Chinese Northern Song (960-1127) dynasty qingbai (yingqing) porcelain glazed bowl with relatively straight sides and slightly flared rim decorated on the interior with combed abstract swirling floral patterns. The smooth, thin, crackled olive-green glaze pools in the center and accumulates at the exterior foot. The low foot is unglazed, revealing a gray-white body. 10th/11th century. 7” diameter x 2 3/8” high. Very good overall condition...
A rarely encountered limited edition Japanese woodblock print over gold leaf depicting a solitary blue, white, and gold tree set against a barren foreground titled simply "Tree" by Joichi Hoshi (1913-1979) dated 1974. Pencil-signed "J. Hoshi" and dated '74 at the lower right, with the artist's square red seal above. Pencil-titled in kanji at the lower left and marked with the edition number 6/95. Paper size: 10"V x 13"H (image: 7 1/4" x 10 1/2"). Very good overall condition...
Matching pair of Japanese Imari porcelain jars of inverted pear form covered with a high domed lid topped with a round chrysanthemum bud form finial. The vertically ribbed body is decorated in underglaze cobalt blue and overglaze rust-red enamel and gilt highlights. A large panel on the front features two shishi on opposing sides of a prominent floral pattern while the back holds a smaller cartouche with a bird and flower motif...
Japanese Edo period woodblock print by Toyokuni III (also known as Kunisada) depicting a kabuki actor portraying a samurai. His sword rests on the ground and his matchlock musket leans against the wall. Firearms were introduced to Japan by foreign traders in the 16th century. The maru-ni-chigai-Takanoha family mon is on his kimono. This crest, which consisted of two crossed hawk feathers, was used by two Edo period samurai families. This image was published by Maruya Seijiro in 1854...
A rarely encountered Japanese "shin hanga" woodblock print titled "Sunset Glow at the Skirt of Mt. Fuji" by Ito Takashi (1894-1982), published by Watanabe in the second month of 1952. This print is from an old Tucson, Arizona collection and was purchased in the mid-20th century. It is not a recent Heisei edition. This standard sized horizontal oban print has full margins and measures 10 3/8" x 15 1/4" (image about 9 1/2" x 14 1/4"). Very good color and overall condition...
Pair of 19th century Chinese paper fans very finely and densely painted in extensive detail with figural scenes. One fan painting features beauties at a temple surrounded by clouds holding celestial maidens and a deer. A monkey is paying homage to a female who is seated on a lotus throne. The second fan painting depicts a scene with beauties engaged in various scholarly leisure activities. The fans date from the 19th century...
Chinese Ming dynasty (16th century) blue and white porcelain meiping vase with bell-shaped cover decorated overall with classical lotus flowers among scrolling leafy stems, separated into three layers. The shoulder features the lotus-filled ruyi collar motif. 11 ¼” high (9 ¾” high without the lid). Very good overall condition with typical flaws, small areas where the glaze did not completely cover, and microscopic scratches to the glaze. The vase is slightly misshapen...
Large and heavy mirror pair of Chinese bronze Mandarin duck-form censers, or incense burners, with lotus stems trailing from open beaks and bodies decorated with molded lotus flowers and etched feathers. A removable pierced cover in the form of lotus flowers and stems is integrated into the feathers of the back. Each duck rests on a custom wood stand carved with water ripples...
Japanese sagemono (hanging object) tobacco pipe set consisting of a wood kiserutsuzu (pipe holder), kiseru (pipe), and wood tonkotsu (tobacco box) in the form of a humorous yawning Daruma with arms overhead grasping the two cords with his fists. The cords hold an ojime (sliding bead), which is attached to the pipe holder. Daruma’s body is kiri (pawlonia) wood and his eyes are inlaid with mother of pearl. His face lifts and functions as a cover for the tobacco box. A badger (tanuki) standin...
Rare set of six Burmese bronze opium weights, or cock weights, in a Brahmani duck type hintha (also called a hamsa) bird form with upturned tail sitting on a round base. The largest two have handles attached to the back of the head and end of the tail feathers. There is a metal support under the V-form tail. The largest weight has an old tag taped to it that reads “1513 grams” (3 lbs. 5.4 oz.). I confirmed this weight on a scale at the post office. This corresponds to the Indian unit of...
Japanese tabako-ire (tobacco pouch) decorated with an embroidered dragon chasing a flaming pearl. The dragon's body extends around the front and back of the pouch. The fierce head with open jaw is located on the front above the silver alloy dragon-form kanemono (clasp). An ivory accent adorns one of the two interior compartments. A circular ivory and repousse metal dragon kagamibuta netsuke is attached by 10 strands of metal chains secured by a dragon decorated squared silver guard. These h...
Oban diptych by Taiso Yoshitoshi (1839-1892) titled “The Story of the Strong Woman Takashima Oiko of Omi Province” from the series "A New Selection of Eastern Brocade Pictures." The print depicts Takashima Oiko leading Saeki Urinaga home in an effort to strengthen him for a wrestling match. The artist's signature and Taiso seal are at the lower left. The lower left margin contains the date of "Meiji 22" (1889). The title cartouche is at the upper right. Published by Tsunashima Kamekichi. T...
Unusually large Tibetan copper and silver or silverplate mihrab form reliquary, or portable shrine box, decorated in repousse on the cover with a pattern of abstract scrolls. The back, sides, and side handles are copper. Also called a “gau,” these prayer boxes were used to hold protective amulets, personal deities, and written prayers. A strap or belt could be attached to the side handles when traveling. Otherwise, they were usually placed on the home altar. 9” high x 8” across at t...
Japanese cloisonne vase decorated with two cattleya orchids set against a green ground. The interior counter enamel is black and the rims are chrome. The Ando Cloisonne Company seal is on the base rim. Measures 8 1/2" high x 4" diameter at the mouth. Dates from the Showa period (mid-20th century). Very good overall condition.
Unusual Chinese late Qing dynasty to possibly early Republic (late 19th to early 20th century) hardwood stand used to hold opium pipe dampers. A single drawer with brass pull is used for the storage of smoking accessories. The back is nicely carved with a bamboo motif. 13"L x 2"D x 3"H. Very good overall condition with some minor stains to the wood consistent with its age and use. This piece is from the private collection of American expatriates who lived in Hong Kong in the 1970s and 1980s...
Chinese late Qing blue and white porcelain moonflask, or pilgrim vase, of flattened globular form decorated with a cracked ice and prunus ("bingmei") motif, which is also known as the Hawthorne pattern. Two writhing qilong handles are at either side of the cylindrical neck. There is some kiln grit adhering to the recessed base. Late 19th century. 10 1/8”H x 6” across. Very good overall condition. There are some tiny burst bubbles at the rim and along the chilong’s back (see enlargeme...
Pair of Chinese Tang (618-907) to Five Dynasties (907-960) olive-gray glazed Yue ware 10-petal foliate lotus-leaf shaped shallow bowls with flat bases. The characteristic spur marks are in the interior of the bowls. Circa 9th/10th century. Each measures 1 5/8” high x 5 ½” diameter. There is a small rim chip and an old repair or firing imperfection to the side of one bowl and two small chips to the outside rim of the second bowl. A similar bowl is illustrated in the Shanghai Museum coll...
A rare Japanese oversized limited edition "sosaku hanga" woodblock print titled "Black Cat, Three Kittens & Butterfly" dated 1967 by Tokuriki Tomikichiro (1902-2000). The artist's black seal is at the lower left and his black ink signature is at the lower right. The print is titled and dated in kanji in the upper right margin. Numbered 14/200 in the lower right margin in pencil. The paper measures 16"V x 21 3/8"H (image size: 15"V x 19 1/2"H). Very good overall condition. This print was prev...
Tall Chinese late Qing dynasty Guangxu period famille verte Kangxi revival porcelain rouleau vase decorated with scenes from the Chinese literary classic “Romance of the Three Kingdoms.” 17 3/4” high. Circa 1900. Finely painted and in very good overall condition. The base was drilled for a lamp.
A rarely encountered Japanese oversized sosaku hanga woodblock print by Asaga Manjiro (1885-1965) dating circa 1950's. Asaga Manjiro was the elder brother of Maekawa Senpan. He was known for his Noh theater and Otsu-e prints. Paper size: 20 1/4"V x 15 3/8"H (image: 17 5/8" x 12 7/8"). Excellent condition with full margins. Never framed. Traces of paper residue from the original folder remain on the back at the left top and bottom corners.
Petrie-Rogers Gallery
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Korean Choson dynasty front opening bandaji (storage chest) decorated with elaborate openwork brass hardware and the original fish-form lock. A large handle at the bottom is accented with three plates in the form of bats. The drop-front door opens to reveal a single small shelf in the interior. Late 19th century. Side carrying handles. 31”H x 33 ¼”W x 17”D. Very good overall condition with original finish. There are two fine hairline cracks on the top. The interior shelf is warpe...
Limited edition serigraph print titled "Oriental Masterprint - 7" by Roger Shimomura (b. 1939) dated 1975. This is an original, pencil-signed, edition of 20. Paper size 19"V x 19"H (image: 15"V x 15"H). Full margins. Excellent condition. This image is illustrated on page 50 of "Roger Shimomura Delayed Reactions," Spencer Museum exhibition catalogue, 1995.
Qing Dynasty (19th century) Chinese Manchu style robe decorated in embroidered dragons chasing flaming pearls (symbolizing the Buddhist notion of enlightenment) executed in gold-couched thread on a blue silk ground. The eight full-face and profile four-clawed dragons are surrounded by clouds and various auspicious symbols. The dragon's eyes are accented in black and white. An embroidered panel surrounding the neckline is filled with additional dragons running across the top of waves. The bottom...
Chinese scholar's desk root wood (possibly cypress) sculpture depicting Sanxing (Three Star Gods) representing longevity, happiness, and wealth. The god of wealth holds a small child representing wishes for future good fortune through healthy offspring. Measures nearly 11" high by 12" long. Late Qing dynasty to early Republic period. Very good overall condition. There is old bug damage to the back of two heads which appears at one time to have been filled (see enlargements 9 and 10). I have ...
Chinese late Qing to early Republic period ceramic modeled container shaped like a "ha ma," or toad, with a hollow body and flat base covered in a monochrome pearl glaze with a seeded finish. Measures about 10 ½”L x 9 ¼”W x 6”H. There are some old surface cracks visible. The back section appears to have been restored and the gray areas in the pearl glaze appear to be old restorations which were executed in China. There does not seem to have been any effort to disguise these repairs w...
Oversized modern limited edition Japanese woodblock print depicting a rural farming scene viewed through a forest by Unno Mitsuhiro (1939-1979). Signed in kana “Mitsuhiro” and dated 1972 in white ink at the lower left corner of the image. Pencil-signed “M. Unno,” titled in kanji, and numbered 16/100 in the lower right margin. Paper size nearly 19”V x 24 ½”H (image: 15 1/8”V x 21 ¼”H). Very good overall condition with a faint mat burn evident (see enlargement 5). There are ...
Large Chinese porcelain jardiniere or fish bowl with wide mouth and flattened rim decorated with gilt crabs and fish swimming among aquatic plants on a powder blue ground. Unglazed foot and base. Qing dynasty (late 19th century). 12 ¼”H x 14 ¼” diameter. Weighs about 18 lbs. Very good overall condition with no chips or cracks. Some soiling to the interior from use and typical wear to the gilt decoration. This piece was purchased from an Arizona collection.
Chinese Qing dynasty (19th century) Daoist priest’s robe densely embroidered in a pattern of complex iconographical symbols set against a pale celadon silk background created entirely from satin-stitch embroidery. The style is the traditional rectangular front-opening form which rests on the shoulders and has the lower part of the sides sewn together to form armholes. The center back is embroidered with a flame-bordered circular cartouche containing a pagoda flanked by flying birds. Fifteen...
Chinese late Qing dynasty (late 19th century) woman's rank badge embroidered with a central satin-stitched silver pheasant with very nicely detailed feathers. A single bat hovers below the sun at the upper right. This Mandarin square would have been worn by the wife of a 5th rank civil official. The badge is backed with stiff paper covered with blue silk and is bordered on the front in red silk. This rank badge measures 8 3/8"V x 9 1/8"H. It is in very good overall condition with some minor...
Large Chinese famille rose porcelain jardiniere with wide mouth and flattened rim enameled in bright pigments with a figural scene extending around the circumference. Diaper pattern band below rim. Unglazed foot and base. Original drain hole and plug. Late Qing dynasty (19th century) to possibly early Republican period. 13"H x 15 1/4" diameter. Weighs about 15 lbs. Very good overall condition with no chips or cracks. Some soiling to the interior from use.
18th century Chinese bronze Guanyin (Goddess of Mercy) Bodhisattva figurine seated in a position of royal ease with a contemplative expression. The robe falls in elegant folds and is inlaid in silver wire with a cloud pattern. A "Shisou" two-character mark is inlaid in silver wire on the back. Measures 5" high, 4" long, 3" wide. Very good overall condition with a nice patina. An example of this type of "Shisou" marked bronze Guanyin is illustrated and described on pages 216-217 of “China’s...
Korean rice bale-form stoneware wine bottle with cylindrical body, short circular spout at the mid-section, and four raised feet covered overall in a golden olive-brown glaze. One end has the standard domed form while the opposite slightly concave end, upon on which the vessel was fired, is unglazed and has the characteristic sand grit residue adhering. Heavily potted. 19th century. 10” long x 5 1/2” diameter; weighs over 4 lbs. Very good overall condition with typical production imperfecti...
Waisted cylindrical form scholar's huanghuali wood brush pot with a slightly raised flat base and three low rounded feet. The feet, base and rim are finished with a finely executed narrow raised band. The honey-browm wood has a varied grain pattern displaying several distinctive guilian “ghost face” whorl patterns. 18th century or earlier. Measures 6”H x 5 5/8” diameter. Very good overall condition with a wonderful patina. There are small scratches, chips and signs of wear at the inner...
Large wood display stand carved to imitate a natural root with a flat upper surface. Root furniture was much favored by the Chinese literati. Believed to date from the late Qing Dynasty to early Republic Period. Measures about 17"L x 10 1/2"D x 3 1/8"H. Very good overall condition with some minor scratches and wear to the top. An example of this type of display stand can be found on page 76, plate 37 of “Arts from the Scholar’s Studio,” Oriental Ceramic Society of Hong Kong and Fung P...
Rare 19th century complete bathing set consisting of a wash basin and covered water bottle. The interior of the wash basin is decorated in the famille rose palette with four reserves of architectural settings featuring knife-wielding guards, attendants, beauties and scholars engaged in study, the arts, and the daily activities of the gentry class. The panels encircle a matching central medallion. Each vignette is surrounded by a gold keyfret motif border and is reserved on a densely patterned...
Choson Period (also known as the Yi Dynasty) Korean iridescent temmoku glazed 10-faceted stoneware globular jar. In the traditional manner, the edges of the facets have been ground down to reveal the body beneath. The base is permeated with the heavy kiln grit which is indicative of Korean wares. This large 19th century jar measures 7 3/4" height and diameter. "The straight sides of this style of jar are thought to have been designed to facilitate tight packing with straw ties, since this ki...