Height, including foundation stone: 232 cm.
A notably handsome Kasuga-style lantern displaying workmanship of the highest caliber, with superb overall balance and finely wrought details. A redoubtable piece, the likes of which reveal themselves only once in a great while.
Height: 16.5 cm
Length: 26.5 cm
Width: 25.0 cm
A fairly modern specimen, showing all the classic frog features.
Height: 125 cm.
Height: 54 cm
Width: 23 cm
Depth: 13 cm.
Of Kannon Bosatsu's 33 manifestations, only one, Bato-Kannon, glowers menacingly upon the world. In Japan, Bato-Kannon's irate glare is generally held to express the notion that anger, if properly focused, can be a positive force in clearing away the obstacles on one's path to enlightenment. Although Bato-Kannon is generally believed to derive from the Hindu deity Hayagriva, whose head is that of a horse, the personality and symbolic thrust of the two gods are in fact quite different, Hayagriva being depicted invariably with a serene expression. An alternative view on the question of the origin of Bato-Kannon's horse-head iconography cites a Hindu myth in which Vishnu transforms himself into a large horse-head with the intention of frightening off a would-be detractor of Brahma. Inasmuch as it offers consistency in terms both of the actual iconography and its accompanying symbolic purport, the Vishnu/Brahma tale theory is persuasive.
Early Japanese depictions of Bato-Kannon, the oldest dating to the 8th century, are of wood or bronze and invariably display a wrathful mien. In the case of Bato-Kannon images in stone, the earliest extant examples date to the mid-Edo Period. The vast majority of stone examples depict Bato-Kannon not as aggressively fearsome but as serenely compassionate. In that sense, this example, showing a fairly enraged expressivity, is a distinct rarity.