Japanese shin hanga woodblock print titled "Hirosaki Castle" by Hiroshi Yoshida (1876-1950) dated Showa 10 (1935). First edition impression with "jizure" (self-printed) seal in the upper left margin. The artist's black ink brush signature and red seal is at the lower left and the print is pencil-signed in the lower right margin. Illustrated in "The Complete Woodblock Prints of Yoshida Hiroshi," Abe Publications, color plate #192. Paper measures 15 3/4" x 10 1/2" (image size: 14 5/8" x 9 5/8")...
Japanese shin hanga woodblock print titled "A Glimpse of Ueno Park" by Hiroshi Yoshida (1876-1950) dated Showa 12 (1937). First edition impression with "jizure" (self-printed) seal in the upper left margin. The artist's black ink brush signature and red seal is at the lower right with the pencil-signature in the margin below it. Illustrated in "The Complete Woodblock Prints of Yoshida Hiroshi," Abe Publications, color plate #218. Paper measures 16 1/8" x 11" (image size: 14 3/4" x 9 3/4")...
Chinese Republic period famille rose porcelain figure of the immortal Fu holding a male child. One of the three Star Gods (sanxing), Fu represents good fortune. Impressed maker’s marks to base. Minor glaze losses and tiny chips. Originally had a horsehair beard. Early 20th century. 22” high. From the Phoenix, Arizona estate of a former expatriate to China from 1983-1987.
Large Chinese Qing dynasty naturalistic form wood scroll pot carved from a single piece of wood with human figures, a monkey holding the peach of immortality, and other creatures extending around the exterior. It was clearly not designed to hold water as there are openwork areas throughout. The top reveals two separate holders. An inset wood plug is at the base. 19th century. 10 7/8” high x 8 3/4” across at the widest part of the rim (base 7 1/2" across at the widest part); weighs 4 lbs...
Chinese late Qing dynasty Yixing stoneware teapot of buff colored clay with globular body, fixed upright U-shaped handle, and slightly concave base. The body is decorated around the circumference with relief applied leafy grape vines. The spout and handle are formed to resemble knotty twigs. The lightweight wood lid is deeply carved with three bats. There is a single hole for the spout. 19th century...
Chinese late Qing dynasty sang-de-boeuf (oxblood) flambé glazed cylindrical form censer. The oxblood glaze drips inside at the rim above the thick off-white glaze lining the interior. The censer rests upon vestiges of three small tripod legs. The base is unglazed and has burnt orange. As is typical of late 19th century examples, the base shows evidence where the glaze ran off the base and was broken off the kiln supports. 7 3/8” diameter x 5 1/2” high. Very good overall condition...
Pair of Chinese Qing Dynasty red flambe-glazed Buddhist lion dogs seated on plinths. The female is playing with a cub and the male's left forepaw rests on a ball. Custom carved wood stands. 9 1/4" high (10 7/8" high on the stand). 19th century. From a Paradise Valley, Arizona estate.
Japanese shin hanga woodblock print titled "The Great Buddha in Kamakura" by Okuyama Gihachiro (1907-1981) dating 1949. The artist's black ink signature and red seal are in the lower left corner of the image. Two red seals of the publisher Kyoto Hanga-in and Shinagawa printer are beside it in the lower left margin. The title is in the upper left margin. Paper size: 16 1/4" x 11 1/2" (image: 15 3/8" x 10 5/8"). Never framed...
Japanese limited edition sosaku hanga woodblock print titled "Into the Woods” by Shiro Kasamatsu (1898-1991) dated 1955. The artist's black ink signature and red seal is within the water at the lower right corner of the image. The small rectangular "Shiro hanga" seal is in the lower right margin corner. The print is titled in kanji ("Woods") and dated 1955 in the lower margin. The numbered edition 88/100 is in pencil at the lower right margin corner with a watermark beside it...
Japanese shin hanga woodblock print by Toshi Yoshida (1911-1995) titled "Irozaki Morning" dated in the left margin Showa 36 (1961). The artists's black ink signature and red seal are at the lower right corner. The print is pencil-signed and titled in English in the lower margin. Paper size: nearly 11" x 15" (image: 9 9/16" x 13 3/16"). Never framed and in very good overall condition. The paper is slightly wavy.
Chinese late Qing dynasty rectangular form hinged cloisonne box with inner tray resting above an open compartment decorated on the exterior in cloud form cloisons with butterflies, flowers, and scrolling foliage emerging from rockery and set against a turquoise ground. Blue counter enamel interior and base...
Early edition Japanese shin hanga woodblock print titled "Boats at Shinagawa, Night" (aka “Shinagawa Coast”) from the series “Tokyo Views” (Tokyo Fukei) by Tsuchiya Koitsu (1870-1949) dated in the right margin "5th month of Showa 10" (1935). The black ink signature and red seal of the artist are at the lower right. The seals of the publisher Doi Sadaichi (used 1933-1945), carver Ikeda, and printer Matsushita are in the lower left margin. Indicative of an early edition, the blue series t...
Pair of 11 1/2" tall Chinese Qing dynasty standing porcelain ducks decorated in iridescent yellow, green, and aubergine susancai enamels. 19th century. Excellent overall condition. Well modeled with fine details to the head, feathers, and webbed feet. From the Phoenix, Arizona collection of a woman in her 90s.
Large format (dai-oban) Japanese shin hanga woodblock print titled “Blue Parrot” by Ishikawa Toraji (1875-1964) from the series “Ten Types of Female Nudes” carved by Yamagishi Kazue and self-published by the artist in 1935. The black ink Ishikawa signature and red seal are at the lower right section of the print. Paper: 14 1/2 x 19 1/8" (plate: 11 3/4" x 14 7/8"). Very good overall condition with full margins and silver mica highlights evident. One closeup photo was taken with a flas...
Japanese Meiji period Genroku porcelain hibachi of cylindrical form finely decorated around the circumference in underglaze blue plovers flying over crashing foaming waves set against a white ground. The base holds the mark of “Tominaga Genroku sei” together with the Genroku Studio mark. Tominaga Genroku (1859-1920) opened the Genroku kiln in Saga Prefecture in 1888 with a goal of producing fine quality porcelain. Following his death, the kiln survived under his sons until at least 1934. ...
Japanese shin hanga woodblock print titled “Keisho” (Make-up), No 2, from a series of six self-published prints titled “Women’s Manners of Today” by Kobayakawa Kiyoshi (1899-1948). At the upper left, the print is dated 6th month of Showa 5 (1930) and signed with the artist's red bird/duck seal below. The title is in kanji in the lower margin. A seal at the lower left margin shows it is from a limited edition of 100. Naga-oban (visible size: 19 7/8" x 11 3/8"); frame: 27" x 18 1/2."...
Japanese sosaku hanga woodblock print with hand-applied color by Ono Tadashige (1909-1990) signed at the lower right "T. Ono" in white ink. Attached to a sheet of handmade Japanese washi paper inscribed in black ink in kanji verso with the artist's signature, the title "Fugu" (Pufferfish), and date of 1959. At the lower left in pencil is "No. 12" and the lower right appears to hold the original price (rubbed). The washi backing sheet measures 12 3/8" x 18" (image: 11 7/8" x 17 5/8"). Very go...
Japanese Meiji carved bamboo okimono figure of a standing Daruma (also known as Bodhidharma), the body wrapped in a draped robe covered in folds. A fly whisk emerges from the hidden folded arms and extends along the side of the head between one of the elongated earlobes with hoop earring and the furrowed brow. 8 3/4" high. Very good overall condition with typical minor wear. There are a few short cracks and one small chip at the base. From the Phoenix estate of a former Daruma collector.
Large late Qing dynasty Guangxu period lidded porcelain ginger jar decorated in underglaze blue against a faint bluish-white background with four “shuangxi” symbols (indicating double-happiness and wedded bliss) surrounded by a stylized pattern of pencil style scrolling sweet pea flowers and vines (symbolizing “many children”). A bud forms the finial. The interior and base are glazed but the foot rim and mouth are unglazed. This type of decoration with a sweet pea floral background was ...
Chinese Qing dynasty Shiwan stoneware bombe form tripod censer with two raised loop handles on the rim covered overall with an iridescent monochrome flambe brown glaze imitating bronze. The glaze drips over the rim into the unglazed interior. Custom wood stand.
Late 19th to early 20th century. 8 3/4" diameter x 5 3/4" high (to top of handle). Very good overall condition. The censer sits at a slight angle indicating the placement of one tripod leg might be slightly off. From the private col...
Chinese Qing dynasty rectangular form rosewood footstool or stand with four square legs connected by hump-back stretchers. 19th century. A nearly identical piece described as hongmu is illustrated as lot 6500 of Bonham’s 14 October 2014 auction in San Francisco. 24 3/4" long x 11 1/2" wide x 5” high; weight: 9 lb. Very good, solid overall condition. There is a small amount of shrinkage evident at one side of the top floating panel. From the collection of a former American expatriate to Ho...
Chinese Qing dynasty lacquered wood guardian figure standing on a square base with arms raised and his left black boot resting on a thin circular object embedded in the square platform. He is dressed in elaborately decorated animal head armour painted in red, blue, and black polychrome pigments with fine gilt highlights. 15 7/8" high. 19th century. Sturdy and in very good overall condition. There is some peeling and wear to the surface of the base and there is a loss to the celestial ribbon...
Large Japanese Meiji period rounded square form black lacquered wood deep tray decorated in gold and polychrome accents with three birds among flowers and bamboo above a stream at the bottom. The rim is gold. 14 3/4" square with a lip nearly 2 1/4" high. Late 19th to early 20th century. Very good overall condition with only a few fine scratches on the back and a few tiny dings on the top edge. From the collection of a Japanese woman in Tucson, Arizona.
Large Chinese Qing dynasty porcelain wash basin decorated in underglaze blue with leafy vines and sweet pea flowers set against a white ground with a pale blue tint. The exterior holds three flying bats. There are small amounts of kiln grit adhering to the unglazed foot rim. The base is glazed. 13 3/8” diameter x about 4 1/2” high. 19th century. Very good overall condition with typical minor production imperfections. This type of decoration with a sweet pea floral background was produc...
Large Chinese Qing dynasty cylindrical form Nonya ware tingkat food container consisting of four stacking sections in a variety of pastel polychrome enamel background hues topped with a slightly domed cover sporting a Peking glass finial from a Mandarin hat. Each tier is decorated with two opposing panels of flowers on a white ground set against a dense background of bats, flowers, and scrolling foliage. The sides have twisted metal handles held by moulded loops. Each flat-bottomed tier has a fo...
Japanese mid-century sosaku hanga woodblock print by Kiyoshi Saito (1907-1997) titled "Winter in Aizu" from a series by the same name. Signed in black ink at the lower right and with the artist's red Kiyoshi seal above. Unlimited edition dating circa 1960s. Paper size: 11 9/16" x 17 1/8" (image: about 10" x 15 1/4). Very good overall condition and color with full margins. The print is very lightly sunstruck and there is a small faint browned spot in the center bottom by the margin. There ar...
First edition Japanese shin hanga woodblock print titled “Hawk on a Snow-covered Branch” by Ohara Koson (1878-1945), also known as Shoson, published by Watanabe in 1926. The Watanabe “A” seal (used 1924-1930) is located at the lower left margin. The artist's signature and seal are at the lower right section of the image. Paper: 15 1/8" x 10 1/8" (plate: 14 1/4" x 9 7/16"). Very good overall condition. There is a small archivally repaired tear at the upper left. The upper edges of t...
Japanese pencil-signed first edition shin hanga woodblock print titled "Kagurazaka Dori" (Kagurakaza Street after a Night Rain) from the series "Twelve Scenes of Tokyo" by Hiroshi Yoshida (1876-1950) dated Showa 4 (1929). The jizure (self-printed) seal is in the upper left margin. The artist's black ink brush signature and red seal is at the lower right corner of the image. The print is titled in English and pencil-signed in the bottom margin. The left margin contains the date and title in Jap...
Japanese shin hanga woodblock print titled “Tasogare” (aka Dusk or Twilight) by Yamakawa Shuho (1898-1944) depicting a beauty in dressed summer kimono holding an uchiwa (non-folding fan) from the series “Four Images of Women” published by Bijutsusha in April 1928. This is the oban edition with gaufrage and mica highlights. The Shuho signature and red maple leaf seal are at the upper right. Plate: 14 1/4” x 9 3/8” (visible paper size: 14 5/8” x 10 1/8”); frame: 21" x 16 5/8." ...
Chinese Qing dynasty ink and color on silk painting in the imperial court style depicting two birds on branches set against flowers by Ma Jiatong (1865-1937). The inscription reads “following the spirit of the brush of Prime Minister Jiang Nansha” (referring to the early Qing painter Jiang Tingxi), by Xiangdong Jushi Jiatong.” Two seals of the artist are below. The second reads "Ma Jingfan.” 19th century, Tongzhi to Guangxu period. Painting: 62” x 15 1/4" (including silk mounting:...
Japanese dai-oban size shin hanga woodblock print titled “Mt. Rainier in Winter” by Toshi Yoshida (1911-1995) dated 1972. The print is dated and titled in English and Japanese at the lower left margin corner. The artist's black ink signature and red seal are at the lower right corner of the image. The print is pencil-signed in the lower right margin. Plate: 11 3/4" x 19 1/2" (visible paper size" 12 3/8" x 20 1/4"); frame: 19 1/2" x 27 1/2." Framed with archival materials. The print has...
Oversized abstract mixed media print on heavy embossed paper titled "Yin-Yang" by Taiwanese artist Liao Shiou-ping (born 1936) dating circa 1980. Pencil-signed, numbered 7/50, and pencil-titled in Chinese and English in the lower margin. Very good overall condition with minor soiling and paper discoloration to the front, sight creasing and toning of the edges, and toning to the back. Paper size: 29 7/8" x 22". In the 1970's, Liao was invited by the Japanese government to set up a printmaking w...
Modern limited-edition Japanese etching by Takahiko Hayashi (b. 1961) titled “The Wind Filled with Roots, Countless Small Beginnings” dated 2001. Pencil-signed, titled in kanji, and numbered 45/50 in the bottom margin. Paper: 25” x 23” (frame: 26” x 23 1/2"). Very good overall condition. Floated on an archival mat in a shadow-box frame with UV glass. The wood moulding has a coppered finish. From a Tucson, Arizona collection.
Japanese Edo period thickly potted Seto stoneware circular form dish with raised edge designed to hold lantern oil. The cream-colored crackle glaze dish is decorated in copper brown in the fukizumi (blown ink) style with a central fish laid over a jar. These dishes were fired in stacks and six spur marks are barely visible in the interior. A Japanese label remains attached to the back. Early to mid-19th century. 8 3/8” diameter x 1 1/8” high. Good overall condition with some typical small ...
Chinese ink and color on silk vertical painting attributed to Qian Weicheng (1720-1772) depicting figures in a landscape scene. At the top, a waterfall cascades from high mountains into a stream that runs past traditional buildings set among dense green trees and foliage. At the bottom, two men are seated in a pavilion and one man crosses a bridge over the stream. The painting is signed at the bottom left “respectfully painted by chen Qian Weicheng” with two red seals of the artist reading ...
Tibetan thangka densely painted in gouache on cloth with a scene featuring the seven-tiered dark blue Mahottara Heruka, the wrathful form of the Buddha and principle wrathful diety of the bardo, depicted standing on a lotus throne with multiple heads, arms, and legs and surrounded by a flaming aureole in consort with Krodheshvari shown lying on a tiger’s skin. Seven herukas, rendered over inverted triangles, and other figures surround the central image. 19th century. Canvas: 35” x 24 1/2"...