This large blue Topaz bracelet is vintage Mexican style and although it is not marked, it is made of sterling silver. I have never seen one with this particular design, but it is clearly old Mexican,probably1930’s-‘40’s. The heavy, complex design is quite unusual, but has a definite royalty about its style. The closure is a pin-type that mimics the hinge mechanisms to make it disappear when closed. When I run my fingers over each one of the sparkling blue quartz stones, I can feel no irregularities, and can see none. They are in great shape. In fact, the entire bracelet is in excellent vintage condition and is truly a collector’s piece. It measures 7” inside circumference and is 1-1/4” wide. It weighs 71.4 grams.
This handsome vintage Mexican sterling silver necklace is exquisitely designed with a motif reminiscent of pre-Columbian or Aztec symbols. This piece has an incredibly custom fit that hugs the neck because rather than the sections splaying out to be totally horizontal, it has a slight pitch so that the inside circle is smaller than the outside edge. The patina is bright, yet has the warmth of worn sterling. It is a superior piece with immaculate craftsmanship, perfectly fitting links, and extremely accurate alignment. It is marked. “Mexico 925, N-M”. This mark could be an item made for Neiman-Marcus. Stanley Marcus and William Spratling became acquainted in the early 1940’s, and Spratling consequently designed and supplied silver items to Neiman-Marcus. I don’t know if this is correct or not, but it is plausible. The necklace measures slightly over 14” on the inside curve and approximately 17” on the outside. The links are about ½” wide x 7/8” long x 1/8” thick. It weighs an impressive 113.5 grams. I believe each link was cast and finished by hand. The invisible pin joints that connect one link to the next is a subtle and uncluttered finishing touch. The tongue-and-box-clasp snap tightly. The necklace is in excellent vintage condition with normal scratches for a piece this old. (I’m estimating that it is circa mid-late 1940’s.) This is truly a collection piece that is contemporary, elegant, and timeless.
This elegant yet simple bracelet features a braided rope design and is a prime example of the fine Mexican craftsmanship that experienced notoriety during the 1930's-'40's because of the William Spratling influence and patronage. Spratling fostered an industry in Taxco, but the concept spread throughout several cities in Mexico. Fine silver jewelry craftsmanship was raised to a supreme level that is emulated still. This magnificent bracelet can be adjusted to fit just about any wrist, and is thick, wide, and weighs a substantial 35.5 grams. It is impeccably constructed with channels and crevices set off by black niello. This technique makes the patterns in the braid more prominent and accentuates the textural quality of the design. It is marked "925", and probably pre-1948 because of no Eagle mark nor letter-numbering system shown. This design is very similar to a Hector Aguilar bracelet. The bracelet measures approximately 7" long end-to-end and is 1" wide, with a 1/4" opening which can vary depending on your wrist size. It is in excellent vintage condition. This is a stunning and hefty piece that is bound to get noticed!
Here is a heavily adorned bracelet with six ornate links, each with a carved green stone face of a warrior. I believe the stones are Mexican jade. This lovely piece has beautifully-crafted, very florid and graceful scrolling pattern behind each bezel-set cabochon. It is simply marked, “sterling, Mexico”, which is typical of the earliest silver work done in Mexico during this period. It is, however, almost identical to one I have seen by Patino, an artisan who produced very fine work during this period. I would date it circa early 1940’s. This piece is a very early example of the incredible design and craftsmanship produced during the halcyon years of the Mexican silver renaissance when all silverwork was created without electronic tools. The piece weighs 41.3 grams, is 7” wearable length, and is 1-1/4” wide. The clasp is a simple tongue and box which fastens securely. This bracelet is the result of the renaissance that emanated from Taxco and flourished from the 1920's-1960's in several cities throughout Mexico. Beginning in the 1920's, the silver artisans of Mexico rose to a new definition of perfection in design and craftsmanship as the result of the strong influence and patronage of William Spratling, a talented architect and designer who engendered a city of tallers and jewelers in Taxco during that time. Mexico City also had a rich history of early tallers. The bracelet shows some wear around the settings and some are not perfectly true. It has the usual scratches and patina of a piece that is some 80 years old. It is quite beautiful and a stunning addition for anyone who appreciates historical Mexican silver artistry. It is in good vintage condition with only two minor dings on the silver balls that are barely noticeable.
This is a great example of Taxco silver artistry by Juan Sandoval Vazquez. His mark, TS-79 is noted by Mexican silver experts and authors, Penny Morrill and Carol Berk, in their book, Mexican Silver. The design on this piece has a distinct Pre-Columbian style and symbology. It also is very similar to a VOO and Ledesma design. The motif relates an Aztec or Mayan headdress in a stylized, graphic sense, achieving great dimension by layering various cutwork silver pieces. The piece can be worn as either a pendant or brooch and has a bail and roll clasp on the back. The craftsmanship on this stunning piece is quite skilled and the design is a very creative rendition of historical themes. In addition to the cutwork, there are silver balls punctuating the design in several places, as well as on three hanging pendants at the bottom. It measures 2” across and the main piece is 1-1/4 tall, and including the pendants, it measures 2” tall. It weighs 26.3 grams. The numbering system replaced the Eagle assay system in 1948, so this piece is post 1948. It is striking and bold and is in good vintage condition with typical wear shown on a piece this old. This is definitely a stellar collection piece.
This distinctly elegant brooch was made by one of the Mexican silver masters, Serafin Moctezuma. He was known as a very skilled artist as seen in the impeccable execution of this brooch. This exquisite piece is a lyrical shape of leaves and a bezel-set amethyst stone. It very 3-dimensional because the leaves and stems undulate and swirl on several planes. The leaves are incised at the bottom of the brooch and pierced or cut out on the top leaf, lending interest and contrast to the design. The absence of the Eagle Assay mark dates this piece is circa 1930's-1940's. It measures 2-3/4" on the longest dimension and is 1-1/2" at the widest point. It weighs 13.7 grams. It is marked, "Hecho en Mexico, 925" in a circle with "SM" in the center and "Taxco" outside the circle. This is the mark of Serafin Moctezuma, a contemporary of William Spratling. The silversmiths of this era in Taxco were known for their unequalled design and craftsmanship. Their worked became sought-after all over the world and brought fame to the tiny village of Taxco. Most of these masters are no longer living, so their work is even more collectible. The roll clasp is secure and works well. It is very striking and is obviously quite old, but is in excellent vintage condition with no visible damage at all. This is a highly collectible piece.
The cross is seen in many varieties and versions in the Americas, but the Yalalag Cross is one of the most ornate and legendary. The Yalalag Cross comes from San Juan Yalalag, Sierra de Juarez, Oaxaca, Mexico and its basic design predates the Conquest. It consists of a central cross with three lesser crosses hanging from the main cross. The decorative elements in the design can be geometric, which is usually Indian – or with wings, hearts, and flowers, which is more Christian symbology. A cross with two arms in the upper half is called a Patriarchal Cross. This Yalalag silver cross has an amethyst cabochon bezel-set in the center and surrounded by curled wire and highly decorative flowerettes. This motif continues throughout the large cross and to the lesser crosses and even the ornate bail. The three lesser crosses are missing their tiny hanging pieces at the bottom, but it is still a fabulous piece of jewelry history and art. It was hand wrought entirely by a Mexican silver artisan. It measures 3-3/4” tall x 2-1/4” wide at the widest point, and weighs 16.1 grams. It is marked, "Mexico", and predates the Eagle Assay mark making it circa 193o's'40's. Although it doesn't say, it is sterling. This is a rare and beautiful cross to add to your collection..
This vintage Mexican silver cross is an intricate scrollwork design with a tiny silver ball in the center. It is very well-crafted, and probably dates to the late 1940’s to early ‘50’s. It is marked, "Sterling” and the Eagle 3. It looks like each of the cross arms was cast and then soldered together along with the clasp. One of the cross arms measures 2-1/2" and the other is 2" across, and weighs 12.4 grams. The clasp is in good working order and tapers to a very fine point. It is a stunning piece and is in good vintage condition.
Beautiful and exquisite is this unusual teardrop shaped pendant with a large slab of what looks like maybe amber tourmaline, and amethyst, two small CZ's(I'm guessing)and garnet. It is crafted with flourishes of silver that are damped from behind to give them a spherical shape. The pendant is really unusual and looks like it was made in Mexico, but there are no markings. It is sterling and measures 2-1/2" from top to bottom and 1" wide at the widest point. The garnet at the top articulates while the rest is stationary. It is quite lovely and it is circa 1970's. The chain is sold separately and is 22" long and is $40.00.
This vintage Mexican silver ring has a beautiful fan-shaped or fluted pattern. It is simple, yet elegant and looks beautiful on. The hallmarks are, "CF", which is a silversmith mentioned in Bille Hougart's book, The Little Book of Mexican Silver Trade and Hallmarks. It is approximately a size 5-1/2-6. Although it looks very heavy, it weighs 12.2 grams and is very comfortable on. Dome-type rings are difficult to size eactly, and typically have a slight range of size because of the hollow area under the dome. This piece was cast in the lost wax method as seen by the ridges and texture of the inside of the dome. I would date it to the '60's for its style and wear. It has the typical wear of a vintage piece. It is in excellent condition and only has small scratches. It would be something you will want to wear often!
This vintage hand made brooch is a silver filigree design with a "foil" or "faux opal" bezel-set in the center. Foil opals are really multicolored foil embedded in glass that sparkles with different colors as do real opals. JoyMex items are becoming very hard to find and this one is a primo example of their work. The filagree is made by carefully bending fine silver wire and soldering to the back base piece. It also has tiny silver balls all around the edge at specific intervals in the scrolls. It is solid sterling silver and was produced circa 1930's in Mexico by JOYMEX. JOYMEX was a noted silversmith during that time and is listed on page 85 of Billie Hougart's book, The Little Book of Mexican Silver Trade and Hallmarks. It is marked, "JOYMEX Mexico", and has a partial symbol of their crown that is part of their hallmark. The brooch measures 1-5/8" wide and 1-1/4" tall. It is in excellent vintage condition. The clasp is intact and works perfectly. This is a very feminine and collectible piece.
This unusual and elegant brooch was made by one of the Mexican silver masters who worked for Estela Popowski and signed his pieces, “AE” inside a heart-shaped “M”. Popowski’s taller was in Mexico City, beginning about the early-mid 1950’s. This design has also been done by Ana Nunez Brilianti, "Victoria". The design of this piece is a beautiful flower and leaves, with the leaves folded over part of the flower – a very striking design. The center has 6 small silver balls denoting the stamen of the flower. It addition to the, maker’s mark, it marked “Sterling Mexico”. The brooch measures 1-9/16” long x 1-3/8” wide, and weighs 10.8 grams. The artist who crafted this was very skilled because the piece is impeccably executed. It was cut from silver sheet and incised with detail of the flower. The center balls and the clasp were soldered in place. It is in excellent vintage condition with no visible damage, and the clasp works perfectly. This is a highly collectible piece.
An uncommon style with certain panache is how I would describe the character of this eye-catching bracelet. The six panels host oval green onyx cabochons set with tiny twisted silver wire at the base of each one. Each of the links is embellished with six circles of silver and silver braided wire. While this is 800 silver, it has a great warmth and appeal. It is marked, “Hecho en Mexico, Guard, Jal”, and the artist’s initials “EGS”. Guad is Guadalajara in the state of Jalisco. I would estimate this to be early 1940’s with the lack of an Eagle assay mark. It measures a little over 7” wide wearable length X 1-1/4” wide. It is in very good vintage condition. This bracelet has a very tailored and fashionable look and would be a classical addition for any collector.
These elegant vintage Taxco sterling silver earrings are decorated with symmetrical flourishes covering the surface, reminiscent of heraldic symbols. The graceful design is raised with dark patinaed background. They are marked, " Taxco 925 Mexico" in a circle, with the artist’s initials, “AVC” in the center. It also has the Eagle 3 assay stamp and part of what was probably “sterling”. This artist is documented in Bille Hougart’s, “The Little Book of Mexican Silver Trade and Hallmarks”. They are approximately 1-1/4 long and ¾” wide, and are screw backs. They weigh 7 grams. These were probably cast and then cut out around the edge of the design. Then the alpaca screw backs were soldered on. These are in excellent vintage condition and are a striking sophisticated design.
This vintage Mexican brooch depicts a large pitcher or ewer that is rounded and punctuated with silver balls and turquoise. It is beautifully crafted and an old style from the pre-Eagle era of Mexican silver. It is circa 1930?s-1940?s. The small cabochon stone is turquoise and is bezel-set. The artist who crafted this was very skilled because the piece is impeccably executed. Gerardo Lopez designed a ewer like this and this could have been done in his shop. Often tallers allowed silversmiths to sell a few of their own without the maestro's mark. It was fabricated by hand, cut from silver sheet, and the shape formed by repousse, as well as the raised silver balls. Then the clasp was soldered on and the back soldered to the front and the stone set. It is marked, "Made in Mexico Silver". It measures 2-1/2? tall x 1-3/4? at the widest point. It weighs 10.6 grams. The piece is in beautiful vintage condition with absolutely no scratches or dings. The clasp works perfectly. This is a highly collectible piece.
These sterling silver earrings are large and showy and were made by a Mexican silversmith sometime in the late ‘70’s-‘80’s. They are sculptural and dramatic and weigh 24.8 grams. They are marked, “925, TO-40, Mexico”. TO-40 is for Taxco artist Judith Cuervo Ortiz. They are worn with the pointed end down and measure2-3/4” tip-to-tip and are almost 1” wide at the widest point. The design is bold and they are definitely a statement piece.
This antique bracelet and earrings are made in the traditional Mexican "coffee bean" style with green half moon stones. The coffee bean style is made from silver domes that have been mashed in the center with a narrow tool. This sterling bracelet has 8 links, with alternating stones set in silver with rows of small silver balls, and the coffee bean "flower" motif in between. It has a pair of matching earrings that are screw backs. The bracelet is marked, "Taxco, 925" and the earrings, "silver, Mexico". They are most likely from the 1940's because of the markings and the typical wear. I'm not sure of the stone, but think it could be Lucite or some other synthetic material used in that era. This is a very nice set and the clasp on the bracelet works well.
This ring has a very contemporary vibe, but is more likely from the 1950’s. It has 5 raised bands around the shank that begin wider at the stone, tapering to smaller at the base of the ring. Each of the band is square-cut and raised with textured depressions in between. The center is graced by an onyx elliptical-shaped, bezel-set, cabochon stone. The only marking is “925” with no makers mark. It has the look of very old Taxco, Mexican work, but I cannot be sure. It is in excellent vintage condition. It has been sized at one time, but looks fine.