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Pre-Columbian Jamacoaque Shaman taking Hallucinogens

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Directory: Archives:Regional Art:Americas:Pre Columbian: Pre AD 1000: Item # 537152

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Pre-Columbian Jamacoaque Shaman taking Hallucinogens
This incredibly detailed Jamacoaque figure from Ecuador shows a shaman in the act of snorting hallucinogens from his snuff tube. He is rendered in incredible detail, with his open hand held up to the side of his head in a disoriented fashion as the drugs take effect. Hallucinogen use is a common motif in Jamacoaque art, which aided in the shaman's transformation to another state, typically into a ferocious jaguar. Saunders' "Icons of Power: Feline Symbolism in the Americas" notes that jaguar symbolism is explicitly associated with shamanism. Those who claim some of the jaguar's power (such as through shamanic association) also thereby classify themselves both within and on the margins of human structures of power. Jaguar power, or the concept of power provided by jaguars, can be at the center of human societies in that it is identified with their most cultured ruling elites, while simultaneously marking the limits of human societies in that it represents the most dangerous of natural, external threats.

The Jamacoaque culture of northern coastal Ecuador is one of many poorly-known cultures that persevered in the northern Andes for centuries. The Jamacoaque were found to the north of the modern-day Manabi province of Ecuador. Their wealth seems to have been largely derived from fishing, farming, and trade of coastal commodities, such as shells. Despite the fact that they left little noteworthy architecture, the pottery figures from these related cultures have grown in popularity in recent years, largely due to the vibrant coloration and striking motifs that these craftsmen executed. Most noteworthy is the use of a regional variation of the vibrant "Maya Blue" pigment associated with the Late Classic period of Central America. Unfortunately, few English references have focused on the artifacts of this interesting culture, so much is unknown about their practices and beliefs. The best reference available is Valdez, "Amerindian Signs: 5,000 Years of Precolumbian Art in Ecuador" for similar work, although it had a small publishing run and is getting increasingly hard to find as Jamacoaque art grows in popularity.

AGE: 350 BC - 400 AD

CONDITION: Intact and in good condition with superb applique work and some nice remnant pigmentation.

DIMENSIONS: 6.5" tall (16.5 cm)


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