Catalog: Antiques: Decorative Art (219)

A Chinese export plate from the first part of the 18th century, Yongzheng or early Qianlong. Decoration in Famille rose enamels of a large peony in bloom with an orange ribbon and some other scattered flowers, all surrounded by a thin diaper border in matte turquoise. The whole plate with a light greenish tint to the glaze. Brown-glazed rim. Diameter: / 22.8 cm. Condition: a few small spots of glaze wear to the well, otherwise fine.

A bulbous little pitcher or jug and a small mug, both north Bohemian c 1800 or somewhat earlier. The white Milchglas or Milk glass enameled in the style of Meissen or Sèvres porcelain - often in the “Famille rose” colors seen on this pitcher - was an appreciated export from Bohemia (present Czech Republic). Height "6/ 15 and "2/ 4.8 cm respectively. Condition: the pitcher with a crack, the mug with a hairline (cf. pics). Price: $ 150, including worldwide registered / trackable shipping

Two Milchglas or Lattimo mugs made in Bohemia or South Germany c 1800. Both are gifts of friendship: one with Zum Andenken (Souvenir), the other Aus Achtung (Out of Respect), the dedications surrounded by wreaths of roses and other flowers. Milchglas / Lattimo was à la mode from the mid-18th to the early 19th century, made to compete with porcelain and faience and often enameled in Rococo style. Height "3 ¼ / 8 and "3 ½ / 8.5 cm...

Milchglas or lattimo snuff box, late 18th century. The sides and base with enameled decoration of flowers while on the lid an elegantly dressed little gentleman is seen taking a walk in the park, behind him a pink phantasy rock, a rocaille - all in typically Rococo style. The mounting made of bronze or brass, the upper part with engraved zigzag lines. Made in Bohemia around 1780. Width "2 ¾ / 7.3 cm, height "1 1/8 / 2.7 cm. Condition: fine.

Small and beautiful silver basket bowl made in Germany c 1890. Empire style boat shape, the reticulated and engraved decoration in Rococo style with flowers and rocaille ornaments. Marks for Martin Meyer in Mainz, a leading German silversmith (1888 - ), producer of cutlery as well as Jugendstil jewelry. German control mark: crescent and crown plus 800 for the silver content. On the border a French importation mark, in use from 1864 to 1893: a small insect, a weevil...

Six footed little cups, tasses à glace / sorbet or ice cream cups in the model used by Sèvres from c 1750 up till around 1800. Because of their sparse decoration the cups go well with more richly decorated porcelain. Slight variation in the gilt and molding of the handles, and in height: four of the cups "2 ½ / 6.3 cm and two 6.5 cm. All probably from around 1780. Marks: LL interlaced - four in over-glaze blue, one in red under crown and with LF and one in gold with HP...

An oval and domed porcelain plaque with enamelled flowers in a gilt and Bleu Céleste framework. The ”heavenly blue” colour was a speciality for Sevres in the 18th century and revived in the 19th during the reign of Napoléon III. The gilt flower wreath is tooled, to show the texture of the little flower petals, and the large flower motif is excellently painted. The plaque was made in the late 19th century and probably intended for an ormolu wall sconce...

Faience écritoire / inkwell or desk set, France, c 1800. Unusually bold decoration of flowers in black and blue. The inserts apparently of the period, but not belonging. Width "7 ¼ / 18.5 cm, height "2/ 5 cm. Condition: wear consisting with age.

Charming coffee cans, decorated with various birds in bright and lively colours, the style typical of the last years of the Amstel factory, 1809-1814. There are three cans. The saucers are from the period, but not belonging - the original saucers probably had corresponding birds in the center. Height "2 ¼ / 6.2 cm, diameter of saucers "5 ¼ / 13 cm. Condition: some wear to the gilt of the upper rim to two of the cups.

An English early Victorian tole tray, black with gilt Neo Rococo border. Four reserves of exotic country buildings and elegant ladies in dresses and hairstyles from the years around 1840. Measures: " 16 /40,5 and " 13 ¼ / 34 cm. Condition: wear consistent with age (cf. pics).

Small brass and mother of pearl scent bottle for a chatelaine. Late 19th century and probably made in France. Length in total "3 1/3 / 8.5 cm, Condition: fine.

Teacups – six plus one - and saucers from Staffordshire with moulded borders, made of porcelain around 1825 and possibly by H & R Daniels. The pattern is numbered 766 and consists of little blue flowers or leaves growing from meandering sprouts in green, with minimal red shoots from them. Measures: height of cups "2/ 5.7 cm, diameter "4/ 10.5 cm and of saucers"6/ 15 cm. The seventh cup with a slightly different handle and no border moulding. Condition of all pieces: fine.

A pair of lidded small pewter ewers or tankards, antique burettes once used in The Holy Mass. An engraved A to one lid and a V to the other, for Aqua (water) and Vinum (wine) respectively. Each hold about 8 centiliters, an amount which obviously relates to an old measuring system, maybe German. The design - with the cherubim below the spouts and the hearts above them, as well as the shells to the handles - is definitely 18th century Rococo...

A small bud vase, enamel on copper, France c 1900, possibly Limoges. Decoration of a branch of thistles in Japonisme style over a guilloché patterned ground, the interior a brilliant blue. Height "2 ¼ / 6 cm. Condition: some wear around mouth rim and base (cf. pics).

Two double-handled cake plates with natural flowers surrounded by a border in cobalt blue, cream and gilt. Unmarked, c 1830 and probably by Ridgway. Width "9 ¼ and 9 ¾ / 23.5 and 24.5 cm respectively. Condition: a firing crack to one plate visible from behind, otherwise fine.

A pair of Staffordshire soup plates, transfer printed in blue in the Willow pattern, c 1820 or somewhat earlier, no foot rims and probably Spode. Both pearlware, with variation in thickness and pattern. Diameter "9 ¼ / 23.5 and 24 cm, height of both "1 ½ / 4 cm. Condition: the smaller plate with a nick to the rim (cf. pics).

Ten creamware dinner plates, transfer printed in puce with a cottage, a farmboy and cattle within a lace border, the outer rim with hand painted vine leaves, also in puce (one vine wreath partly in orange). From Herculaneum in Liverpool c 1810, all with the impressed mark of the pottery as a straight line, in the style of Wedgwood, the name of the pottery also competing with Wedgwood’s Etruria. Diameter "10 / 25.5 cm. Condition: all fine except for a hairline to one of the plates.

Five watchful dogs – setters, dachshunds and a collie – cast in brass on an Art Nouveau pen tray. Around 1910, unmarked, probably English. Length "7 1/3 / 18.7 cm. Condition: natural wear, consistent with use, the underside still with original gilding.