 item #600865
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Forty-eight beautifully faceted French Jet stones sparkle on this antique buckle set. French jet, as you know, is a form of black glass created to imitate English Whitby jet, when supplies of the latter were depleted by the 19th century passion for mourning jewelry. The buckle measures 2 1/4 inches tall and 3 inches wide (when closed) and was probably made in the 1860s or 1870s.

Despite great age, the buckle is sturdy and in nicely wearable condition. At the back, which was lacquered black at some point, there's evidence of old repairs and a few splashes of black paint are on the brass fittings. These flaws won't show at all in use, but naturally our price reflects them. A buckle this old and striking would be a great deal higher, if everything were perfect. On sale now, it's a steal.

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All Items : Antiques : Decorative Art : Jewelry : English : Pre 1900 item #594126
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This rare and wonderful circa 1860 antique clasp or buckle is a museum-worthy jewel that you'll want to display in a vitrine or shadow box frame when you aren't using it.

By far the most romantic fashion accessory I've ever seen, it would be divine at the waist of a wedding or evening gown -- although it's easy to imagine it securing the cloak of a pre-Raphaelite poet like Christina Rosetti, as she trekked through foggy London or across windswept moors.

Crafted in two parts linked by chain when closed, this astounding item features profiles of a medieval knight and his lady, executed in high relief and remarkable detail. Each panel, about two inches round, is further embellished by an elaborate decorative motif that shows Etruscan influence in the beading of the metal. I'm not certain about the material, but it seems the figures are of gilded copper, while the frame is of gilt brass.

Obviously it dates from the mid-19th century, when the "Gothick" movement begun by Pugin expanded from architecture into other areas. For those in the avant-garde, the style provided appealing relief from neo-classicism and evoked a medieval sense of heroic endeavour and the heartiness of "Merrie England" in the Middle Ages.

Condition is quite good, given the great age of such a functional piece. There's only minor loss of finish on the front - which, as you see, is dazzling - but evidence of very old repairs became apparent after cleaning the heavily patinated reverse (no surprise since the piece has a delicate openwork understructure). There's also a tiny chink out of one edge, where a thread hole pulled through; it wouldn't be noticed when worn and another could be easily drilled in the vicinity. The price would of course be a great deal higher, if everything were perfect.

There's no charge for U.S. shipping, with an equivalent discount on international delivery, and gift wrap is always free when desired. Please e-mail to confirm availability, order or request more photos. Thanks for looking!
All Items : Antiques : Decorative Art : Jewelry : Continental : Pre 1900 item #592877
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The giardinetto (little garden) style -- often called giardinetti, the plural -- originated in Italy during the Rococo years of the 18th century and has been revived in other eras when an exceptionally feminine look was prized. Here the artist made the look totally fresh, adapted in the Jugendstil style of late 19th century Eastern Europe.

This elaborate multi-part antique pendant brooch is one of the most delightful Victorian jewels I've seen and, fittingly, it's been treasured. Notice the rose gold gilding, still shining as brightly as new. There's delicate chasing around the bar pin, which has an elongated pinstem, tube hinge and safety-pin clasp reliably dating the piece to the 1880s. Most wonderfully of all, an oval bale beneath the pin suspends a fully dimensional, round basket holding a bouquet of gorgeously enameled flowers and leaves with highly polished accent stones of rose, emerald and coral art glass. Quite sizeable, it measures about 2 1/4 inches tall and 1 1/4 inches at its widest -- large enough to look sensational on a coat or jacket -- and obviously the basket drop can also be worn to great effect on a necklace chain or ribbon.

Without markings, which in this age appeared only on precious metals, one can't be absolutely certain, but all the indications of Austro-Hungarian origin are present -- and, if you love jewelry from the Austro-Hungarian Empire, you know how difficult it is to find now. There was never much, since the Dual Monarchy lasted only from 1867 to 1918 - besides which jewels from this area and period are so special that people seldom let them go. They share the decorative opulence we prize in the shimmering paintings of Klimt, a goldsmith's son who studied at Vienna's celebrated School of Applied Arts. Its students learned to design outstanding arts and crafts products that could be mass-produced for a growing middle class who emulated the aristocracy and had refined tastes. I expect the creator of this elaborate multi-part pendant brooch was trained there.

It isn't surprising when "ballroom" jewels survive in splendid condition, but this charmer was more likely worn by a young lady enjoying the casual pleasures of the Heurigen (wine gardens of the Vienna woods) or riding the Riesenrad, prototype of ferris wheels. Nonetheless, it's as imaginatively and carefully crafted as the adornments of nobility. The underlying metal appears to be a sturdy luxury-weight brass. To see minute losses of gilding and enamel requires extremely high magnification. To the naked eye (at least mine), this jewel is perfect. Its provenance is a North Carolina estate and you'd have to look a long time to find anything comparable.

There's no charge for insured U.S. delivery, with an equivalent discount on international delivery, and beautiful gift-wrap is always free on request. Please e-mail to confirm availability, order or request more photos. Thanks for looking!
All Items : Antiques : Decorative Art : Jewelry : English : Pre 1900 item #587921
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This is exactly the sort of belt or sash buckle you'd expect to see in a painting by Burne-Jones, Rossetti or other artists of the Pre-Raphaelite Brotherhood. Obviously it was hand-crafted in the Victorian Gothic Revival period to mimic a medieval jewel -- complete with undulations of the metalwork, witchy faux-prongs that look like talons and four collet-set stones of rich royal purple amethyst glass. Probable dating would be the 1860s or 1870s and most likely it originated in England, although it reached us from an East Coast estate.

Measuring more than 2 inches round, the buckle is in superb condition for its age. The gilt brass finish has patinated to a soft powdery effect on the front, where the lacquer on the surface is almost wholly intact. Some loss of lacquer is evident on the reverse, where there are brighter underlying areas. You might want to clean all the lacquer off and go for high-shine everywhere, but I'll leave that decision to you.

Obviously this buckle would be a wonderful accent for historic SCA costume, as well as a fabulously original fashion accessory for both formal and informal attire. To wear it, you'd simply stitch the bracket to a soft belt or sash (up to 1 1/2 inches wide) and, at the other end, add an eye of metal or thread for the hook to slide into.

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All Items : Antiques : Decorative Art : Jewelry : American : Pre 1920 item #513530
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The Arts & Crafts movement and ladies’ magazines inspired busy hands in Late Victorian and Edwardian homes, where moms and daughters crafted trendy jewels and fashion accessories. I'll bet this enchanting antique brooch, which obviously commemorates the dazzling show put on by Halley's Comet, was just such a project -- made by a talented Edwardian lady for herself or as a very special gift. These old pastes, so much brighter than our modern rhinestones, were perfect for a comet jewel and so was the wonderfully iridescent mother-of-pearl from which a stylized comet was cut and then given incised details. Assembly was quite simple: The glittering row of stones is simply wired through two holes, one leading to the open "C" clasp and the other to the hinge. Thus, the stones have a bit of movement, which lets them flash even more fire. The only flaws I find are some waviness of the brass pinstem, inevitable after so long, and the fact that the point was shortened at some time (a very common adaptation, since the extra-long ones used until Art Deco days can easily draw blood).

From a New York estate, this unusual and charming jewel measures about 1 7/8 inches long and 5/8 of an inch wide. Comet jewelry always makes a great conversation piece.

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All Items : Antiques : Decorative Art : Jewelry : Continental : Pre 1910 item #404865
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While the typical antique lavaliere is content to finish with a sweet little pearl drop, this one cuts loose with 2 1/2 inches worth of swaying sparkle! The longest of the three dangling drops has two faceted stones at the bottom; the others have one; and the lavaliere itself is set with four. I believe the jewels are Bohemian crystals - the name appied to Czech crystals before Czechoslovakia came into existence in 1918 - but there's a possibility they're small genuine amethysts. They flash yellow, as well as purple, in certain lights and amethyst and citrine are chemically the same stone.

Dating of this gorgeous necklace is definitely Late Victorian or Edwardian. Most likely it was made circa 1905-1910, since the delicacy and refinement of Edwardian design are very much in evidence. The curvy shape of the 1/2-inch x 1/2-inch lavaliere also shows strong Art Nouveau influence. The metal, gilt brass, has acquired a lovely patina over the past 100 years, but could be polished more brightly if you prefer that look. Age-appropriate surface wear is of course apparent under high magnification.

The basic chain is 14 inches long, but an extra 2 inches of larger chain allow the wearable length to be as much as 16 inches (plus lavaliere and drops). An early lobster clasp, the earliest I've ever seen, is present. I'd consider it a later addition, except that it's the same color and it shows the same wear.

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All Items : Antiques : Decorative Art : Jewelry : Costume : Pre 1910 item #140169
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These dazzling antique drop earrings feature openwork spheres of gold and silver filigree, plus bezel-set clear stones that sparkle with the brilliance of old pastes. In each earring, two glorious globes revolve around a central cylinder, adding even more motion to their graceful swing and sway. The metals appear to be gilt brass and unmarked silver, length is approximately 1 1/4" and condition is magnificent.

Based on their screw-type backs, each also set with a faceted stone, I'm dating them to the very early 20th century Edwardian era. However, they may well be older; the design is quite Victorian, showing mid-19th century Rococo Revival influence and a granulated surface typical of Etruscan Revival jewels. It would have been easy enough to replace original shepherd's crook wires with screw backs at a later date. Regardless of their precise age, this is a truly gorgeous, ultra-feminine pair of earrings that you can wear beautifully with either silver or gold jewelry, due to their mix of metals. For their size, they're surprisingly lightweight and comfortable. Provenance is the estate of an extremely elderly lady who occupied the "great house" of her Deep South community.

As you know if you follow fashion news, dangle earrings with an antique look are all the rage now. Why not wear (or give) the Real Thing, especially when it's less expensive and sure to rise in value? I saw several made-yesterday reproductions in a retailer's catalog that cost up to $250.

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All Items : Antiques : Decorative Art : Jewelry : Costume : Pre 1900 item #126608
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This fascinating Victorian pin has a lovely medieval heraldic design and a centerpiece of branch coral. Probable dating would be circa 1860-1880, based on the Gothic or Renaissance Revival influence evident in its style. The engraved scalloped edges are also true to that period and the spade-shaped leaves are distinctly tied to the Aesthetic Movement.

I'm not certain about the metal, but it looks like rose gold. A small opening on the back, evidently intentional, allows a peek at the interior and, although I can't see much apart from grime, there should be a green patina both inside and out if the brooch were only copper. The red coral could be either the real thing (highly polished) or a very early plastic material which was then more prized than the real thing. Coral, BTW, was valued by the Victorians for its supposed curative and protective powers.

Size is 1 1/2" x 1" and overall condition is extremely good, with only age-appropriate surface wear visible under high magnification. The hinge, sitting lower than the clasp, seems original, but the safety clasp was obviously added many years later, replacing an old open C. The pin stem would have been shortened at the same time, not a bad idea since those extra-long ones can so easily draw blood.

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All Items : Antiques : Decorative Art : Jewelry : Costume : Pre 1900 item #126603
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This antique Victorian brooch from a Philadelphia estate is a fascinating, high-quality jewel that's without a doubt hand-crafted. It features a crescent moon embellished with an elaborate floral design and wreathed in twining vines with fabulously detailed tiny leaves. Its romantic style, restrained size (1" x 1 1/4") and layered "architectural" construction lead me to believe it's Early Victorian or perhaps even older. Moreover, based on a few areas with deep green patination, the metal beneath the gold surface appears to be bronze, which also suggests great age.

The only thing that keeps me from declaring this brooch Regency or even 18th century Georgian is the hinge; it isn't an old T and is probably original. Obviously the present safety clasp of silver metal was a 20th century addition, and the pinstem was shortened to fit the new catch (not a bad idea, since very old ones were so long they can easily draw blood). These changes aren't apparent when worn and make the jewel more secure and comfortable, but our price reflects them as imperfections. There's also age-appropriate loss of the gold finish here and there, but most can't be seen without extreme magnification. In fact, the brooch still glitters like the dickens.

There's no charge for insured U.S. shipping, with an equivalent discount on international delivery, and gift-wrap is always free on request. Please e-mail to confirm availability, order or request more photos. Thanks for looking!