Catalog: Antiques: Decorative Art: Glass (36)

This 36 piece glass service was produced in Bohemia by the Moser Glass Decorating Studio between 1880 and 1890. It consists of 12 plates measuring 8 3/8 inches in diameter, 12 champagne goblets measuring 5 3/8 inches tall with a diameter of the bowl 4 1/4 inches and 12 wine glasses measuring 5 1/2 inches tall with a diameter of the bowl 2 3/8 inches. The glass is hand blown crystal and cranberry cut to clear. All of the pieces are hand enameled with medallions of roses and other colorful flowers. There are panels of ornate raised enamel scrolls and flowers. Vibrant colors shade from light to dark in the style in which Lobmeyr was famous. The quality of the enamel is exceptionally fine. The gilding is incredibly elaborate. Tiny coils of gilding cover the ruby portions of each piece. There are gilded ornaments, gold beading and additional trim. We could not find a signature but we have found identical pieces that were signed. This set was received as a wedding gift before the turn of the 19th century and was packed away in an attic. There are no chips, cracks or wear to the gilding. Celebrate this holiday season with this exceptional Moser service.

These 6 crystal cups and saucers were produced in Bohemia by Theresienthal around 1900. The saucers measure 5 inches long and 4 ½ inches wide. The cups are 2 inches high with a diameter of 2 ½ inches. They are made of hand blown glass with leaded content. They ring when tapped. The saucers are leaf shaped in clear green glass with gold veins painted on them. The cups are opaline glass, hand blown in the shape of a tulip with hand enameling for color. There is an applied green glass handle shaped like a stem. These cups and saucers are from the art nouveau period and are hand crafted in that style. Condition: Excellent

These 12 champagne tumblers were produced in Bohemia by Moser before 1890. They measure 3 ¾ inches high and have a diameter of 2 3/16 inches in diameter. The glass is hand blown with polished bottoms. They have a leaded content so that they ring. The base color of the glass is bright cranberry. Each glass is elaborately hand enameled with tiny flowers and buds you can feel. Straps of gold create cartouches containing flowers. The design has a bit of a Persian feel with the elaborate gilding and enameling. It was a phenomenal amount of work for each little glass This is the workmanship you would expect from Moser in the 19th century. Condition: Excellent.

This crystal and silver overlay vase was produced in the USA by Mathews Company of Newark, New Jersey, around 1907. There is a hallmark from this company and the silver content, 999/1000 is stamped on the foot. The vase is 14 inches tall and the opening has a diameter of 3 5/8 inches. The hand blown crystal is emerald green. It is decorated with elaborate silver overlay. There are large poppies on four sides, surrounded by flowing foliage in the loveliest art nouveau fashion. This decoration is finely engraved. There are wide bands of silver on the rim and near the middle. The stem and foot are entirely covered with silver. Condition: Excellent

These 10 crystal champagne glasses were produced in Bohemia, part of the Austro-Hungarian Empire in the late 19th century. The specific maker is unknown. The glasses are 5 11/16 inches high and have a diameter of 3 ¾ inches. They are hand blown crystal and have hand cut stems. The stem of the glass is hollow for a reason. When champagne is poured into this type of glass the bubbles come up like a volcanic eruption. The decoration is heavily applied, hand painted enamel you can feel with your fingers. The roses are finely detailed and multi-colored. The maker thoughtfully backed the enamel painting with gold foil so that gold flowers show through to the inside of the glass. They have gilded accents and the rims are trimmed with gold. You will love the fine detail on these glasses and get an explosion of bubbles in your glass. Condition: Excellent

These 14 glass punch cups were produced in Bohemia by an unknown glass manufacturer in the late 19th century. They measure 3 ¾ inches high and have a diameter of 3 ¾ inches. The glass is hand blown with a leaded content so that they ring when tapped. They are hand decorated with heavy enamel paint you can feel with your fingers. The decorations of multi-colored roses is very detailed and vibrantly colored. The enameling is applied over gold foil that shows through to the inside. There is elegant gilding and gold trim on the rims and handles. Add some Victorian glamor to your holiday gathering with these splendid punch cups. Condition: Excellent Pd ETT-WT

This crystal vase was produced in Bohemia by Moser in the 1880s. It is 12 inches long and 9 inches high. The glass has a lead content and rings when tapped. It is hand blown and has applied glass features. It is formed in the shape of a cornucopia. The glass is dark, sea green. The entire body of the vase is covered with intricate enameled decoration. The flowers and ornamental swags in vivid raised enamels are completely done by hand. The vase is accented with profuse gilding. This is an extraordinary piece. Condition: Excellent. There is some slight rubbing to the gilding.

This set of 12 crystal plates was produced in England by Webb around 1900. They are not signed but this is a known pattern Webb used. They measure 9 inches in diameter. The crystal is hand blown and quite substantial in weight. There is an indentation 1 3/4 inches from the rim to capture dressing from over flowing on the table. The entire surface of each plate is deeply hand engraved with an ornate pattern. Forms of plants and foliage, pinecones and flowers, and winding branches are skillfully executed in glass. Workmanship such as this is a lost art. How wonderful it is that the set has survived. Condition: There are minor, shallow scratches on the bottom of some of the plates. Considering their age and the fact that they were used, it is to be expected. There are no chips or repairs.

This pair of crystal candle holders was produced in the early 20th century. We believe that they were made by an American glass company such as Libbey, Sinclaire or Pairpoint. There is no signature and the pattern does not lend itself to identification. They are 11 3/4 inches high and the diameter of the base is 4 1/4 inches. They are hand blown with a wide polished pontil on the base. The shape is elegant with six panels to the shaft. The engraved decoration reflects through the sides of the panels. There is an art nouveau feel to the stylized berries and foliage that ramble around the crystal. Condition: Excellent

This pair of wine glasses was produced in Bohemia by Moser in the 1880s. They are 5 ¾ inches high and the diameter of the opening is 2 inches. The glasses are hand blown and have leaded content so that they ring. The glasses are hand enameled in exquisite fashion. All of the enamel is raised. Elaborate gilding fills in the spaces in between. Tiny pink roses dangle from the bottom of the bowl and down the stem. Rows of white enamel dots encircle the foot of the glasses. This is the finest quality decoration we have ever seen.

This glass bowl and under plate was produced in Bohemia, now the Czech Republic, by the Moser Glass Studio in the 1880s. The under plate measures 7 inches in diameter. The bowl is 4 1/2 inches in diameter and 2 3/4 inches high. It is made of hand blown ruby colored glass with leaded content. The shape and design has an Islamic feel. Vines of clematis are painted with raised enamel you can feel. Borders of white with tiny blue enamel beads accent the borders. A band of brushed gold, accented with enameled jewels, meets the shiny gold edges. This is a masterpiece of glass seldom seen.

This glass vase was produced in Kamenicky Senov, Bohemia by Josef Ahne in the late 19th century. The glass studio was in production from 1830 until 1909. This is one of the earlier pieces. The vase is 10 1/4 inches high and 8 inches wide. The opaline glass is hand blown with a polished bottom. The vase is signed Ahne and there is the number 5 on the bottom. There is a charming hand painted scene of a little girl looking at a clock. Ahne copied paintings by Italian and German artists. Ahne won a bronze medal at the Paris Exposition in 1873. The excellence of his work is evident in this piece. The remaining area of the vase is painted to resemble marble. There is a sprig of flowers on the back side. Condition: The gilded rim of the vase is worn. There are no other defects. This is a lovely antique vase that will bring pleasure for years to come.

This crystal beaker or cup with silver lid was produced in Eastern Europe in 1810. There is a date engraved on the glass. We do not know who the maker was. It is 5 1/2 inches high and the diameter of the opening is 3 1/4 inches. The beaker is hand blown and cut from fine crystal. There are panels which are cut out and polished like cabochon jewels, each having engraved subject matter. These engravings are symbolic. There is a pair of doves, a cornucopia with grapes, clasped hands and other symbols. There are words in German over each panel. The engraved work is exquisite. The lid is silver and is marked. Condition: Excellent.

This glass vase was produced in France in the mid 19th century. We do not know the maker since the vase is not signed. The glass has a lead content and rings when pinged. The vase is hand blown and has a polished pontil. The vase is 13 3/4 inches tall. The diameter of the opening is 6 1/4 inches. The vase is wonderfully hand painted. There is a life-like parrot perched on a branch with his wings out-spread. The tropical greenery around him is painted with fine detail and surrounds the whole vase. Condition: There is wear and losses to the gilded trim on the rims and borders. This vase maintains a marvelous decorative value despite these flaws.

This set of 11 flint glass cordial glasses was produced around 1830.  It was probably made at the Sandwich glass factory or some other renowned New England glass company.  They measure 3 1/2 inches high and the diameter of the opening is 1 3/4 inches.  These glasses are hand blown with a rough pontil on the foot.  They are cut with a panel pattern. They are colored a bright yellow/amber.  The glasses produce a high pitched ring when pinged indicating the flint content.  These glasses are elegant in their simplicity.  They are an expression of the pre-colonial era in the United States. Condition:  Excellent  

This crystal decanter was produced in the United States in the late 19th century. It is not marked, therefore we are unable to precisely identify the manufacturer. It is evident in the fine quality that it was produced by a respected company. The decanter is 8 1/2 inches high. The diameter of the base is 4 1/4 inches. The decanter has an interesting shape in that it bulges out and pulls in below the handle. The cutting is very fine with intricate designs. It has a hollow stopper and the handle is also cut. Condition: Excellent

This cut overlay crystal decanter and 6 glasses was produced in Bohemia in the late 19th century. The decanter measures 15 1/2 inches tall including the stopper. The glasses are 4 1/8 inches high and the openings are 2 3/4 inches in diameter. The glass is hand blown and ruby cut to clear with frosted wheel-engraved areas. Intricate scenes of game birds in the forest encircle each piece. This set would compliment a room with a rustic hunting theme. Condition: It is in overall good condition with very minor rubbing to the ruby finish and a slight water stain inside the bottle. It will display very well and is ready to use.

This set of 6 cut crystal cordial glasses were produced in Bohemia by Moser in the late 19th century. The glasses measure 3 3/4 inches high and the diameter of the opening is 2 3/4 inches. The glasses are hand cut and have panels of amber glass in panels around the outside. Vermicelli gilding covers the rest of the surface of the glasses. The scalloped foot of each glass is cut with a star. Condition: There is wear to the gilded surfaces from use.