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A Bamana standing female figure

Catalogue: Archives: Regional Art: African: Pre 1930   item# 1228883 (stock# B49233)

A Bamana standing female figure
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michael cichon tribal arts
941.224.0440


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The sensuous, fluid forms of this figure have been ritually cleaned and rubbed with special oils; the facial plane, especially, appears moist on the surface from numerous, annual applications. The resulting deep and glossy, reddish-black surface of this beautifully composed standing, young female compliments its distinctly slender physique. Possibly a 'jo nyeleni' figure or one owned by the 'jo' society'. It is 19.5"H, and in very fine condition with minimal losses, main ...click for details


An important Sepik River region votive stone sculpture

Catalogue: Archives: Regional Art: Pre 1900   item# 1227712 (stock# P28481)

An important Sepik River region votive stone sculpture
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michael cichon tribal arts
941.224.0440


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Ritually used lithic material is seldom found in Oceanic Art, especially examples originating from Papua New Guinea. This stone object is highly patinated and weathered, showing an orangish undertone layered on top with a deep black-brown, somewhat shiny surface. It was carefully carved on each side with profile, janus images of two anthropomorphic beings. It seems to have been extensively handled as if in ceremony or divination. The sculpture has an aura of antiquity. Conservatively, I will sa ...click for details


A fine Maori wood war club for dance "patu wahaika"

Catalogue: Archives: Regional Art: Pre 1930   item# 1214948 (stock# M52237)

A fine Maori wood war club for dance "patu wahaika"
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michael cichon tribal arts
941.224.0440


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A small but finely carved example used in mock dance battle, possibly by a young member of a chiefly family line. The phrase "Wahaika" means "mouth of the fish". This Maori object is made from a tight grain wood and has a fine, medium brown to dark brown, aged patina; softened and worn surface, overall. It measures 10"L x 3"W. From New Zealand, and dating to the Early 20th C. Provenance: Old New England collection pre WWII years. Florida private collection, 1998-pr ...click for details


An important and fine Maya earthenware tripod plate

Catalogue: Archives: Regional Art: Pre AD 1000   item# 1211622 (stock# M453029)

An important and fine Maya earthenware tripod plate
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michael cichon tribal arts
941.224.0440


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A throne room scene with seated lord resembling the famous 'Fat Cacique' of the IK polity ceramic corpus has been painted across the whole of the interior of this "jawate", or tripod plate. He is seated cross-legged on a large built-in dais, and gestures poetically with his hands to the secondary lord kneeling in front of him. Swagged textile hangs overhead and the stepped platform throne has a backrest. The ahaw wears an oversize headdress in the form of a skeletal, anthropo ...click for details


An archaic Kusu or Kasongo wooden 'kakudji' figure

Catalogue: Archives: Regional Art: Pre 1910   item# 1208870 (stock# K490238)

An archaic Kusu or Kasongo wooden 'kakudji'  figure
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michael cichon tribal arts
941.224.0440


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The age of this cult statuette is certainly great and the style of the carving indicates an ancient origin in the rolling, forested hills of East Central D.R.Congo. Known as 'kakudji', these half-figures functioned as protection devices on a personal level rather than for a family or community. The shiny, heavily worn and softened features are accentuated by the deep, rich, varied, brown patina. Hollow through the middle, possibly for ritual purposes, all of its 'charges' which m ...click for details


A fine Gidkoi wrapped primordial pair

Catalogue: Archives: Regional Art: Pre 1950   item# 1205277 (stock# G34917p)

A fine Gidkoi wrapped primordial pair
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michael cichon tribal arts
941.224.0440


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From northeastern Tanzania, this male and female couple has been characteristically covered in a textile which has been applied as if to mummify them. It has been noted such wrapped figures were used during initiation into secret societies or by village healers while performing curing rites. Exhibiting a saturated surface patina, glass bead eyes, and crusty fetish material overall, this pair possibly represents a primordial, creator couple. Large, round ears add to their already surreal appeara ...click for details


Marajoara earthenware seat of power

Catalogue: Archives: Regional Art: Pre 1492   item# 1204528 (stock# M91037)

Marajoara earthenware seat of power
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michael cichon tribal arts
941.224.0440


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Incised with an interlocking, abstract style on the octagonal top of the seat. The deity, a double-headed, anthropomorphic being, has cleft heads and arms upraised, with a tubular body further surrounded by double-line patterns in the field. The mound-building Marajoara culture existed for a period of approximately 1000 years, occupying the Island of Marajo situated at the headwaters of the Amazon River, in Para State, Brazil, CE 600-1600. 10.75 " D x 3.50" H, the un-burnished redwar ...click for details


A fine Zigua or Pare medicinal horn

Catalogue: Archives: Regional Art: Pre 1960   item# 1193971 (stock# T33071)

A fine Zigua or Pare medicinal horn
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michael cichon tribal arts
941.224.0440


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Some scholars of African art have suggested the use of such animal horns to hold magical, medicinal substances shows East African contact with Indonesia, possibly as early as the first millennium CE. This prime example shows an anthropomorphic wooden stopper with beaded eyes. The wood used to make these stoppers comes from the medicinal tree whose leaves, bark or roots are typically part of the contents of the horn. From northeastern Tanzania, Zigua or Pare peoples, mid 20th century. 21" in ...click for details


A fine Ibibio wooden face mask with articulated jaw

Catalogue: Archives: Regional Art: Pre 1950   item# 1193879 (stock# I29589)

A fine Ibibio wooden face mask with articulated jaw
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michael cichon tribal arts
941.224.0440


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Powerful, aggressive and fierce describe such blackened face masks representing evil and immoral people who were turned into apparitions at their death. The open mouth is threatening, and made all the more so by its articulated lower jaw. Part of the men's Ekpo Society centered on ghostly beings. From southeastern Nigeria, the mask dates to the early-mid 20th century. Dimensions are 10.5"H x 7.25"W, and its condition is excellent with some old loss and decay mainly to the underside ...click for details


A large Afo iron currency

Catalogue: Archives: Regional Art: Pre 1920   item# 1193587 (stock# A21877c)

A large Afo iron currency
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michael cichon tribal arts
941.224.0440


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Thin, slightly concave, monumental example with excellent patina from much age and use. From the Afo people of northern Nigeria, West Africa. 26"H x 17"W. In very fine condition and custom mounted on a steel base. Provenance: Peter Pollack, prior to 1975

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