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War Spatulate Club Trobian Islands PalmWood early 19th

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Directory: Antiques: Regional Art: African: Weapons: Pre 1900: item # 1182186

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War Spatulate Club Trobian Islands PalmWood early 19th
Beautifully Carved War Club, Trobian Islands Spatulate Palm Wood. Early 19th century. Patina: Dark brown to black smooth. Worm hole apparent but in no way takes away from this rare weapon and its detailed decoration.. Provenance: The Sumner Tribal Art Collection. Acquired 1.7.2013 (This piece is the most completely researched and documented piece from this collection) This spatulate club is also known as a 'sword-club' due to its flattened head and thin edges, enabling it to be used as a slashing weapon. This example is decorated with typical Trobriand scroll and zigzag designs, which have been incised into the dark wood. Perhaps the most thorough and well-known study of Trobriands culture is provided by the anthropologist Bronislaw Malinowski (1884-1942). At the outbreak of the First World War in 1914, Malinowski was undertaking fieldwork in Papua and the Trobriand Islands. As an Austro-Hungarian in a British-controlled area he chose to remain in self-imposed 'exile' there for the duration of the war, rather than face internment. Subsequently he submersed himself in Trobriands life, living with local people, learning their language, conducting intensive ethnographic research and establishing theories of observation now central to the methodology of social anthropology. According to Malinowski, such sword-clubs were widespread, although men carried them as an everyday item and never used them in pitched battles or out-and-out warfare, which was conducted in a very formal and organised way with spears and shields. Instead, clubs like this were the weapons of everyday skirmish and brawl. In a short article published in 1920 in 'Man', the journal of the Royal Anthropological Institute, Malinowski remarks that the principal provocations for disagreements between Trobriands men of the period were: arguments over garden boundaries, the ownership and wanderings of pigs, conflicts over the attentions and fidelity of women, breaches of formal etiquette, and the attacker's suspicion that the defender was a sorcerer - a common cause of conflict in many parts of the world [Malinowski, B. (1920) 'War & Weapons Among the Natives of the Trobriand Islands', Man, 20: 10-12].

The Massim area The islands off the extreme southeastern tip of New Guinea were linked by the kula trading cycle, which distributed not only shell valuables—the ostensible motive of the transactions—but also quantities of other goods. Notable among these were carvings in dark hardwood, which was the special product of Kiriwina, the largest of the Trobriand Islands.
The great variety of design motifs ranged from abstract shapes to both stylized and naturalistic bird, human, and animal forms. Incised designs most frequently featured curvilinear patterns, which could be easily adapted to represent stylized snakes or birds; the incisions were usually filled in with lime to make the design stand out. Among the items carved were mortars and spatulas used to prepare betel nut; long, "flat war clubs"; splashboards and decorative panels attached to the prow and stern of seagoing canoes; and dance paddles (two semicircular panels connected by a handhold bar). Dance paddles were sometimes painted, but, in general, painting of wooden objects was minimal. Painting was mainly used to decorate the gables of yam storehouses and on convex oval war shields.



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