Large late Qing dynasty Guangxu period lidded porcelain ginger jar decorated in underglaze blue against a faint bluish-white background with four “shuangxi” symbols (indicating double-happiness and wedded bliss) surrounded by a stylized pattern of pencil style scrolling sweet pea flowers and vines (symbolizing “many children”). A bud forms the finial. The interior and base are glazed but the foot rim and mouth are unglazed...
Unusually large Chinese late Qing compressed globular form incense burner with slightly everted rim supported by three short legs and covered overall with an amber-colored monochrome crackled glaze that extends to cover the bottom of the feet. The glaze drips down the walls into the unglazed interior. This censer is likely from a South China kiln. A custom-made heavy hardwood stand is included. Estimated to date from the 19th century...
Japanese Meiji period Artia Imari porcelain charger decorated in underglaze cobalt blue and brilliant polychrome enamels and gilt highlights with a central reserve holding a kirin and butterflies on a white background surrounded by three red-ground floral panels set against cobalt blue. Three underglaze blue leaves are spaced around the exterior. A single spur is on the base. Very good overall condition...
11 3/4" high late Meiji period (19th century) Japanese silver wire cloisonne bottle form vase with flaring mouth superbly decorated around the circumference at the base of the neck with a ferocious flaming three-clawed dragon with gaping mouth set against a red background. Flowering plants and a single butterfly decorate the bulbous bottom. Copper rims are at the mouth and base. The traditional blue counter-enamel is in the interior...
Chinese late Ming (16th/17th century) Zhangzhou (Swatow) porcelain deep charger decorated in iron-red, green, and black overglaze enamels on a cream-colored crackle glaze ground with a central roundel holding flowering peonies. A band containing four floral panels against a crossed line ground extends around the circumference of the rim. 13" diameter x 2 3/4" high. There is significant wear to the enamels and several very old rim chips (see enlargements 6 and 7)...
Large Japanese Imari porcelain charger decorated in a free-form pattern of underglaze blue geometric, floral, and phoenix bird patterns with overglaze polychrome and gilt highlights. Two white floral areas in the center are raised in slight "moriage" relief, giving the charger a rich texture. The underglaze blue decoration on the back surrounds a six-character apocryphal Chinese Ming dynasty Chenghua reign mark...
Large Chinese Qing dynasty celadon charger decorated in the interior with a carved scrolling peony motif. Late 19th century to circa 1900. 15 1/2” diameter x 2 5/8” high. Heavily potted and in very good overall condition. There are some original crazing and production flaws to the interior. From a North Scottsdale, Arizona collection. Please note that the stand is not included.
Large Japanese Meiji period rounded square form black lacquered wood deep tray decorated in gold and polychrome accents with three birds among flowers and bamboo above a stream at the bottom. The rim is gold. 14 3/4" square with a lip nearly 2 1/4" high. Late 19th to early 20th century. Very good overall condition with only a few fine scratches on the back and a few tiny dings on the top edge. From the collection of a Japanese woman in Tucson, Arizona.
Chinese Qing dynasty lacquered wood guardian figure standing on a square base with arms raised and his left black boot resting on a thin circular object embedded in the square platform. He is dressed in elaborately decorated animal head armour painted in red, blue, and black polychrome pigments with fine gilt highlights. 15 7/8" high. 19th century. Sturdy and in very good overall condition...
Tall Chinese late Qing dynasty Guangxu period famille verte Kangxi revival porcelain rouleau vase decorated with scenes from the Chinese literary classic “Romance of the Three Kingdoms.” 17 3/4” high. Circa 1900. Finely painted and in very good overall condition. The base was drilled for a lamp.
Japanese pencil-signed first edition shin hanga woodblock print titled "Kagurazaka Dori" (Kagurakaza Street after a Night Rain) from the series "Twelve Scenes of Tokyo" by Hiroshi Yoshida (1876-1950) dated Showa 4 (1929). The jizure (self-printed) seal is in the upper left margin. The artist's black ink brush signature and red seal is at the lower right corner of the image. The print is titled in English and pencil-signed in the bottom margin...
Occupation era original Japanese shin hanga woodblock print titled "Kanetsuki Hall Bell Tower, Okayama" by Kawase Hasui (1883-1957) dated in the lower left margin Showa 22 (1947). The artist's black ink signature and red seal are at the lower left corner of the image. The 6mm circular seal of the publisher Watanabe (used 1946-1957) is at the lower right corner. Paper size: 15 1/2" x 10 1/4" (image size: 14 1/4" x just over 9 1/2"). Excellent condition. Never framed...
Occupation era original Japanese shin hanga woodblock print titled "Carp Flag at Toyohama, Kagawa Prefecture" by Kawase Hasui (1883-1957) dated in the lower left margin Showa 23 (1948). The artist's black ink signature and red seal are at the lower left corner of the image. The 6mm circular seal of the publisher Watanabe (used 1946-1957) is at the lower right corner. An additional Watanabe seal is on the back at the lower right corner. Paper size: 15 3/4" x 10 1/2" (image size: 14 3/8" x 9 1/2...
Occupation era original Japanese shin hanga woodblock print titled "Snow at Hinuma Swamp, Mito" ("Snow at Hi Marsh, Mito") by Kawase Hasui (1883-1957) dated in the lower left margin Showa 22 (1947). The artist's black ink signature and red seal are at the upper right side of the image. The 6mm circular seal of the publisher Watanabe (used 1946-1957) is at the lower right corner. Paper size: 10 3/8" x 15 3/4" (image size: 9 1/2" x 14 1/4"). The print was never framed and is in excellent overall ...
Occupation era original Japanese shin hanga woodblock print titled "Spring Evening at the Kintai Bridge" by Kawase Hasui (1883-1957) dated in the lower left margin Showa 22 (1947). The artist's black ink signature and red seal are at the lower left corner of the image. The 6mm circular seal of the publisher Watanabe (used 1946-1957) is at the lower right corner. Paper size: 15 5/8" x 10 3/8" (image size: slightly over 14 1/4" x 9 1/2"). Very good overall condition. Possibly lightly faded. The...
A rarely encountered occupation era original Japanese shin hanga woodblock print titled "Tanigumi Temple, Mino" by Kawase Hasui (1883-1957) dated in the lower left margin Showa 22 (1947). The artist's black ink signature and red seal are at the lower left corner of the image. The 6mm circular seal of the publisher Watanabe (used 1946-1957) is at the lower right corner. Paper size: 15"V x 10 1/4"H (image size: slightly over 14 1/4"H x 9 1/2"V). Very good overall condition. Very faint toning evi...
Japanese shin hanga woodblock print titled "Summit of Fujiyama: The Kengamine Summit" by Hiroshi Yoshida (1876-1950) dated Showa 3 (1928). 1st edition impression with "jizure" (self-printed) seal in the upper left margin. The artist's black ink brush signature and red seal are at the lower left. The print is pencil-titled and pencil-signed in the lower margin. Illustrated in "The Complete Woodblock Prints of Yoshida Hiroshi," Abe Publications, color plate #531/. Paper measures 10 3/4" x 16 1/8" ...
Japanese shin hanga woodblock print titled "Kansai District: Seta Bridge" by Hiroshi Yoshida (1876-1950) dated Showa 8 (1933). 1st edition impression with "jizure" (self-printed) seal in the upper left margin. The artist's black ink brush signature and red seal are at the lower right. The print is pencil-signed in the lower right margin. Illustrated in "The Complete Woodblock Prints of Yoshida Hiroshi," Abe Publications, color plate #182. Paper measures 10 3/4" x 15 3/4" (image size: 9 1/2" x 14...