Work of Matsumoto Hozan, Meiji period (circa 1900).

It is baluster form painted in polychrome enamels and gilt on a clear crackled glaze.
It is detailed with a daimyo procession, the foot and neck are enameled with a cloud pattern bands.
Its highly design exterior, and beautiful form.

Signed Matsumoto Hozan with Shimazu family crest in gilt on the base.
The condition of this satsuma vase is in excellent, no wear, no crack and no restoration.
It comes with fitted w...

A fascinating stoneware sumidagawa vase of cylinder form with hollowing center, mottled dark blue, tea green, brown and vermilion graze.
It is ornamented with two hermits who stand still at the edge of the spring in deep mountains and dark valleys exactly.

Artist signed on the base. The name is unknown.

The condition of this vase is in wonderful, no chip, no crack and no restoration.

Measurements about : 13.4cm(5.27")Diameter, 30.8cm(12.1")Tall.

The great work of the very precious cloisonne of the Meiji term.
It is rare that the big work of art remains in the perfectly near state.
Probably, it is the article manufactured for the exhibitions of overseas, such as an expo...

It is an excellent piece of Satsuma manufactured in Kyoto near Awataguchi at the Meiji term.

Its rectangular form set on four bracket feet and decorated in enameling and gilt on a clear crackle glaze with four panels of figures in a pavilion rest beside placid lake, a high ranking courtesan (oiran), songbirds perches on a gnarled plum blossom tree, and a mother with children washing kimonos.
The shoulder and collar decorated with exquisite brocading millefleurs and phoenix pattern....

Detail of chrysanthemum varieties painted as the central theme on a baluster vase.
This vase is the typical type of Satsuma in to 19th century from the end of 18th century.
Simple, strong coloring are used in overall, it is thickly applied to the surface and typically have a heaped-up appearance.
Beautiful chrysanthemums enameled in iron red, white, gosu blue, turquoise blue and green rise from the milky white ground.

This fine large Satsuma vase is in excellent condition wit...

In spite of being an unsigned cloisonne flower vase, it is a work of the very best article in Meiji term.

The composition of a painting, thoroughly and realistically design, and the blue color of a ground.
All are beautiful.
The chrysanthemum of Pink's light gradation and the peony of deep pink are painted on a blue ground look beautiful to space in very well.
Without kiri-box.
Its condition is in very good...

An amazing openwork Satsuma censer decorated in enamels and gilt with both sides of the handle depicting figural scenes during the Spring season, including one of mothers and children enjoying beside flowers in the garden, the top of handle and body space except openwork decorated in gilt with flower and honeycomb pattern multi-colored.
Very fine and delicate article.

The condition of this satsuma censer is in superb, no chip, no crack and no restoration.
Ryuun Fuzan gilt signat...

Very charming shaped incense case with brilliant makie.
In inside, it is decorated with Japanese residence of in old Heian style beside a songbird perches on a gnarled plum blossom tree and pine tree.
In the other one inside, it is decorated with a elegant ox-drawn court carriage beside a wild aster flower and fleecy cloud in spring.
There are decorated in rise makie with skillful technique in Edo era, 19st century...

This charming Satsuma plate is manufactured in Meiji.
This is a Kyo Satsuma plate.
Since picture mounting this plate, it cannot check the trademark of studio.

The wonderfully detailed circularly cartouche surrounded by China style geometry pattern belt and richly brocaded with multi-colored peony and fan.
In center part, it is decorated with three wives and four samurai overlooking a seaside in autumn season.

This splendid piece of fine Satsuma ware for decoration is i...

Suwa Sozan(1851-1922)works.
A celadon incense burner with neat form and simple design and carved in silver made globe with phoenix design.
The scene in which a scent is emitted from the phoenix danced on a globe is imagined.

Suwa Sozan came from a military family.
He worked in porcelain, first in Tokyo in 1875; from 1879 to 1900 he worked in Ishikawa-ken, then moved to Kyoto, where he worked with Kinkozan until 1906, when he set up his own workshop in Gojozaka.
He seems to...

Makuzu Kozan 1st(1842-1916)bowl for sweets.
This is a technique of "Kenzan utsushi(style).
A big flower of camellia is painted from white glaze and gold enameling are very good.

An utsushi is learned from a past master but is not a simple imitation.
It is expected to not only copy the exterior, but to embrace the spirit of the master's work and yet add the unique interpretation and flavor of its creator.
While Kozan first was producing ceramic works for the foreign markets...

Miyagawa Kozan 1st(1842-1916)works.

An utsushi is learned from a past master but is not a simple imitation.
It is expected to not only copy the exterior, but to embrace the spirit of the master's work and yet add the unique interpretation and flavor of its creator.
Old satsuma means the early stages of Satsuma-yaki.

It has pure silver (100% silver)globe with migrants shape cutting work.
One repaired part on the foot.
However, this part has also fine patina.

S...