1950’s Copper Earrings with Movable Hearts Shiny copper earrings from the ‘50’s had a scalloped edge and mounted in the center is a movable dangle that looks like a heart. These are quite old, but in very good condition. They even have the original lacquer finish on them that has held up well. From this era, they are, of course, screw backs. They are somewhat of an oval shape that is 1-1/4’X 1”. The dangles are about ¾” long.
This is an extraordinary stylized ring artistically designed and produced with impeccable craftsmanship. With fine features of three-dimensional touches of tiny bars and topped by a dome of 14K gold, it is sure to gain comments and interest from those who appreciate style. It is marked, “Sterling” and what looks like it may be a “U” or “C”. It is a size 6. It is a narrow profile, so could be worn against another ring if you desire. I am placing it circa 1970’s. This is a lovely modernist piece.
Working with old elements, Linda Summers has assembled a lovely necklace with an Afghan lapis pendant in the center. The beads all have many different origins and characteristics: faceted carnelian, Prosser Blue Trade Beads, Roman glass, silver Bali, and Chinese balls make up the “old” necklace. This is an unusual piece of jewelry with extraordinary Egyptian tiny metal wire “bows” chain at the end of the necklace, with a sterling loop and toggle fastener. The lapis on the vintage pendant is surrounded by metal that is probably coin silver. The necklace is 22" long. Owning such an eclectic piece as this will bring a lot of pleasure and comments.
If you crave tribal arts, you will love this necklace made from many old and ancient beads. The Amazonite beads are hundreds of years old from Afghanistan and the Ethiopian Cross and brass round and flanged beads are also very old from Africa. The brass ones especially have a character and charm in their imperfect but good design and stand out as something that might have been around for more than 100 years. There is no way to tell exactly how old some of these beads are, but most are easily 100 years old, and the Amazonite are even older. The necklace also has tiny dark spacers that are used in stringing trade bead necklaces. The only things that are not very old are the small orange glass beads and the unusual leaf-design clasp. The necklace is 30" long and the cross adds another 3". This extraordinary necklace was designed by Linda Summers.
This strand is a beautifully aged and is a exemplary example of African pipestone beads. They also have several types of old silver hollow beads that intersect at several places to make this necklace exquisite. It is at least 1960 or before. The center silver bead is about 5/8” in diameter and all the others are varied in size. The strand is 24” long with a hook and eye clasp, and has stretched a little from age, but can be tightened at the clasp. This is a treasure for someone who appreciates old ethnic artwork.
An amazing, antique, Chinese gilt brass cuff bracelet with genuine turquoise cabochons. The repousse work is extraordinary and the details are incredible. Turquoise stones are set in copper. This large cuff is approx. 7 1/2" long x 1 7/8" wide. Marked CHINA. It is in very good antique condition.
This vintage Mexican brooch depicts a large pitcher or ewer that is rounded and punctuated with silver balls and turquoise. It is beautifully crafted and an old style from the pre-Eagle era of Mexican silver. It is circa 1930?s-1940?s. The small cabochon stone is turquoise and is bezel-set. The artist who crafted this was very skilled because the piece is impeccably executed. Gerardo Lopez designed a ewer like this and this could have been done in his shop. Often tallers allowed silversmiths to sell a few of their own without the maestro's mark. It was fabricated by hand, cut from silver sheet, and the shape formed by repousse, as well as the raised silver balls. Then the clasp was soldered on and the back soldered to the front and the stone set. It is marked, "Made in Mexico Silver". It measures 2-1/2? tall x 1-3/4? at the widest point. It weighs 10.6 grams. The piece is in beautiful vintage condition with absolutely no scratches or dings. The clasp works perfectly. This is a highly collectible piece.
This ring has a very contemporary vibe, but is more likely from the 1950’s. It has 5 raised bands around the shank that begin wider at the stone, tapering to smaller at the base of the ring. Each of the band is square-cut and raised with textured depressions in between. The center is graced by an onyx elliptical-shaped, bezel-set, cabochon stone. The only marking is “925” with no makers mark. It has the look of very old Taxco, Mexican work, but I cannot be sure. It is in excellent vintage condition. It has been sized at one time, but looks fine.
This old silver pendant is highly decorative and intriguing. Made by hand by tribal artists in this country in western Asia. This piece was originally made to go with several matching beads, strung as a bridal necklace. The starshot design is one of three prominent patterns used by Yemen Jewish silversmiths in the early 1900s. These artisans were were always conscientious about preserving wealth of his bridal customer because she would depend on her cache of silver should her husband be unable to provide for her. The surface is adorned with silver wire and raised designs and displays a rich grey and black patina with the raised silver design peeking through. This pendant also has a maker’s mark next to the ring that holds the small dangling balls. The cartouche is pressed into molten silver. The chain is 21” long and the large bead is about 1-1/2” in diameter. This is a treasure for someone who appreciates very old tribal arts.
Elaborate with repoussed flowers, this brass cuff hails from the 1920'-'30's and is popular style of that era. It is brass and opens with a friction clasp that works well. It is in good vintage condition and is a piece that looks great with long sleeves. It measures 1" wide and 7-1/2" inside circumference. It's an old piece of jewelry so you have to be aware when you wear it not to treat it as new costume.
This lovely little bracelet is adorned with atylized leaf with tendrils and berries ib it. It a very well crafted, but has not markings, so I can't be sure that it is sterling. It measures 5-1/2" around and it about 1" wide at the widest point. This bracelet can be adjusted a litte
This bracelet is important because the enamel colors are phosphorescent and glow with an unusual depth. It looks like a Renoir/Matisse, but is not marked. It features 5 links with greenish yellow, pink, and aqua blue on a black background. The jump rings are brass and connect each link in two places. The back is also enameled, which gives it a very finished look. The copper links are very good vintage condition and the clasp is strong. There are a few tiny nibbles on the edge, but nothing really noticeable when worn. It measures about 8-1/2” around and each link is 1-1/2” X 1-1/2”. This is a bracelet that will receive lots of compliments and sure to please!
This is an extraordinarily beautiful cuff bracelet, crafted with impeccable artisan workmanship. The base is solid brass, with copper wire channel-set in perfect symmetry. It is marked with an "L", which is a mark I am unfamiliar with. This bracelet is one that is a real treasure in design and craftsmanship. It measures 1-1/2" wide X 2" across the widest span.
This little cowboy is such a great example of the copper art of the ‘50’s from its “tough guy” expression to the bowed legs. He is really almost a cartoon character with his expression and simple design of the figure. The details of his six guns, kerchief, six-gallon hat perched over his eyes, and details on his chaps make him a very charming figure. The pin is pressed and formed to slightly curve outward to give it a fuller dimension. He measures 2-3/4” tall X ¾” at the widest point. Copper is one of my favorite metals and the contrast on fall fabrics looks especially nice. He is an enchanting one to collect and keep.
Here is an extraordinary bracelet that is wide and shiny and commands attention. The outside has shapes like leaves cut out from the copper outside layer. Next is wire, and then the solid copper back. This bracelet is a fine piece of vintage jewelry. It is in very good vintage condition. It measures 6-1/2” circumference with a 1” opening and 2” wide.
Copper Giant Link Abstract Design Bracelet-1950's-'60's This vintage bracelet is such a large scale that no one can miss it. It has three huge links with a raised abstract that looks like a “tornado” design on each one. It’s very shiny and a captivating design for someone who is not afraid to wear striking, fashionable pieces that are always noticed. It measures about 7-1/2” wearable length with each link measuring 2”X2”. It fits a smaller wrist because there isn’t much curve to it. It is in very good vintage condition with no visible flaws. The clasp works fine with a tiny bit on wear showing on the outside. It is not marked.
This little brooch has a very textural surface, pleated all over to look similar to fabric. It is probably from the 1950’s-1960’s with a dark patina accented surface. Holding your scarf in place or just worn on your dress, blouse, or suit – either way, it’s one that looks terrific on anything. It is not marked and is in very good vintage condition. It measures 2-1/4 x 1-1/4” and has a working roller clasp on the back. Small but very attractive.
This is a little copper cuff that has a step-and-repeat pattern of diamond shapes and lines etched into it. It is curved in a convex shaped to give it more depth and volume when worn. Although it looks substantial, it is really very light and comfortable. My estimate is it is circa 1970’s. It is in good vintage condition with some very minimal wear shown. (You can tell the condition from the photos). It measures 7” outside circumference with a 1+” opening. It could be worn by a woman or a man with a small wrist. It would look great with other bracelets.