Catalog: Antiques: Decorative Art: Ceramics (123)

A pair of coffee cans, English, Staffordshire c 1810. Lavender blue and gilt with a vase and palmetto scroll motif. The edge of one can is slightly flaring and the lavender tone is a little lighter. Still, they are intended as a pair as proved by the gilders mark, which is the same on both cans, three plus one dot. Height "2 ½ / 6.5 cm. Condition: fine.

An 18th century faience desk set or inkwell for a lady, decoration of flower sprigs, mainly Forget me nots. French, possibly Rouen around 1780, Width "6 ¼ / 15.8 cm and height " / 5.7 cm. The base with four little feet and mark W in black, maybe for William Sturgeon who owned one of the Rouen factories from 1776. Condition: later restorations having been removed, now left with cracks and hairlines (cf. pics) but still charming.

Pearlware dinner plate in the Curbing palms pattern, by Job Ridgway, transfer printed in blue, unmarked. Job Ridgway’s manufacture worked for only a short period, 1802 – 1813. A variation of the Willow border and an additional Nankin border surround an Oriental landscape with curbing palm trees and exotic pagodas. Diameter "9 ¾ / 24.7 cm. Condition: fine.

A bowl and a dish, slop bowl and stand, part of a tea service. Soft porcelain, made in Staffordshire around 1840. Pink luster geometric border pattern with flowers in reserves and enamelling in green, with some red and gilt. Diameter of bowl "6/ 15.3 cm, height "3/ 7.5 cm, diameter of dish "7 ½ / 19.5 cm. Condition: a hairline to the bowl and an old restoration to the border of the dish (cf. pics).

A group of pink lusterware made by Allerton, Staffordshire: slop bowl, two cups and three saucer bowls, all decorated with the Dahlia flowers typical of Charles Allerton & Sons, c 1860-70. Pattern numbers (?) 22, 707 and 701. Diameter of slop bowl "5½ / 14 cm, height of cups "2 ½ / 6.5 cm, diameter of saucers c. "5½ / 14 cm. Condition: wear to part of the decoration, nick to the foot rim of the slop bowl, one saucer with a hairline (cf. pics).

Copper luster and blue mustard pot, a footed salt and small dish, and a copper lustre and green pepper. All made around 1840-50, early Victorian Staffordshire lusterware. Height of pepper "4 ¾/ 12 cm, diameter of salt "3 ½/ 8.7 cm and of dish "5/ 12.8 cm. Condition: nick to the mustard pot lid.

Creamware plate, lobed and moulded, with pierced border of flower heads. Probably made in Staffordshire around 1780. Diameter "8 1/3 / 21 cm. Condition: a few glaze flaws, caused in the fabrication process.

A pair of creamware pierced plates, thinly potted and with ribbed recess and hand pierced border. Possibly from the factory of James & Charles Whitehead. In the pattern book published 1798 by the Whitehead brothers, two versions of this pattern are depicted side by side: one with a beaded edge, the other a ”plain” version like these two. Ten plates with the beaded edge are presented in another Global Ceramics listing...

Three faience plates, probably from the Les Islettes factory near Reims in Northern France, one with a rooster / coquerel and two with a flower basket motif. All with combed red border and 19th century. Diameter "9/ 23 cm. Condition: some rim frits, the coquerel plate with some filled-in patches to the red parts (cf. pics).

Three 19th century faience plates, Northern France (Saint Clement?), all with vivacious floral decoration in the "gaudy" style, all with combed red border. Diameter "9/ 23 cm. Condition: wear to the decoration of two plates, all with rim frits.

Four 19th century faience plates, probably from the Les Islettes factory near Reims in Northern France. Three with lobed and one with straight border. All decorated with sprigs of flowers in the "gaudy" style, one with a flower basket. Diameter "8 ¾ - 9 / 22 - 23 cm Condition: rim frits and wear to one plate, the flower basket plate with a charming attempt made in the factory to conceal a glaze mist at the border (cf pics).

Baluster vase with Flambé glaze in red, green and black, where the lighter parts are crackeled and the black is close to mirror black. San-Yang Kai-Tai or transmutation glazed, representing the change of seasons, from winter into spring. China, early 20th century, Republic period. The vase was purchased in Brussels in the 90's from an old Chinese couple who brought it to Europe when they left China in their youth. Height "7 ¼ / 18.5 cm...

Crackle glaze baluster vase with decoration of flowers and scrolls in panels in the Imari palette: underglaze blue, iron red and gilt. The vase is heavy, with thick walls and a wide band around the foot. Japanese, Edo c 1720. Height "7 2/3 / 19.5cm. Condition: the mouth rim ground (the vase might have had a metal fitting) and there is a faintly yellow shade to part of the shoulder (no restoration).

A thinly potted eggshell porcelain cup and two saucers. Enameled decoration of scrolls, Phoenix birds and temples in soft pastel shades. Arita, Japan, Edo period. Marked Zoshuntei (= shop), Sanpo Zo (made), for the factory of Hisatomi Yojibei Masatsune (1842 – 1870). Hisatomi was one of the first potters in Japan to be allowed to put his factory name on pieces intended for export from Arita. Height of cup "2 ½ / 6.5 and diameter "4/ 11 cm, diameter of saucers "5 ¾ / 14.5 cm...

Eggshell thin cup and saucer of lobed and fluted shape, ivory matt glaze to the exterior, twig handle and raised gilt leaf decoration. French, unsigned, around 1890, the design with a touch of Japonisme. Height of cup "2/ 5.3 cm, diameter of saucer "4 / 10.2 cm. Condition: fine.

Two exquisitely enameled Höchst coffee cups, one with a rose and the other with a tulip. The porcelain manufacture of Höchst near Frankfurt am Main was founded in 1746, and the two coffee cups were made around 1765. Underglaze blue wheel mark to both, and brown rims. Height "2/ 5 cm, diameter "2 ¾ / 7.1-7.3 cm. Condition: fine.

Eight dinner plates transfer printed in blue with the Wild Rose border and Nuneham Courtenay pattern, early to mid-19th century. The park at Nuneham House near the Thames was designed by Capability Brown. Many early Victorian potteries produced this pattern and the backstamps reveal a palette of potteries: four plates by Samuel Moore & Co in Tyne & Wear, impressed flowerhead mark for Swansea in Wales, impressed and underglaze blue mark of Bell Cook & Co, Phoenix pottery in Newcastle...

Punch bowl, a mid 19th century copy of the Chinese bowls made for the European market a hundred years earlier. The exterior dark blue and gilt with birds and vases in Famille Rose enamels in reserves, the interior with scattered flowers. Unmarked but most certainly made by Samson of Paris c 1880. Many of Samson’s Chinese Export models derive from a large collection of Chinese porcelain held by French industrialist Ernest Grandidier now to be seen in the Musée Guimet...