Catalog: Antiques: Regional Art: Asian (121)

A massive imari vase with decoration of the Genroku era of bijin (a beauty) and hana (flowers) on two opposing panels alternating with two more opposing panels of a structure (tea house?) in garden landscape - all in red, gold and black enamels with blue underglaze. Similar landscape decorated panels appear on the shoulder over a ground of hanabishi (flowery diamond) in repeating diamond bordered pattern. The hanabishi (sometimes also referred to as karabana, or 'Chinese flower') could be representative of a ka-mon (family crest). The prominent Takeda family and its branches used the hanabishi ka-mon onward after the Heian period. The Genroku era spanned from 1688 to 1704. The arts and luxuries reached their apex during this era of the Edo period - contributing to large, opulent expressions such as the present vase. Genroku style and influence continued for a short time after (as could this vase) while the Tokugawa Shogunate struggled with inflation after devaluing coin quality in an attempt to sustain the appearance of prosperity (sound familiar?) So in some ways the Tokugawa followed in the footsteps of the decadent Ashikaga. Good, stable condition save an old crack through the foot rim which might originate with the firing as a crazing pattern conforms along and around the crack as if from excessive heat (limited to inside the foot and the lower portion of one bijin panel.) Vase height (not including cover) is 15 7/8 inches (40.32 cm)

This vase is accompanied by a Chinese, late Qing dynasty, exquisitely carved hardwood cover. The fit is loose and the cover a bit small proportionately. As they did not start life together, we are amenable to selling the cover separately should someone have a need. The cover would best fit a large vase with interior rim diameter of no smaller than 4 9/16" (11.58 cm). The cover is 7 5/16" (18.57 cm) with the wood grain (there is substantial shrinkage of the wood against the grain with age.) The cover is in presentable condition with some glue evidence on the interior - probably from refitting after shrinkage.

This is one of the more intriguing lacquer objects we have owned. Adorned with maki-e Aoe (hollyhock) Ka-mon on nashiji ground (also known as the Kamo Aoi as it was sacred to the Kamo shrine), family crest for prominent daimyo families including the Tokugawa and the Matsudaira during the Momoyama and Edo periods. Even the drawer pull is fashioned as an open worked shibuichi Aoe Ka-mon with the surprise of a textured, kinko (soft metal) raised backing only if you look for it. More interesting yet is the unusual form of this object - perhaps an only opportunity to acquire an example. Resembling a food tray on stand, it nonetheless has a drawer (not common to the form.) And a tall cover comes with a screen (silk?) as if to permit viewing whilst keeping something either in or out. We have not found another example of the form and so are not certain if it might be a covered dining tray (though the drawer) if intended to keep bugs out. Or perhaps it is in fact an insect terrarium (someone suggested it might be a large "cricket cage" or for praying mantis - maybe even to observe mantis combat) keeping the bugs in as it were. We can only speculate at the moment and heartily welcome suggestions or insight - maybe something not yet considered. The covered stand is in rather good condition for a mid Edo lacquer object. Good condition with expected testimony of age and use. There are the usual small lacquer losses mostly to edging (not at all detracting.) There is some fading - varying to the extent exposed to light (see our enlargement comparing surfaces of exterior, screened interior, drawer interior.) There is one minutely small handle stop stud missing from the screened cover. 18th to early 19th century. 13 inches (33.02 cm) high, 9 5/8 (24.45 cm) inches wide, 12 inches (30.48 cm) long.

Since listing this item, someone has suggested its holding fireflies (hotaru) as a possible use.

A finely carved Suzhou school agate snuff bottle. Decoration of figures, picked out from natural colors of the stone, in landscape of hilly bluffs with overhanging pine and whispy cloud. Based on the gourd in the sash of the larger figure - possibly depicting the immortal, Le Tieguai. Nicely defined foot rim. The top rim with broad, just slightly concave surface. Very well hollowed. Height of bottle without cap, 2 5/8 inches. Height with cap, 3 1/8 inches. Excellent condition of the bottle.

The top is also in good condition but the bone spoon is a bit short and wrapped tape keeps a snug fit to the bottle. The top may be a replacement.

A fine and early museum quality complete set of five Ko-Imari, Kakiemon style cups or choko. Blue underglaze and green, red, aubergine, yellow and black overglaze enamel decoration of peonies and prunus blossoms in garden landscape with rockery and fence. Traces of rubbed gilt enameled highlights. The choko form saw many uses such as teabowls (also seen in early European ceramics after Japanese examples of the period), large sake cups, and mukozuke. We estimate from the delicate but sure potting, the free hand but care of painted decoration, and color of enamels that these cups are Genroku era - late 17th to early 18th century. Each with blue underglaze spurious six character Chenghua mark in single blue circle inside a narrow ring foot. Very good condition considering age and use with expected light scratching to surfaces from use over the centuries and minor imperfections as would be expected from the period. One with an attractive, old gold lacquer filled stable line from the rim - that bowl also rendering a pleasant resonance when lightly tapped. Diameters are not perfect circles but longest length of each is nearly 4 inches diameter (about 10.15 cm). Height (and foot diameters) similarly varies near 2 1/2 inches (6.35 cm). We acquired this set with an old, labeled tomobako in which we continue to store the cups. The label reads "Ko-Imari choko go kyaku, inokuchi" (the last term, inokuchi, referring to the possible use of this five piece set as sake choko.) The box (missing its top) apparently having started its life with the cups, it is understood that the cups are earlier.

A pair of boldly carved pale blue peking glass vases. Birds in flowering branches. Good condition. Height, eight inches. Early 20th century, Republican era.

A large Korean black lacquered wood box with mother of pearl inlay. The depiction of pairs of cranes and songbirds within the decorative panels likely relevant to a wedding gift.. Joseon dynasty, 19th century. Condition is fair to good, with some some light loss to inlays and minor distress from age and use. From the hardware, 19 1/4 inches wide, 10 1/8 inches deep, 10 3/4 inches high.

A fine Japanese blue and white porcelain dish. The foliate rim with chocolate brown glaze, the white porcelain body and glaze, and the fine attention to detail all suggest Kakiemon type. The cavetto with decoration of flowering plants including peonies, prunus and others. The center decorated with a bird (perhaps a flycatcher) in fruited branches, rockery and bamboo leaves below. Both the cavetto and center with reverse technique where the underglaze cobalt blue forms the background of the decoration. Finely defined chatter marks inside the footrim centering five spur marks. Remnants of an old label adhere to the back. The decoration has the feel of Chinese inspiration. Emulation of traditional Chinese porcelain decoration, and certainly Chinese porcelain marks, is not without basis. I have not come upon quite this decoration before and would consider it, along with the quality of this work, to be rare and early - probably Genroku era. One hairline issues from the rim where a flake on the front has an old repair, otherwise good condition. This dish would be an excellent candidate for a proper kintsugi (gold lacquer) repair. Diameter 8 7/8 inches (22.5 cm), Height 1 1/16 inch (2.7 cm).

A well made 19th century Japanese porcelain haisen (sake up rinser on stem foot). Rare Shunga decoration depicting a bondage scene within the bowl. The manner of the painted decoration in comic fashion similar to that found on some shunga makimono. Shunga paintings and prints are rare enough but encountered. Edo period porcelains with shunga decoration are exceedingly rare. Good condition. Height, 4 1/2 inches. Diameter, 6 3/4 inches.

A fine little octagonal blue and white porcelain kakiemon style deep dish. Chocolate brown glazed rim, white body and clear glaze over cobalt blue decoration of a primitive, raised teahouse with loose thatch roof and slung entrance screen all under a large willow tree and, conspicuously, a spiderweb (perhaps to emphasize closeness to nature) in the foreground. The interior wall and rim decorated with repeating pattern and karakusa (scrolling vine and leaf). Karakusa also appearing on the exterior wall. Blue rings around the foot, a blue ring inside the foot centering a mark - appears to read Yoshi and Ga (Ka) and possibly another stylized character from the center line. One might call it a variant on the Fuku mark in this context but it looks rather like an artist and possibly a place reference for a private kiln (which would have been Daimyo sponsored in the period). The mark on the verso is aligned with the decoration on the front - an indication of attention to detail expected also of authentic fine Chinese ceramics. An extraordinary work, finely potted and deftly painted. Very good condition with light rubbing on the interior from wear and a small kiln fault there where the glaze crawled a little. Certainly early 18th century and not implausibly reaching to the end of the Genroku era (1704). About 5 1/4 inches (13.34 cm) diamater at the sides, 5 5/8 inches (14.3 cm) diameter at the corners, about 1 5/16 inch (3.33 cm) high.

A rare late Koryo dynasty Punch’ong bottle vase. Olive toned green ware glaze simply but finely decorated with off-white skip within carved pattern. Height, about 3 5/8 inches. Excellent condition and conveying with Japanese collector’s box. 14th century

A fine little Hirado figural group depicting two karako playing with a Shishi-mai (lion dance) mask. Sharply modeled with incised details and sparse blue, aubergine and black underglaze decoration. The karako's eyes, the lion mask and the underside unglazed. The biscuit surface of the lion mask intentionally oxidized to an even, light buff tone. Good condition with only a few tiny "flea bite" surface flakes one must look closely for and not detracting (our close images depict them larger than life with commentary in the captions.) Length, 3 1/8 inches (7.94 cm). Height, 2 1/2 inches (6.35 cm)

A Japanese lacquer bowed top box with portrait of a Kabuki actor - presumably named in gold lacquer and the role of Daihachi named in a lustrous iron color. All slightly raised work, the portrait is in gray, black, red, flesh tone, browns and gold. Lines including pattern and folds in the figure's attire and hair in his coiffure and sideburns cleanly defined with raised work. Metal along the facing edges of the top and bottom have no doubt contributed nicely to the preservation of the box. Actor portraits being not uncommon in woodblock prints, we have only found one example in lacquer - an important inro sold by Bonhams in May 2011. The present box is not signed and does not enjoy the colorful provenance of the Bonhams' inro. The condition of this box is fair with small losses on corners and edges (see our illustrations), light surface wear and need of a cleaning. The top has a very slight warp mostly along the length so that the facing metal edges do not rest entirely flush on one side (otherwise would not be noticed and probably not surprising with a little shrinkage over time.) There is no wrinkling, no blisters, no peeling at all to the lacquer (solid work.) This should touch up and clean up nicely in the hands of a qualified lacquer conservationist. It was difficult to capture the raised work in our photographs. Our last enlargements are taken close and under direct halogen light at angles that distort the composition and exaggerate wear but which highlight the raised work. Length, 6 inches (15.24 cm), Width 3 3/8 inches (8.57 cm), Height 1 1/2 inches (3.81 cm). Late Meiji, possibly early Taisho.

An iron, Ko-Tosho (early sword smith's) tsuba. The slightest taper from seppa dai towards rim. Pierced decoration. Purchased from Andy Quirt (ex Skip Holbrook collection) at the February 2016 Tampa show, he thought it depicted gourds. I guess the beholder might see different things. I see Japanese eggplants on leafy vine (two fruit and two leaves) supported by a bamboo trellis. An uncommon and well executed, balanced decoration. The hitsu-ana appears to be original to the tsuba. Late Muromachi. Good condition - has seen some pitting in the past but now stable (chalk it up to tekkotsu, history and character - tekkotsu attractively conspicuous on the rim), well worn to the touch, and with a good, dark patina. 2 7/8" (7.3 cm) marugata. 1/8" (3.17 mm) thick at the mimi. 3/16" (4.47 mm) thick at the seppa-dai.

A good Chinese boxwood carving of Budai. Three children clamor over him. A bat appears on his right hand. Bone and horn inlays detail his eyes and teeth. Rich, mellow old patina. Nice grain figure in places. Late Qing to early Republic. Ca 1900. Very good condition with typical minor distress checks in the old hardwood surface. Remnants of old label. Height, about 4 5/8 inches high.

The large vase with silver wire cloisonne on ceramic with "tree bark" textured surface. Decoration of butterflies and peonies, with the blooms depicted in enamel tones of sienna, umber and dark mica, and the stems and leaves in dark green - almost black. The body of the vase covered with a dark, warm brown lacquer on intentionally course texture like tree bark - which it emulates. The Kyoto, crackle glazed greyish porcelain body visible from the foot. Taisho era (1912 - 1926). Good condition. Height: 12 1/2 inches (31.75 cm)

A fine pair of Hizen-yaki, Arita kilns blue and white porcelain dishes in the Kakiemon style. The molded, spiral foliate cavettos sporting similarly shaped undulating shonsui panels with ‘three friends of winter’ decoration and other, typically shonsui shape patterns. The Peony motif centers surrounded by a band of auspicious symbols in shironuki. Chocolate colored, iron-oxidized rims. The unglazed foot rims encircle glazed bottoms with chatter marks nearly reaching the blue underglaze Fuku marks. Four kiln spurs on the bottom of one dish, five kiln spurs on the other dish. Edo period and probably Ca 1800. Both in good condition. Diameters about 8 1/8 inches and 8 1/4 inches.

A large Fukagawa porcelain 9 1/2 inch diameter centerpiece serving bowl. Iris decoration from Chuji Fukagawa's own 19th century design book. Blue underglaze and red, yellow and gold overglaze enamel decoration. Mt. Fuji mark inside the foot ring. This bowl, together with two other sizes of bowls we are offering separately in the same pattern, formed the traditional Japanese graduated bowl set. Late Meiji or early Taisho. Good condition. We are happy to quote a group price or entertain an offer for all available pieces we have in this pattern.

An attractive, light turquoise glazed porcelain jar. Anhua (‘hidden’ or ‘secret’) decoration of peonies and vine incised into the porcelain and discernable through the glaze. A six character Kangxi mark, also Anhua (incised into the porcelain), visible through the glaze centered inside the foot rim. The mark is probably apocryphal as we believe the jar is not earlier than 19th century.