Felix Buhot, French, 1847-1898, "Une Matinee d'Hiver au Quai de l'Hotel Dieu," Etching, image size 8 3/8 x 11 3/4 inches, plate signed, with the lettered title below the image.

Jean Baptiste Camille Corot, 1796-1875, French, "Paysage d'Italie," Etching, image size 6 x 9 1/8 inches, cat: Melot- C.7, later printing without Cadart lettering, possibly after it was removed. This is a very nice impression with wide borders, printed on a medium weight cream colored laid type paper. This atmospheric image from Corot's series of Italian landscapes is a great example of his ability to capture the life and movement of the scene with loose spontaneous lines and rich tones.

Elyse Ashe Lord, British, 1900-1971, "Young Girl With Cymbals," color etching, sight size 12 x 9 3/4 inches, 67/75, pencil signed l.r. "E. Ashe Lord", framed.

Frederick Clifford Dixon, British, 1902-1992, "Demolition, Exhibition Road- The Old Science Museum, London," etching, image size 10 1/4 x 8 1/8 inches, c. 1926, period printing, pencil signed and titled "F.C. Dixon" and "The Old Science Museum".

Anders Zorn, Swedish, 1860-1920, "The Letter," etching, image size 6 1/4 x 4 5/8 inches, 1913, pencil signed. Anders Zorn was one of the leading artists of the early 20th century in Sweden. He studied at the Royal Swedish Academy of Arts in Stockholm, Sweden, and traveled extensively throughout Europe and the United States. He became known especially for his portraits, which were in high demand by many of the important individuals of the time...

Auguste Louis Brouet, French, 1872-1941, "Vegetable Market," Etching, image size 10 5/8 x 7 3/8 inches, edition of 60, pencil signed and numbered, framed. Provenance: Brooks Reed Gallery, Boston. Brouet was born to a poor family in Paris in 1872, and as a teenager worked as an apprentice lithographer and lute maker. He attended the Ecole des Beaux Artes, under the tutelage of Gustave Moreau, and was then introduced to etching by Auguste Delatre...

Mabel Allington Royds, British, 1874-1941, "Choir Boys," Color Woodblock, image size 2 3/4 x 3 1/2 inches, 1898, pencil signed. This print is part of the collection of The National Galleries Scotland, which describes this image as a great example of Royds' "ability to capture a scene in such a simple yet distinct manner. The strong black lines of the woodcut work well in describing the profiles of the young boys singing in the foreground."

Charles F. Daubigny, French, 1817-1878, "The Large Sheepfold," Etching, image size 7 1/4 x 13 5/8 inches, 1860, cat: Melot- D.95, framed. Provenance: Frederick Keppel & Co.

Howard Pyle, American, 1853-1911, "Isaac Walton," Etching by W.H.W. Bicknell after the painting by Howard Pyle, image size 18 x 10 1/4 inches, 1903, pencil signed by both Howard Pyle and W. H. W. Bicknell, in a period frame. This print was one of 5 commissioned by the Bibliophile Society that were published together in a portfolio in a limited edition of 302, the Bibliophile Society stamp is in the lower margin.

Howard Pyle, American, 1853-1911, "Caxton at His Press," Etching by W.H.W. Bicknell after the painting by Howard Pyle, image size 18 x 10 1/4 inches, 1903, pencil signed by both Howard Pyle and W. H. W. Bicknell, in a period frame. This print was one of 5 commissioned by the Bibliophile Society that were published together in a portfolio in a limited edition of 302, the Bibliophile Society stamp is in the lower margin.

Luigi Kasimir, Austrian, 1881-1962, "New York, Fulton Market," Color etching and aquatint, image size 16 5/8 x 11 5/8 inches, 1930, edition of 100, pencil signed, framed. Luigi Kasimir was a pioneer in the field of color etching. Earlier artists would often apply color to single plate, but Kasimir developed a technique of using four to six plates, each with a different color to create extraordinarily rich tones and values...

Jackson Lee Nesbitt, American, 1913-2008, "Evening in March," Etching, image size 11 3/4 x 8 3/4 inches, 1942, pencil signed and titled. In the 1930s, Nesbitt studied art under Thomas Hart Benton, John deMartelly and Ross Braught at the Kansas City Art Institute. He became known for his southern Regionalist prints depicting everyday life in rural America, of which several were commissioned by the Associated American Artists.