Nihashi Yoshihira works.(1896-1977)
This item is very lovely and has his high techniques of metalwork.

Nihashi Yoshihira was born in Tenryu City, Shizuoka Prefecture.
After graduating from elementary school he became a pupil of Unno Bisei.
In 1920 he entered the Tokyo School of Fine Arts, graduating in 1925.
The same year he was honored with a commission of silver crane ornaments for the Taisho Emperor�fs silver wedding anniversary...

A fascinating stoneware sumidagawa vase of cylinder form with hollowing center, mottled dark blue, tea green, brown and vermilion graze.
It is ornamented with two hermits who stand still at the edge of the spring in deep mountains and dark valleys exactly.

Artist signed on the base. The name is unknown.

The condition of this vase is in wonderful, no chip, no crack and no restoration.

Measurements about : 13.4cm(5.27")Diameter, 30.8cm(12.1")Tall...

Nihashi Yoshihira works.(1896-1977)
These are used Katagiri-bori(one side cut carving)technique with gold, silver and copper inlay.

Nihashi Yoshihira was born in Tenryu City, Shizuoka Prefecture.
After graduating from elementary school he became a pupil of Unno Bisei.
In 1920 he entered the Tokyo School of Fine Arts, graduating in 1925.
The same year he was honored with a commission of silver crane ornaments for the Taisho Emperor’s silver wedding anniversary...

Nihashi Yoshihira works.(1896-1977)
These are used Katagiri-bori(one side cut carving)technique with gold, silver and copper inlay.

Nihashi Yoshihira was born in Tenryu City, Shizuoka Prefecture.
After graduating from elementary school he became a pupil of Unno Bisei.
In 1920 he entered the Tokyo School of Fine Arts, graduating in 1925.
The same year he was honored with a commission of silver crane ornaments for the Taisho Emperor’s silver wedding anniversary...

Nihashi Yoshihira works.(1896-1977)
These are used Katagiri-bori(one side cut carving)technique with gold, silver and copper inlay.

Nihashi Yoshihira was born in Tenryu City, Shizuoka Prefecture.
After graduating from elementary school he became a pupil of Unno Bisei.
In 1920 he entered the Tokyo School of Fine Arts, graduating in 1925.
The same year he was honored with a commission of silver crane ornaments for the Taisho Emperor’s silver wedding anniversary...

Nihashi Yoshihira works.(1896-1977)
These are used Katagiri-bori(one side cut carving)technique with gold, silver and copper inlay.

Nihashi Yoshihira was born in Tenryu City, Shizuoka Prefecture.
After graduating from elementary school he became a pupil of Unno Bisei.
In 1920 he entered the Tokyo School of Fine Arts, graduating in 1925.
The same year he was honored with a commission of silver crane ornaments for the Taisho Emperor’s silver wedding anniversary...

The great work of the very precious cloisonne of the Meiji term.
It is rare that the big work of art remains in the perfectly near state.
Probably, it is the article manufactured for the exhibitions of overseas, such as an expo...

It is an excellent piece of Satsuma manufactured in Kyoto near Awataguchi at the Meiji term.

Its rectangular form set on four bracket feet and decorated in enameling and gilt on a clear crackle glaze with four panels of figures in a pavilion rest beside placid lake, a high ranking courtesan (oiran), songbirds perches on a gnarled plum blossom tree, and a mother with children washing kimonos.
The shoulder and collar decorated with exquisite brocading millefleurs and phoenix pattern....

Detail of chrysanthemum varieties painted as the central theme on a baluster vase.
This vase is the typical type of Satsuma in to 19th century from the end of 18th century.
Simple, strong coloring are used in overall, it is thickly applied to the surface and typically have a heaped-up appearance.
Beautiful chrysanthemums enameled in iron red, white, gosu blue, turquoise blue and green rise from the milky white ground.

This fine large Satsuma vase is in excellent condition wit...

Morino Ensho (1903-1989) was born in Kanagawa prefecture.

He was first winning in the Imperial Academy's art exhibition, 1933 and 1944 special choice in the Imperial Academy's art exhibition.
He was received the Education Minister's Prize award in the Japan Fine Arts Exhibition 1963.
He was born in Meiji, and a prominent sculptor in wood that lasts to Showa from Taisho.
He was many worked dealing with a sport.

The date of this works is in 1931.
It is a work whi...

In spite of being an unsigned cloisonne flower vase, it is a work of the very best article in Meiji term.

The composition of a painting, thoroughly and realistically design, and the blue color of a ground.
All are beautiful.
The chrysanthemum of Pink's light gradation and the peony of deep pink are painted on a blue ground look beautiful to space in very well.
Without kiri-box.
Its condition is in very good...

An amazing openwork Satsuma censer decorated in enamels and gilt with both sides of the handle depicting figural scenes during the Spring season, including one of mothers and children enjoying beside flowers in the garden, the top of handle and body space except openwork decorated in gilt with flower and honeycomb pattern multi-colored.
Very fine and delicate article.

The condition of this satsuma censer is in superb, no chip, no crack and no restoration.
Ryuun Fuzan gilt signat...

A pair of signed bronze vase with chrysanthemum pattern of symmetric, decorated in inlaid with gold, silver and shibuichi copper.
Both signed artist name on the body.
Both chiseled "The Gift from Manchuria electricity association" on base in Kanji character.

It comes with double original kiri-box and decoration stand rosewood made.
The condition of these vases are in excellent.
Date: Around 1930-1945.

Measurements about :Vase 10.9cm(4.3")Diameter�...

Very charming shaped incense case with brilliant makie.
In inside, it is decorated with Japanese residence of in old Heian style beside a songbird perches on a gnarled plum blossom tree and pine tree.
In the other one inside, it is decorated with a elegant ox-drawn court carriage beside a wild aster flower and fleecy cloud in spring.
There are decorated in rise makie with skillful technique in Edo era, 19st century...

Japanese metalwork artist in Showa, Masuzaki Shinkyo works in 1934.
An article on exhibition of domestic in Showa period.

The condition of this jar is very good except minor dent.
The artist mark chiseled on the body.

The relief of a lobster is very wonderful with hand hammered technique.
Although this jar is silver, it is not pure or sterling silver...