Mirror pair of Chinese Republic period porcelain fanghu form vases decorated in underglaze blue on a white ground with a continuous scene featuring three figures at the gate of a traditional building. A compound wall extends around the narrow side to end with leafy plants among rockery at the back. The edge of the gate with foliage and rockery is on the opposite narrow side. Two dragon handles are at the neck. The white glaze extends down the interior from the flat rectangular top...
Tall Chinese Qing dynasty baluster form porcelain vase covered overall with a thick red Langyao (also called sang-de-boeuf or oxblood) glaze that thins to white at the rim, drips down into the interior top of the trumpet mouth, and pools unevenly around the irregular foot rim. The base is raised upon a set-in foot. A grayish white crackled glaze base is visible in the interior and on the recessed base...
Japanese Meiji period (1868-1912) Satsuma earthenware vase finely decorated around the circumference in polychrome enamel and gilt highlights with ladies and girls of the nobility engaged in leisure activities in an outdoor garden setting. The vase is moulded with densely decorated relief petals at the top and bottom. Koyama Nanpo mark to base. 6 1/8” high. 19th century. Excellent overall condition with no chips, cracks or repairs. From an old Scottsdale, Arizona collection.
Chinese Qing dynasty export porcelain Benjarong (five color) bowl made for the Thai market densely decorated in relief polychrome enamels around the circumference with eight alternating Buddhist celestial beings. The turquoise-green interior is accented with a floral circular medallion at the base of the well and a floral band around the interior top. 19th century. 7 1/8” diameter x 3 1/2” high. Good overall condition with gilt highlights at the rim and foot...
Japanese antique black formal winter silk kimono hand dyed and finely painted along the bottom with a powerful predator hawk or falcon on rockery preparing to attack a much smaller chidori (plover) flying above churning water. The scene is set against a landscape of pine branches on a pale celadon background. Symbols of military strength, Japanese artists historically painted raptors for the wealthy nobility and samurai warriors who ruled Japan...
Japanese vintage Taisho to Showa period black formal silk child's kimono hand dyed and painted with a horizontal scene illustrating the story of the children’s folk hero Kintoki (also known as Kintaro, or the “Golden Boy”) refereeing a sumo wrestling match between a rabbit and a monkey all set against a celadon background permeated with auspicious symbols...
Pair of fascinating and well modeled Chinese Qing dynasty Qianlong period soft-paste creamy white crackle glazed porcelain zodiac figures depicting a monkey and dog, both dressed in clothing and wearing boots, seated on high backed armchairs. The monkey holds a peach in one hand. Custom wood stands. 18th century. Each measures about 7” high (excluding stands). The figures have old repairs and recent fine quality restorations and are very stable...
Chinese late Qing dynasty to early Republic period Album of Beijing Customs from the Zhou Peichun Studios (also referred to as Chou Pai Chuen and Chou P’ei-ch’un) consisting of seventeen leaves of ink and gouache color on pith paper export paintings. Each painting illustrates five to seven Beijing shop signs, each with an accompanying Chinese description. Each leaf holds a red Zhou Peichun seal. The individual paintings are thread bound on the right side...
Chinese Qing dynasty Tongzhi mark and period 5-petalled foliate form porcelain footed bowl decorated on the exterior with alternating black and red calligraphic inscriptions set against a white porcelain ground. The bowl has a turquoise interior and gilt at the rim. A short foliate form base is decorated with a band of red scrolls. The turquoise glazed deep recessed base holds an iron-red zhuanshu 6-character Tongzhi mark on a square white ground. The foot is unglazed...
Chinese late Qing dynasty Guangxu period to early Republic period monochrome porcelain baluster form vase with wide mouth covered overall in a transparent iridescent apple green glaze applied over a geyao style densely crackled base. A dense geyao style glaze set against an oatmeal ground lines the mouth, interior, and base. This type of ware is typically referred to as “green geyao.” A light brown dressing is visible on the mouth rim. The foot rim is unglazed...
Chinese late Qing dynasty bombe form porcelain censer with two lion dog mask handles at the sides. The censer is covered on the exterior in an oxblood flambé (sang-de-boeuf) glaze applied over a cream colored glaze which is visible where the glaze thins. The oxblood glaze flows over the interior edge onto a crackled gray interior glaze. The base is unglazed and burnt orange...
Japanese Meiji period bronze model of a striped tiger standing on rockery preparing to attack a coiled striking snake. Square form Genryusai Seiya mark to base. Custom lacquered wood stand included. Circa 1890. Measures about 15”H x 16”L x 9 ½”D (excluding wood stand). Very good overall condition with excellent naturalistic detail and a nice dark brown patina. This bronze sculpture is from an old Scottsdale, Arizona collection.
Chinese Qing dynasty Qianlong period bottle vase (tianqiuping) with globular body and tall cylindrical neck covered in a rich translucent sang-de-boeuf (oxblood) glaze with a faint orange peel texture. The glaze is thinner at the neck, revealing white at the mouth rim and a crackled underglaze. Characteristic of 18th century pieces, the glaze thickens at the bulbous body to stop in a carefully controlled manner, leaving a thin white line and an orange line at the unglazed foot (see close up ima...
Chinese Ming dynasty (1368-1644) ritual dragon bell covered overall with a fine celadon glaze that extends down and stops neatly at the unglazed scalloped edge. The unglazed tips are burnt orange-brown from firing. Fine incised details are visible in the body behind the glaze. A double-dragon handle is at the top. The interior is fully glazed. There are no crackles evident in the glaze. Circa 14th/15th century. 4 1/8” high x 3 ¼” diameter at the base. Very good overall condition wit...
The second of two Chinese Qing scrolled paintings on silk after Ding Yunpeng (active 1584-1638). 19th century or earlier. The size, including mounting, is 91”V x 23 1/4”H (painting: 86”V x 21 1/8”H). Good overall condition. The top wood bar is missing and a section of the top silk mounting is tattered. The painting has some typical buckling, creasing, soiling, and wear. Sold together with item #1331943. From an old Tucson, Arizona collection. Purchased in New York in the mid-20th...
Two panels from a multipart Chinese ink and color on silk painting after Ding Yunpeng (active 1584-1638). The first Signed “Nanyu Ding Yunpeng” and with two red seals. Measures 94.5”V (85.5”V excluding mounting) x just under 23”H. 19th century or earlier. Very good overall condition. There is some soiling to the mount and the painting has some typical buckling, soiling, and wear. See item #1331946 for a description and images of the second panel. These two paintings are from an o...
Chinese late Ming dynasty Dehua (blanc de chine) porcelain bombe form censer with flaring rim covered overall with a white glaze of warm pinkish tone with areas of darker pink pooling. The base and bottom of the flat foot are both unglazed. 5 5/8” diameter x 3 7/8” high. 17th century. From a Scottsdale, Arizona collection. The current owners purchased the censer in Oregon in 1978 from the collection of an American missionary to China prior to the Japanese occupation. The purchase price...
Japanese Meiji period (1868-1912) Satsuma earthenware compressed bombe form tripod koro (incense burner) or vessel with wide, inward curling cobalt mouth, decorated with two opposing figural panels, one featuring samurai and the second with women and children of the nobility engaged in leisure activities. The panels are set against a cobalt blue background with dense gilt geometric and floral motifs. 6 1/2” diameter, 4 1/4” high. Late 19th to early 20th century. Very good overall conditi...