Japanese limited-edition copperplate etching and aquatint by Tanaka Ryohei (b. 1933) titled “Tree of Mandarin” dated ‘08. Pencil-signed, dated ’08, and numbered 20/100 in the lower margin. Paper size: 10 1/2” x 11 3/4” (image: 6 1/2” x 8”). Never framed. Excellent original condition.
Japanese limited-edition mezzotint depicting a traditional village in snow by Koichi Sakamoto (b. 1932) titled “Enduring Village No. 1.” The print is pencil-signed, titled in English and kanji, and numbered 68/100 in the lower margin. Dates circa 1982. The artist’s watermark is in the lower right margin. Paper size: 9” x 11” (plate about 5 1/2” x 6 1/2”). The white archival mat folder measures about 12 1/2” x 13 1/2.” Excellent overall condition...
Chinese glove puppet depicting a man with bright opera face paint and long beard that appears to be horse hair dressed in a heavily sequined pale yellow robe with red fur accents. The legs are covered in red and white checkered trousers. Painted wood face, shoes, and hands. Measures about 18" long. Possibly dates from the early 20th century. Very good overall condition with minor wear and soiling from use...
Pair of Chinese early Republic period baluster form porcelain vases covered overall in a flambé transmutation style glaze (referred to as "san yang kai tai") of oxblood red and green that darkens to nearly black. The glaze drips down into the flared mouth and stops short of the unglazed base. 8 3/4" to just under 9” high each. Early 20th century. Very good overall condition...
Chinese Qing dynasty natural root form scholar’s bitong, or brushpot. 7 1/2” high. The base measures about 6” diameter at the longest part. The rim is about 4 5/8” across at the widest part. Late 19th to early 20th century. Very good overall condition. There is a short crack at the inner rim that extends to the interior of one thin concave area on the exterior. This piece is from the private collection of former American expatriates to Hong Kong in the 1970s and 1980s.
Sizable Japanese Edo period Buddhist traveling shrine (zushi) with black lacquered wood case and copper metalwork. Two hinged doors open to reveal a central standing carved wood Kannon figure on a pedestal base set against a gilt ground. A round metal halo is behind his head and he wears a metal crown and neck ornament. The interior doors are painted in polychrome with Bodhisattva figures. The case measures 12” high. 19th century. The zushi is remarkably intact and stable for its age...
Chinese late Qing dynasty (19th century) front-opening Han style lady's jacket embroidered on the front and back in silk polychrome thread with clusters of flowering plants and butterflies on a dark cobalt blue silk satin ground. Much of the embroidery is executed with the “forbidden stitch.” The sleeve bands are similarly embroidered with flowers and Buddhist swastikas on a white silk ground. Three round floral metal buttons secure the front opening and silk closures secure the neck...
Chinese Republic period white molded biscuit porcelain seven-piece scholar's desk set decorated in relief with bird and flower motifs...
Japanese ukiyo-e style ink and color on silk scrolled painting of a standing bijin (beauty) by Ohara Donshu (1792-1857), aka Ohara Tonshu and Ohara Kon. Signed in black ink “Donshu” and with two red artist’s seals “Donshu” and “Hara kon no in.” Ohara Donshu was a follower of Shijo-style painter Shibata Gito, who was in turn a follower of Matsumura Goshun. Although best known for his Maruyama-Shijo style landscape paintings, Donshu also produced fine figure paintings...
Large Chinese ink and acrylic on crumpled paper painting of a mountainous landscape scene with trees in the foreground by Zhu Yixiong (Ju I-Hsiung). Titled, dated 1978 in cycle years, and signed in black ink with two red artist seals below the signature. Mounted on a wood backing and framed in a nice quality wood moulding with no glass. Framed size: 25 1/2” x 47 1/2." Very good overall condition...
Chinese ink on paper painting of fish and shrimp by Qi Liangmo (b. 1938). Titled and signed at the upper left Qi Liangmo, the 7th son of Qi Baishi, in black ink and with two red seals reading “Qi Liangmo” and “Baishi’s 7th son.” 20th century. 27” x 13 1/2.” Unframed. Very good, clean condition with some minor discoloration of the background evident...
Chinese ink and color on paper painting of a tiger on the prowl set against rockery and bamboo by Weng Wenguang (Ong Boon Kong). Signed in black ink and with two red artist seals below the signature reading "Weng Wenguang" and "Shi Zhaohua." 20th century. Painting: 53” x 29 1/4” (with silk border: 58” x 34 1/2"). The painting is silk bordered for framing and can be rolled for shipping. Very good, clean condition with only minor soiling evident.
Weng Wenguang was born in Fujian Provinc...
Chinese Qing dynasty rectangular jade openwork plaque, carved with a design of a deer under a pine tree, mounted into the lid of an early 20th century rectangular silver box raised on four feet. Two-character “chun yin” (pure silver) mark to the bottom of the box. The jade has a pale celadon-gray hue. The box measures 3 1/2" long x 3” wide x 1 5/8” high. The jade plaque is 2 7/8” x 2 1/4." The total weight: 8.645 oz. Very good overall condition. There are a few scratches to one ed...
Chinese Ming dynasty bronze standing acolyte on wood stand naturalistically pierced and carved to resemble a rocky outcropping. The left hand holds an object and the right hand gestures with two fingers pointing to the ground. The figure wears a gown and a headdress with long billowing ribbon scarves. Metal prongs secure the figure into the stand which appears to be original. 6 5/8" high on the stand. Excluding the metal prongs, the figure is slightly over 5" high. Circa 16th century. Ver...
Vintage Japanese watercolor painting by Fukutaro Terauchi (1891-?) depicting a village scene with figures walking under parasols in the snow. Signed at the lower right. Likely dates from the 1950s. Executed on slightly textured watercolor paper measuring about 11 3/4" x 8 1/8." Very good overall condition. There is a narrow strip of old tape residue at the top back and there are a few pencil notations on the back.
Japanese Meiji period three-case boxwood inro carved on the front with two oni or animal creatures peering out from the trunk of a tree. The back holds a bearded man holding a sword or knife. All three have inlaid eyes. A wood ojime bead and a netsuke in the form of a smiling tiger is attached to the string. A two-character “Nissho” signature within a circular cartouche is embedded on the bottom. 19th century. 3 1/8” x 2 1/4" x 1 1/4." Very good overall condition with only minor imp...
Japanese pencil-signed limited edition sosaku hanga woodblock print known by the title "Cat and Green Leaf" featuring a seated black cat set against a wood grain patterned background with several prominent green leaves by Kiyoshi Saito (1907-1997). The artist's red seal is at the lower left portion of the image. Circa 1950s. Pencil-signed and numbered 29/300 in the bottom margin. Paper size: 16 1/2" x 11 3/8” (image size: 15 5/8" x 9 3/8”). Very good overall condition with no tape or tape ...
Massive scrolled late Qing dynasty Chinese ancestor portrait executed in ink and color on paper depicting a civil official and his two wives. The official is dressed in formal attire and is seated on an armchair draped with a tiger skin. A Mandarin rank badge showing the official’s rank in the civil bureaucracy is on the center front of his cobalt-blue surcoat. The long tail appears to designate the bird as a paradise flycatcher, indicating an official of the 9th rank. He wears a hat with ...