James McBey, Scottish, 1883-1959, "Veere," Etching, image size 6 7/8 x 11 7/8 inches, 1923, artist proof, numbered "A13," edition of 76, cat: Hardie-218, hand signed and numbered in ink, framed. Provenance: Kennedy & Co. Hardie describes this print as follows, "A view of Veere in Walcheren, from the Island of North Beveland: Veere Church in the centre, a windmill to the right...

James McBey, Scottish, 1883-1959, "The Squall, Kempen," Etching, image size 6 7/8 x 12 inches, 1923, edition of 76, numbered "XXXIII," cat: Hardie-219, hand signed and numbered in ink, framed. Provenance: Kennedy & Co.

James McBey, Scottish, 1883-1959, "Bosham," Etching, image size 6 7/8 x 11 3/4 inches, 1925, artist proof, numbered "A3", edition of 76, cat: Hardie-226, hand signed and numbered in ink, framed. Provenance: Frederick Keppel & Co.

Johan Barthold Jongkind, Dutch, 1819-1891, "Vue de la Ville de Maaslins,"

William Lee Hankey, British, 1869-1952, "the Summer Moon," Etching and aquatint in colors, image size 12 x 9 7/8 inches, c. 1920, edition of 25 in black and white, 75 in color, cat: Hardie-21, pencil signed.

Harold Kerr Eby, American, 1889-1946, "Hatchet Cove," Etching, image size 9 x 13 7/8 inches, 1937, edition of 100, cat: Giardina-194, pencil signed. Kerr Eby was a remarkable printmaker and a member of the Cos Cob Art Colony, known for his atmospheric renderings of the New England landscape as well as his dramatic images of WWI. Hatchet Cove is a small inlet near Friendship, Maine, an area which Eby visited often, eventually buying a summer cottage...

Harold Kerr Eby, American, 1889-1946, "The Cider Mill," Etching, image size 7 x 12 3/4 inches, 1940, edition of 100, cat: Giardina-201, pencil signed "Kerr Eby imp." Provenance: Frederick Keppel & Co, with the original label. Kerr Eby was a remarkable printmaker and a member of the Cos Cob Art Colony and friends with many of the important artists of the day, including Childe Hassam and John Taylor Arms...

19th Century American School, "Limestone Bluffs on the Mississippi," Oil on academy board, 12 x 9 inches, c. 1880, unsigned, in a period frame. An inscription on the back reads, "Limestone Bluffs at 'Boatyard Hollow' On the Mississippi- opposite Dubuque Iowa"

19th Century American School, "Coastal View," Oil on canvas, 8 1/2 x 11 1/2 inches, c. 1880, unsigned, period frame. A suggestion of a perfect sailing day as waves break along the shoreline and fair weather clouds hover over distant sailboats on the horizon.

Alexander Helwig Wyant, American, 1836-1892, "Spring Meadow," Oil on canvas, 10 1/4 x 16 inches, c. 1880, unsigned, attributed to Alexander Wyant, in a period gilt frame.

Charles Figaro, American, 20th Century, "The Nightwatch," Oil on artist board, 18 x 24 inches, 1928, signed and dated, in the original frame. Figaro was an early 20th century American artist specializing in western scenes. In this image a cowboy on horseback watches over his herd of cattle under the dark blue expanse of the night sky, illuminated only by the pale moonlight, while smoke from distant campfires drifts into the cool night air.

Arthur Bowen Davies, American, 1862-1928, "Maenads," Etching with aquatint, image size 7 7/8 x 10 7/8 inches, 1918-1919, state VII/VIII, cat: Czestochowski-69, alternate title "Far Prospect," pencil signed, framed. Davies was a truly remarkable artist of the late 19th and early 20th centuries known for his dreamlike etchings and lithographs...