This is Dochu-Haori which a rich merchant of Edo(1800-1867) used. A face is cotton and, as for this, Katazome hemp is used an inside part. Hemp spun by hand is very beautiful, and this is dyed in natural indigo plant and Katazome. Linen Katazome is a pattern of cherry blossoms. As for this, cotton spun by hand is dyed with a natural indigo plant. And beauty is impressive. There are three places of small holes in the cotton of the face, but does not stand out...
This is Noshime used in a district for the Meiji period. This is woven with silk and cotton. The line of the part of the waist is drawn on this freely by hand. This has several places of changes of color of the aging, but does not stand out. This does not have damage. This is Kyougen clothes used in a local side. In the present age, this is not seen very much. Size 130cm x 131cm (51.1 "x 51.5")
This is a very excellent long-sleeved kimono of the Taisho era. This is dyed by Yuzen dyeing. It is very luxurious, and this is beautiful. This has one place of small stain, but does not stand out. This does not have damage. The state is complete. Size 161cm x 128cm (63.3 "x 50.3")
This is cotton Haori used in Kyoto for Edo period. As for this, the surface side is a stripe pattern, and the inside is Katazome- dyeing. The inside Katazome dyeing is a design of the grain of wood. As for this, cotton is spun by hand and is thick. In the upper part of the sleeve right as for this 4cm (there is a tear of 1.5 “).) And there is a tear of 10cm (3.9 ") in the upper part of the left sleeve. There is not the stain damage elsewhere...
This is costume of Kabukino of the Taisho era. Sasani-tuyu of the pattern is bamboo grass and the dew. There are some a few stains of the aging, but does not stand out. There is not the damage, and the state is complete. Size 127cm x 119cm (50 "x 46, 8")
This is a natural indigo dyeing cotton furoshiki of Edo period. This crest is rare. It is thick, and this cotton is spun by hand. This has some stains on a white part. This has the change of a slight color of the aging. This has a small hole, but there is not the heavy damage. Size 140cm x 128cm (55.1 "x 50.3")
This is a child kimono of the Meiji period. This is Shirakage-shibori dyed with an indigo plant. This has several places of stains of the aging. This has one place of small hole, but there is not the heavy damage. Size 74cm x 70cm (29.1 "x 27.5")
This is a child kimono made for Edo period. As for this, silk of Edo period remains an original sewing all silk Tsugihagi —ô. As for this, Chirimen,Kaiki,Tsumugi, silk of Edo is used. This has some stains and there is some damage in two places.There is an image of the damage to the right image。As for this, some good silk fabrics are used. Size 87cm x 83cm (34.2 "x 32.6")
This is Rikushaku-kanban where cotton cloth spun by hand for Edo period was used for. This cotton has the good feel. As for this, a crest is a letter of Kotobuki. The letter of Kotobuki expresses words and a ceremony of the celebration. A letter and the pattern of the cross filler are dyed in Tsutsugaki. This has a stain in several places. Size 150cm x 129cm (59 "x 50.7")
This is Zansi Futon-cover used for the Meiji period. This was dyed with a natural indigo plant. This was expressed by a left cotton thread. This has few stains, but does not stand out. Size 160cm x 100cm (62.9 "x 39.3")
This is the kimono which a child wore for Edo period. This is the kimono which a child wore in a ceremony. A crane is bold, and this is impressive. The picture of the crane is drawn by hand. This has a few stains on the part of the crane. This has a slight damage to a shoulder and a collar, but does not stand out. Size 91cm x 81cm (35.8 "x 31.8")
This is Kesa which a Buddhist used for Edo period. This is silk. As for this, basics are dyed in Benibana. As for this, a dragon and a cloud are expressed by embroidery. This has several places of stains and tears. The basics that this was dyed in Benibana are very impressive. Size 132cmx 222cm (51.9 "x 87.4")
This is Noragi used in the Tohoku district for the Meiji period. This is woven in cotton and Koyori-paoer. This item was soaked into a good natural indigo plant. It made Noragi strong to be soaked in a natural indigo plant and protected the body of the person from a poisonous insect. As for this, the warp is cotton, and a weft is Koyori-paoer. This has two or three places of damage. The others are complete. I opened Koyori-paper thread. As for The right image shows it...
This is a child kimono worn for the Taisho era period. This is constructed in Yuzen- dyeing and Free drawing. As for this, a pattern is a toy. This has one place of thin stain in the rear, but does not stand out. This does not have damage. Size 104cm x 86cm (40.9 "x 33.8")
This is Etigo–jyofu child kimono of Edo period. The pattern is a geometry pattern. This can watch a brown thread considered that it was dyed in persimmon juice. It is rare to use a brown thread for Etigo-jyofu. There are two places of stains, but does not stand out. This does not have damage, and the state is complete. Size 69cm x 84cm (27.1 "x 33")
This is cotton child Kasuri kimono of Edo period. As for this, a pattern is Hagoita, Hane and Hami of the harness. Hagoita play is play of New Year holidays. As for this, Yokote Kasuriga is used for Edo period of Akita. This has two or three places of stains, but does not stand out. This does not have damage. The state is complete. Size 90cmx 91cm (35.4 "x 35.8")
This is personal ornaments of a horse used in the Tohoku district for Edo period. The item giving glory to a horse is called Umakake. This is dyed with a natural indigo plant and other dye. As for this, a thread spun by hand by cotton cloth is used. The influential person of the village had this type of item. In this district, the upper Tsutsugaki technology was used for the personal ornaments of the horse...
Japanese Antique & Textile saiyuu2
This is the kimono which the child of a rich merchant's family wore for Edo period. This is dyed in local Yuzen dyer. Basics are dyed by 80% in Tsutsugaki, and be colored in a freehand drawing successively, and this is added. The Yuzen dyeing is very rare with the kimono for children. As for this, hemp yarn spun by hand is used. As for this, the part on both sleeves is sewed. It is because the balance of the pictorial representation of this child kimono was thought about...