While her little body was machine stitched together, the remainder of Mammy is all hand-completed! She has a sweet, cheerful, hand-embroidered face that is framed by a tall red, white and blue bonnet! She continues her patriotic look with a red and white checkered top and blue and white flowered pants---how racy---pants instead of a skirt!!!
Mammy clutches a gold colored tomato which, of course, is designed to keep the sewing pins!
In wonderful condition!! Just waiting to be displayed with other sewing or black American collectibles!
The trademark for Sharpoint is a cleverly-designed, eye-catching, broadly smiling image of an African American gent. If one looks closely, one can clearly see the words "Sharpoint Cobblers Nails" printed within the black space of the gent's mouth! A very "sharp" advertising strategy!
Sharpoint Wire Cobbler's Nails were manufactured by the Charles F. Baker Co, Boston, Massachusetts. The smaller box retains its end flap which features both the manufacturing and patent information, with the patent number corresponding to a 1933 USA Patent date. Each box amazingly still retains the original cobbler's nails!
The boxes are in very good condition considering their age and the fact that they held tiny, sharp nails for over 80 years! As stated earlier, the smaller box does retain the end flap which features manufacturing info. The larger box is missing this flap. The cover litho on each box remains very crisp and clear. Typical, age-related edge wear is noted. Please peruse all photos for condition details. The boxes have been shrink-wrapped to protect the integrity of the cardboard, and they do contain the nails.
These VERY, VERY RARELY FOUND SALESMAN SAMPLE size boxes WITH ORIGINAL NAILS are offered at $125 each, or the two boxes can be purchased as a pair for $198.00 firm.
Given away by the Merrick Thread Company as a free advertising premium to encourage the purchase of its product, this mirror depicts a rather confident black boy hanging from a single strand of Merrick thread while dangling above the open jaws of a hungry alligator! At the base of the mirror the caption reads, "Fooled Dis Time Cully Dis Cotton Aint Gwine To Break".
A delightful Black Americana Advertising piece!
Completed in silk thread on early, thick, pressed paper canvas, the diminutive, 1 5/8 x 2 3/4 inch piece of needlework remains stitched onto the original, 1 ¾ x 8 inch long, deep red satin banding. Standing on deep red ground, the black boy wears pale green and black striped clothing.
This wonderful, early piece of Black Americana needlework remains in excellent, original condition. At some point in time, a previous owner matted and framed the piece to allow for both ease of display and protection; however, to meet archival requirements, the piece requires a replacement of its current cardboard backing, and spacer bars separating the needlework from the glass should be added. Framed measurements are 4.5 inches wide x 11 inches long.
A phenomenally rare piece for the advanced Black Memorabilia collector!
It is difficult to photograph glass without reflection- please note that any aberrations are reflections only.
This darling, all-glass piece remains in superb condition-no damage of any kind! It retains its wonderful, original satin string around the neck as well as the paper label that reads, “ Le Golliwogg, Vigny, Paris France” and features a lithograph of the Golli’s 2 black hands, positioned in such a way as to suggest that he his holding onto his big round belly!
The Golliwogg’s head is the perfume stopper (which lifts easily out of the bottle), and the facial painting/enameling remains as clear and crisp as the day it was applied! His black furry hair retains most of its original dark tones infused with shades of dark gray! The Golly’s glass collar is painted/enameled white with black lollipops and his feet are accented in black. The original paper label is completely intact.
The base of the clear glass bottle is etched but a challenge to read except under magnification or if the bottle is held up to a light bulb at a given angle. The etching reads, “FRANCE”. This bottle no longer contains perfume.
Along with photos of the Golliwog perfume is also a photo of an original 1920’s magazine advertisement for Vigny Perfumes including “Le Golliwogg”. The magazine advertisement is not available for sale and is only presented to serve as an historical reference.
A very, very special piece of Black Memorabilia that has appeal to Black Americana, perfume bottle, and Golliwog collectors alike!
Also pictured here and available for sale separately--- coming from the same estate--- is a 2.25 inch, Vigny, France, Golliwogg Perfume in Clear Glass dating post-WWI and priced at $375.00, as well as a second, 2.25 inch clear glass, 1920's, Golliwogg Perfume bottle complete with paper base label as well as a partial, original box and priced at $425.00. The clear glass perfume was the second version of the Vigny “Le Golliwogg” perfume produced from the 1920’s into the 1930’s. Type "Vigny" in the SEARCH box on our homepage to see all French Golliwogg Perfume bottles!
All cloth and done in a great, red paisley fabric, this darling Black Mammy bag features an interesting, smiling face! Due to its small size, this bag would have held undies or stockings or also may have been placed on one's bed and used to hold one's nightie during the day!
Very sweet and displays nicely!
Mammy's wonderful, smiling face is hand-stitched and her clothes are machine sewn. Her blouse is seersucker, and her head, arms, skirt, apron, and cap are cotton. Her head, arms, and upper torso are stuffed with cotton batting. The natural bristle broom fills out both Mammy's torso and skirt & the wooden broom handle extends upward through her neck and head.
Mammy is in all original condition with no mends or repairs. The structural integrity of the broom remains quite sound, and Mammy, herself, is free of holes and tears. Her once-red skirt has now faded to pink. Her white cotton apron and cap have been cleaned removing nearly all traces of old stains, dirt, and dust. Photo number 2 shows her outfit BEFORE cleaning; all other photos reflect her appearance after cleaning.
A fabulous piece of vintage Black Americana, and a seldom seen form of the Black Mammy Doll!
This vintage piece of Black Americana is in wonderful condition absent a very tiny break at the tip of the base (see photo); it is not easily evident that the very extreme edge of the right base is missing a tiny piece.
The frame easily dissassembles into 3 parts for safe shipping and/or storage (see photo).
The female doll depicts a black mammy out for a stroll with black umbrella in hand. This gentlewoman wears a red and white polka dot kerchief on her head covering most of her gray hair and has embroidered facial features – characteristic of these dolls. Also characteristic of this type of doll is a small square of asphalt shingle glued to the feet to serve as a stand. This doll has (not uncommonly) lost hers long ago, but a bit of the original shingle is still attached to the soles of both shoes. Clothing, with the exception of her neutral-striped knit-fabric sweater, is machine-sewn cotton with careful detailing right down to the red hankie poking out of her apron pocket. She also wears gold hoop earrings! Her body, which is well-stuffed to be anatomically correct, is black cotton fabric stuffed with cotton batting.
The white haired and bearded male country gentleman doll is similarly attired in machine-sewn cotton britches with a patch at the knee and suspenders along with a tan cotton striped shirt and red kerchief around his neck. His hat is constructed of cranberry-colored felt. Under his right arm, he holds a nicely crafted chicken that has sustained a tiny bit of fabric loss to its face. His left arm once held a wooden walking stick which is long gone, but alternatively, he now uses his free hand to hold the arm of his lovely lady! His asphalt shingle is also missing with remnants evident of it present on the soles of his shoes.
Two very special dolls that represent a snapshot of history, capturing the lives of poor southern black folk of the Depression era.
The dolls are priced at $225.00 each, or they may both be purchased as a pair at the discounted price of $395.00. Please note that no further advertised discount is applicable to this special paired pricing offer.
All seven of these colorful brushes have natural bristles, and range in height from 7.5 inches and 8 inches tall to the smaller, 4.5 inches tall, green and red-dressed little Mammy brushes.
The three black railroad porter brushes, the large red Mammy brush with cloth bow and the small red Mammy brush are all in near excellent condition with evidence of having been very lightly used as described:
Blue Porter with Cream colored pants: teeny, superficial "dings" to paint here and there with one teeny mark between the eyes.
Black and Cream Porter: teeny, superficial "dings" to paint here and there with one teeny mark near the mouth; paint wear to edges of cap.
Yellow Porter: paint wear primarily to right side of face and top of cap.
Large Red Mammy with Cloth Bow: paint in excellent condition with a couple tiny rubs here and there. Natural bristles have faint trace of original red painted dots to natural bristle skirt.
Small Red Mammy: paint in excellent condition; faint trace of original red dots on natural bristle skirt.
The following two brushes are also in very nice, barely used condition with minor imperfection as described below:
Large Red Mammy with hand-painted bow: brush has seen a little more use than the others(see photos)- very minor paint wear from use to Mammy's back. Black paint drip to collar area. Natural bristles dyed red.
Small Green Mammy: green cap and blouse, small, 4.5" tall --in very good condition with exception to paint striation on face that occurred during manufacture (close-up photo makes this appear more prominent than what is seen with the eye).
Please note that many of the white spots seen in the photos are light reflections and are NOT areas of missing paint. If one looks closely, the teeny areas of missing paint can be distinguished from the light reflections.
The taller brushes are all priced at $85 each. The smaller, 4.5", green and red-dressed mammy brushes are priced at $60 each.
Her interesting face is hand-stitched with a red satin fabric mouth, mother-of-pearl button eyes, and fab, round, celluloid earrings. Just love her face!!!
Mammy wears a red and cream checked bandanna that matches her shawl. Her blue and cream flowered skirt and blouse, present in various different shades as Mammy's outfit has been subjected to light over the years and is in places, quite faded! Mammy's clothing is speckled here and there with teeny pinpoint size holes, with more obvious small tears in her shawl and bandanna as noted in photos.
Although her bottle frame is covered by a black stocking, the stocking has opened slightly under her skirt at the base revealing her vintage, sand-filled, milk bottle.
This wonderful, early bottle doll is one of 5 currently offered bottle dolls --- all priced separately. This bottle doll is my personal favorite!!
The doll clad in all black depicts the rarely-found, black country preacher out for an afternoon stroll with his wooden walking stick in one hand and the Holy Bible clutched in the other. The preacher wears a machine-stitched suit thoughtfully detailed with white shirt cuffs poking out of his sleeves and the white reverend's collar at his neck. His left shoe reveals a hole with a sock-covered toe poking through! The preacher's stove pipe style hat is placed snugly on his head covering most of his gray hair although his full gray facial beard features prominently. His embroidered facial features, characteristic of these dolls, are further accented with "steel-rimmed" style eye glasses. The 1.5 square inch bible actually has real pages! Also characteristic of this type of doll is a small square of asphalt shingle glued to the feet to serve as a stand. The doll's body is well-stuffed with cotton batting.
The gray-hair and bearded, chicken-toting black country gent doll is also attired in machine-stitched clothing and additionally shares a cotton-bating stuffed body, embroidered facial features, and an asphalt shingle tile stand. He wears cotton britches detailed with double knee patches and suspenders along with a blue and cream striped cotton shirt and a red and white polka dot kerchief around his neck. His hat is constructed of black-colored felt. This country gent holds a finely crafted and detailed brown chicken under his right arm, while his left hand clutches a wooden walking stick.
Two very special dolls that represent a snapshot of history, capturing the lives of poor southern black folk of the Depression era.
The dolls are priced at $255.00 each.
Marked "Made in Germany US Zone" on Golly's pant leg, this toy is in wonderful, barely-used condition with just the tiniest degree of scratching wherever metal rubs metal during toy movement. To operate the toy, one simply squeezes the metal lever on the back, which causes the clown to hit poor Golly on the head with a mallet!
An EXTREMELY RARE toy as a VERY LIMITED number were made only during the US occupation of post World War II Germany!
A brief history of the Golliwog doll: The Golliwog is based on a Black minstrel doll that the Victorian era illustrator, Florence Kate Upton, born in 1873, had played with as a small child in New York. Upton's Golliwog character was first introduced to the world in her 1895 book entitled The Adventures of Two Dutch Dolls. Like the rag doll that inspired it, the Golliwog in her book was an ugly creature with very dark, jet black skin, large white-rimmed eyes, red clown lips, and wild, frizzy hair. Golliwogs are typically male and are generally dressed in a jacket, trousers, bow tie, and stand-up collar in a combination of red, white, blue, black, and occasionally yellow colors.
A brief history of the Negro League:
African Americans first began to play baseball in the late 1800s on military teams, college teams, and company teams, eventually finding their way to the established professional baseball teams of white players. However, racism and “Jim Crow” laws would force African Americans from these teams by 1900, with black players left to form their own teams.
In 1920, an organized league structure was formed under the guidance of Andrew “Rube” Foster, a former player, manager, and owner for the Chicago American Giants. In a meeting held at the Paseo YMCA in Kansas City, Mo., Foster and several other Midwestern team owners joined to form the Negro National League. Soon, rival leagues formed in Eastern and Southern states, which brought black baseball to major urban centers and to rural countrysides in the U.S., Canada, and Latin America. The Leagues maintained a high level of professional skill and inspired economic development in many black communities.
In 1945, when Major League Baseball’s Brooklyn Dodgers recruited Jackie Robinson from the Kansas City Monarchs, Robinson became the first African American in the modern era to play on a Major League roster. While this historic event was a key moment in baseball and civil rights history, it marked the decline of the Negro Leagues. The best black players began to be recruited for the Major Leagues with their black fans following them, and the last Negro Leagues teams folded in the early 1960s.
These iron, hand-forged, 19th century slave ship shackles were purchased back in the early 1960’s out of a family estate in New Orleans, Louisiana, whose 18th and 19th century ancestors were involved in the slave trade. The shackles remain all-original and untouched with fifteen very heavy chain links that vary in size, measuring a total of 40 inches in length when positioned in a straight line. The cuff size is enormous with diameter measurements of 4.75 and 4.25 inches each; the heft and weight of each cuff is quite impressive. This very weighty set was designed to immobilize when the two circular links were attached to another locking shackle on the interior wall of the ship. An utterly horrible, tangible testament to the malevolence of slavery.
The anonymous museum benefactor from Georgia kept this particular set aside from those items he had planned to donate to the Middle Passage Museum due to the rarity in opportunity of acquiring slave ship shackles---the only set he acquired in his many years of collecting which began in the early 1950's before the collectible field of Black Americana was popular or even socially or politically acceptable.
Also currently offered for sale and priced separately are a set of 19th century, hand-made, Georgia, Jone's County plantation, adult slave shackles with KEY, a very diminutive set of 19thC, child shackles from a plantation in Americus, Georgia and a rarely found, 19thC Slave Rattle Shackle out of the Charleston, South Carolina area-- all very atypical finds! Please type the word "shackles" in the search box on our home page to find these sets of shackles.
The Middle Passage Museum was the dream of Jim and Mary Anne Petty of Mississippi as well as that of an anonymous Georgian benefactor who had together compiled a collection of slave artifacts numbering over 15,000 pieces and who had hoped to find a permanent site in Mobile, Alabama, for their museum. While they formed a non-profit organization to raise funds for their hoped-for museum, their dream was never realized.
In a 2003 statement, Jim Petty remarked, "The importance of the exhibit of these artifacts is to understand the harshness of what slavery and segregation was all about. The items in the exhibit remind us of the terrible heinousness of slavery. Viewing the collection can be very emotional, but it is a tool through which we can understand, honor and respect a great culture. We want to realize that out of slavery, a great culture emerged, and carried on, and continued to strive for a better life regardless of the adverse conditions that were placed upon them."
In lovely condition with age crackling to the backside of the seashell, this stunning piece appears to have never been used for its original purpose as a hanging wall planter. The black paint is in impeccable condition and any white dots that appear in photos are the result of light reflection off of teeny glaze imperfections and are NOT chips, rubs or scratches to the surface. The gold stippling to the seashell is perfect!
The piece has a hole in the back to facilitate wall-mounting or it may be easily displayed on a shelf.
A very seldom found piece of vintage Black Memorabilia that is truly stunning in appearance!
A tiny bisque black boy holding a watermelon slice is seated on a throne of sea shells. The name of the location that this sea shell souvenir was meant to commemorate is worn and is no longer readable.
Two very minor chips are present as shown in photos which do not detract from the beauty of this piece!